When analyzing an architectural project, we often focus on issues such as its programmatic demands and historical context, its design and representation process, and how it was built. We tend to study it as a finished product. Yet, once a work is constructed, it opens itself up to the city and to others, becoming vulnerable to flaws, imperfections, redevelopments, and unforeseen appropriations. The consequences then stem from conflicts, and social and political dynamics that shape the city, forming a fluid and shifting landscape. 

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When we visit an urban destination—or perhaps a rural one as well—can we truly say we know it? A brief vacation in a tourist destination might give us an impression of what a place "is." However, this is a far cry from reality, as tourism has always manipulated the impression left on visitors, obscuring the actual lived experience of the place. 

Whenever we think of solar panels, the concept of sustainability immediately comes to mind. They are undoubtedly an effective solution for generating renewable energy; however, what few people realize is that solar panels are incredibly difficult to recycle. While this drawback should not discourage their adoption in buildings and solar power plants, it underscores that sustainability must remain a constant focus for these products, even after they stop working.

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The city of Puebla, located in the central highlands of Mexico, is particularly well-known for its street layout and its predominantly Baroque architecture. A UNESCO World Heritage Site since 1987, it hosts a broad cultural dynamic centered on the preservation of built heritage and its appreciation from afar, as if it were a museum piece. Consequently, on our daily commutes, we notice the monumentality of its facades, while most often overlooking what lies behind the large wooden doors: what we have called “the heart of the Poblano home.”

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us an interview with Sebastián Serna Hosie, a Bogotá-based architect and member of Taller de (S) and Ciudad Isla. This is part of a series featuring seven Colombian architects, including prominent figures such as Santiago Pradilla, Lorenzo Castro, and Fernando de la Carrera, whose interviews will be released on their channel.

Street safety goes far beyond policing and lighting. While these factors may be important in certain contexts, community engagement and building social capital are key to making cities safer. “Feeling safe is crucial for people to embrace urban space,” says Jan Gehl.

Far from Brazil's major economic and cultural hubs, the Porto Alegre-based firm sauermartins has been garnering national and international recognition that belies its modest scale and structure. Founded by Cássio Sauer and Elisa T. Martins and currently comprising only two other professionals, the studio was selected to represent Brazil at the 2018 Venice Biennale of Architecture, was a finalist for the 2019 Lisbon Triennale Début Award, had a project selected for the national shortlist of the 3rd Oscar Niemeyer Award, was recently named one of ArchDaily's Best New Practices of 2020, and will represent Brazil at the upcoming Bienal de Arquitectura Latinoamericana in Pamplona.

With a practice defined by its singular geographical and cultural position—drawing on references from both Brazil and other southern Latin American countries—sauermartins explores an aesthetic of the cold and the rural, inflected by modern influences and dedicated to addressing concrete, contemporary challenges.

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The year 2019 was one of the most prolific for public design competitions in Bogotá, particularly within the education sector. Recently, the results of the public architectural preliminary design competition for the Hipotecho School were announced, with the winning proposal submitted by the joint team of AR-AR (Martínez Arquitectura) + Fiallo Atelier + MEC arquitectura.

If we could travel back in time one hundred years and organize an ideas competition to visualize what Bogota would look like in 2020, the proposals would be far from the reality of the urban landscape experienced today in the Colombian capital. Back then, little was known about the events that would later shape history, such as the Bogotazo, which led to the rebuilding or remodeling of most of the buildings that served as architectural landmarks of previous centuries.

The uncertainty of a distant future is perpetual. Yet, this does not stop the imagination from creating utopian or dystopian scenarios of that urban dimension for 2120. This was the main goal of the rendering competition organized by the Student Collective of the Colombian Society of Architects (CESCA) of the Bogota and Cundinamarca chapter.

For the first time, the Colombian Biennial of Architecture and Urbanism, organized by the Colombian Society of Architects (SCA), will be held virtually. In its 27th edition, over ten days, more than 60 lectures, 9 panels, and 4 forums will be available. Explore the full schedule of the main room below. Meanwhile, the parallel room will showcase the Biennial's finalist projects.

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As part of an event held for the thirteenth consecutive year, a showroom opened in October featuring spaces designed by various architects and designers to showcase the new ColorLife TRENDS 2021 palettes by the Comex brand. Participants included Adrián Marfil, Alexia Ulibarri, Andrés Gutiérrez, Arlette Salas, Cristina Grappin, Jorge Ballina, Luis H. Muñoz, Mauricio De la Garza, Moisés Hernández, Penélope De la Madrid, and Rodrigo Noriega.

Academic architectural practice must push students and faculty toward constant adaptation and exploration. First-semester students at the Pontificia Universidad Javeriana built an intervention of ephemeral architecture using wood as a structural material in the arts building (prior to the state of emergency). This gave future architects the academic experience of hands-on construction during their very first semester in the department.

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The Abierto Mexicano de Diseño is an international festival that annually gathers and celebrates the design community in Mexico in all its breadth within a single geographic point: the Historic Center of Mexico City. Its programming aims to connect the public with the creative initiatives of established designers, emerging studios, students, universities, cultural institutions, and other stakeholders. This year, the festival features the theme: “Design and Utopia: From Manifesto to Action.”

The Superintendency of Industry and Commerce has granted a utility patent for the invention "Multifunctional Self-Supporting Modular Roof System" to professors Camilo Ayala García and Christiaan Job Nieman Janssen, from the design department, and Diego Alejandro Velándia Rayo, from the architecture department, at the Faculty of Architecture and Design of the Universidad de los Andes.

After the state of emergency, nothing will return to the way it was. At that point, public and private spaces will routinely be occupied in ways that prevent transmission of a still-active virus. However, just as this situation has forced us to recognize our deficient healthcare system, it has also revealed how inadequate the spaces we inhabit often are.

In 2018, sociologist and cycling activist Marina Harkot defended her master's thesis Bicycles and Women at the University of São Paulo (USP). To develop a qualitative methodology examining the challenges faced by female cyclists in the city, she interviewed various women: those who bike to work, those who explore the city on two wheels, and those who love tackling the capital's rolling topography.

Her methodology succeeded in revealing a common thread among these diverse cyclists: “It is the network surrounding these women that seems to prompt them to start cycling and keep them riding — as well as female role models, the women (whether known to them or not) who ride and inspired them,” wrote the researcher. 

When reality demands complex and unprecedented answers from us, one of the most interesting methods to find them is biomimicry, which consists of asking nature questions in search of inspiration. In this light, it is worth asking: how does nature deal with emergency situations where an organism's behavior must be quickly modified?

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Rojkind Arquitectos + AmasA Estudio present a new project on a site named "Tres Cerritos" in Valle de Guadalupe, part of the wine route in the Francisco Zarco district of Ensenada, Baja California. The project arises from an understanding of nature's value and its historical use as a sanctuary and refuge, creating a hospitality concept that reconnects the visitor with the environment.

Two buildings in Brasília's Plano Piloto have received the CAU/DF Seal – Architecture of Brasília 2020, and another six will receive it in the coming days. Launched in August of this year by the Council of Architecture and Urbanism of the Federal District, the seal aims to recognize the historical value of Brasília's non-monumental buildings and their designers, as well as to promote building maintenance and conservation best practices that have preserved the architectural language of the Modern Movement.

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Mexico's National Social Distancing Campaign began on March 23, 2020. However, a couple of weeks prior—even in the face of the federal government's recommendation to continue normal activities—social media users were already opting to mirror the European model and self-isolate. Architecture firms immediately began closing their physical spaces to transition to remote work, though for others, the shift took several weeks. Yet, this period of social and physical (spatial) distancing is experienced differently in every household. Over the months of this pandemic, we have witnessed not only the inequities in access to basic needs in dense urban areas, but also the fragility of the social order itself. Whether at a macro or micro scale, all of these experiences occur within and are shaped by the built environment, positioning architecture as both an active participant and a critical arbiter in this equation. 

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The “Xico-Parque Sur 23” project by the Mexican firm All Arquitectura grew out of the success of “Cancha La Doce,” which was developed in collaboration with love.fútbol and sponsored by the Pincus Family Foundation. Drawing on insights gained from previous projects on-site, the design and research process built upon an existing understanding of local needs and opportunities.

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This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Frida Escobedo in the New Galerie Nordenhake Space."

The relationship between Frida Escobedo's studio and various creative disciplines is materialized in each of their projects; some involve extensive exploration and research, while others are more pragmatic. The studio achieves a balance in today's industry, spanning from residential, commercial, or hospitality spaces to projects that verge closer to art or installation. The processes of one constantly inform the other.

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As part of an initiative by Infonavit to drive the recovery of three neighborhood parks in the city of Tuxtla Gutiérrez, Chiapas—“San Juan,” “Las Torres,” and “Canteras”—these housing developments lacked efficient infrastructure, resulting in a deteriorated urban image, high crime rates, and a complete lack of community ownership over public spaces. In response, T+E Arquitectos and Fracciona Arquitectura joined forces to transform these spaces, addressing the distinct requirements of each site.

Designed and built by the team from Universidad Mayor, a sustainable social housing project featuring productive and commercial spaces was named the winner of Construye Solar 2019, the third edition of the Chilean competition organized by Ruta Solar.