The Association of Sabesp Engineers (AESabesp) has launched a competition to select the best architectural designs for the future São Paulo Water Museum. The goal is to find the best architectural concepts and alternatives for the restoration and expansion of the former water and sewage department building—currently known as the França Pinto Reservation Center—and the implementation of the cultural venue.

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Marked by the intersection and mutual reinforcement of curatorial design and institutional action, the 34th Bienal de São Paulo emphasizes the poetics of “relation” and adopts an innovative operational structure. This framework involves exhibitions and events hosted at the Bienal Pavilion starting in February 2020, in collaboration with a network of more than 20 institutions across São Paulo. Once the Pavilion is fully occupied by the exhibition starting in September 2020, these partner institutions will host, within their own spaces, exhibitions integrated into the 34th Bienal.

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The fanzine Architecture and Politics, produced days before the second round of the 2018 presidential elections, is a manifesto on the urgency of understanding the production of space in its intrinsic relationship with power. Foreshadowing the fate that the outcome of this election brought upon the country, it suggests a way of interpreting the Brazilian political landscape.

Since their university days, architecture students are taught that ventilating indoor spaces is crucial for removing excess heat. However, the specific conditions under which this practice actually achieves adequate thermal performance are not always clearly defined, especially regarding residential roof ventilation.

Standing 120 meters tall at the corner of West 56th Street and Eleventh Avenue, the first building by Álvaro Siza in New York is nearing completion. Named 611 West 56th Street, the residential condominium will also feature several amenities for its residents, including a swimming pool, a spa, a gym, a children's playroom, and event spaces.

Portuguese architect Eduardo Souto de Moura was recognized this week with the 2019 Arnold W. Brunner Memorial Prize, an award presented annually by the American Academy of Arts and Letters to an architect of any nationality who has made significant contributions to "architecture as an art."

The Bahia Department of the Institute of Architects of Brazil has launched the IAB BA 2019 Awards, aimed at identifying, recognizing, and promoting the intellectual and professional work of architects and urban planners active in the state of Bahia. This year, there are 12 categories open for submissions, including Interior Architecture, Restoration and Rehabilitation of Built Heritage, Photography of Architectural Objects or Urban Spaces, and Design.

Tasked with mapping contemporary Brazilian production, the ​Tomie Ohtake Institute AkzoNobel Architecture Prize ​began its activities in 2013 with loosely defined horizons. While there was the expectation of creating an unprecedented initiative on the national stage by honoring projects built over the last decade, there was also the clear challenge of establishing a prize without categories, dealing with a broad universe of programs and comparing initiatives of widely differing scales.

One of the most influential contemporary artists, American sculptor Richard Serra will have their first public artwork in Latin America installed in São Paulo. The headquarters of the Instituto Moreira Salles on Avenida Paulista will permanently house the sculpture Echo, created specifically for the cultural center, which will be open to the public free of charge starting next Saturday in the institute's outdoor garden.

Improving public transit requires close attention not only to vehicles and routes, but to how people access and exit them. All too often, urban planning fails to account for the diverse needs of all individuals and how they navigate a transit system.

Architectural modernism emerged in the wake of the early 20th-century European avant-gardes. The movement was fueled by industrial capitalism and the thrilling technological progress unfolding before everyone's eyes. The break with the past had been deliberately ushered in by intellectual, artistic, and technical movements since the mid-19th century. The Crystal Palace, for instance, designed by Sir Joseph Paxton, was built in London to host the Great Exhibition of 1851 and represented a structural revolution in the use of lightweight materials such as iron and glass.

Tekôa is a space within Ekôa Park that explores solutions by bridging theory and practice. It is a hub for integrative permaculture practices based on two principles: developing a practical ecology and experimenting with low-environmental-impact solutions that yield positive social impacts, thereby inventing new ways of living, building shelter, and producing food. Sem Muros believes that to achieve an ecologically sound and socially just life, people must develop autonomy. To this end, the techniques used are simple, easily replicable, and tailored to the environmental context of the project's territory.

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The Casa da Arquitectura - Portuguese Centre for Architecture has reached an agreement with Pritzker laureate Eduardo Souto de Moura to deposit his archive at the Portuguese institution. Signed on May 6, the agreement adds approximately 8,500 drawings and all textual and photographic documentation detailing the projects from the architect's 40-year career to the 604 models already housed at the institution since 2009.

One of Belo Horizonte's main landmarks, the Pampulha Church, designed by Oscar Niemeyer, has undergone a meticulous restoration and will reopen to the public today, October 4. The building had been closed since June of last year, when work began to address water infiltration. This included a complex project to replace the wooden ceiling of the central nave, as well as general maintenance such as cleaning and restoring the external ceramic tile cladding, repainting the chapel, and repairing the Portuguese pavement sidewalks.

Much has been said since the then-new minister of economy, Paulo Guedes, stated that it was necessary to “take a knife” to the S System. However, these discussions have focused almost exclusively on the financial aspects of the system. To truly understand the relevance of the S System to Brazilian society—whose flagship organizations include SENAC (National Service for Commercial Apprenticeship), SESC (Social Service of Commerce), SENAI (National Service for Industrial Apprenticeship), SESI (Social Service of Industry), and SEBRAE (Brazilian Micro and Small Business Support Service)—it is far more instructive to examine the original motivations behind this vocational education system, the pedagogical and political project that drove its creation, the role of architecture in its facilities to achieve its goals, and its ongoing relevance in the fields of education and culture.

The “Glória-Lavapés Historical Path” is composed of Glória and Lavapés streets, which connect the neighborhoods of Liberdade, Glicério, and Cambuci in the central region of São Paulo. Although designated as a heritage site in March 2018 and ratified in July 2019 by the Municipal Council for the Preservation of Historical, Cultural, and Environmental Heritage of the City of São Paulo (CONPRESP), this area still faces issues that reinforce the historical erasure of critical memories along this stretch—such as Black occupation, the morphological layout of the colonial city, and the visual and topographical memory of the rugged terrain.

The firm EArquitetos has developed a design proposal for a bridge over the Vrbas River in Banja Luka, Bosnia and Herzegovina. The project received an honorable mention in the international competition. See the proposal below, accompanied by the project description.

In the experiment by the collective Mouraria 53, the spatial operation—unlike a typical architectural project—begins before construction is finished and is integral to its ongoing development. Exhibitions, presentations, concerts, workshops, and classes serve as a daily exchange in building the house. The process itself is of paramount value to this initiative, bringing together projects, materials, dialogues, execution, and collective dreams.

On January 23, 2019, during the opening of the exhibition showcasing the 20 selected projects out of 127 entries from 16 Brazilian states and the Federal District, the three winners of the 1st Instituto Tomie Ohtake Leroy Merlin Design Award and one honorable mention were announced.

Bioconstruction refers to a building process utilizing materials and techniques with low environmental impact, alongside adapting architecture to local conditions and managing waste during the building's lifecycle. Consequently, building according to these principles does not necessarily mean using so-called sustainable materials—which often must be transported over long distances or undergo prefabrication before use—but rather utilizing local materials, techniques, and labor, drawing on vernacular strategies that address these very factors.

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Walking is the simplest, most lightweight, economical, and low-impact way to travel in urban areas, especially for trips under two kilometers. More people walking means a better quality of life for residents and their cities, resulting in reduced government spending on public health. These concepts are universally accepted by urban planners and other contemporary thinkers.

With hundreds of projects published every month, it is easy to imagine that some of this archive remains buried deep in our database, out of our readers' sight. Knowing this, we regularly publish articles that serve as lists, compilations, or curated selections from the vast collection of works on our platform, focusing on specific design features. Within this context, one of our most popular series is Brazilian Houses, which brings together residential projects built in Brazil, grouped by various architectural aspects.

This biweekly episode discusses the SESCTV series "A cidade no Brasil" [The City in Brazil], inspired by the publication of the same name by anthropologist, historian, poet, and essayist Antônio Risério. The series is directed by sociologist and filmmaker Isa Grinspum Ferraz, who joins us as one of our guests. Her previous work includes the documentary series "O povo brasileiro" [The Brazilian People], based on the work of Darcy Ribeiro, and the 2012 documentary "Marighella." Rounding out our guest panel, architect and urbanist Álvaro Gianninni shares his perspective as an enthusiastic viewer of the channel's programming.

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Following the massive success of the last edition, which recorded 32,000 visits, the dates for the 5th Open House Porto (OHP) have been set. On June 29 and 30, a wide range of spaces in Matosinhos, Porto, and Vila Nova de Gaia will open their doors for free, showcasing the excellence of the architectural heritage of the three cities. This itinerary features 70 spaces, 60 percent of which are new additions opening to the public for the first time. Since its first edition in 2015, OHP has welcomed nearly 100,000 visits.