
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Possibly the largest exhibition dedicated to Brazilian architecture held outside the country since Brazil Builds, shown in 1943 at MoMA, opens today at Casa da Arquitectura in Matosinhos, Portugal. The Portuguese Centre for Architecture is also presenting the exhibition "Duas Casas" (Two Houses) by Paulo Mendes da Rocha, who will receive the title of Honorary Member of Casa da Arquitectura at a ceremony on September 30. This exhibition will feature the Gerassi House and the House on Rua do Quelhas in Lisbon, which was co-designed with Portuguese architect Inês Lobo.

Since the mid-20th century, the Castagnino Museum has established itself as one of Argentina's most important cultural spaces. The historic building by the architectural firm Hérnandez Larguía-Newton (1937) was built in a privileged setting, conceived as the gateway to the city—a condition that will be further emphasized by the new intervention.

There is nothing personal against the color yellow, but let us be honest: we were saturated by the monotony.
We love yellow, but not when it is used tastelessly and to mask corruption. We like the yellow that is natural to Lima, like the one in the header image—that earthy tone, the tone of every sunset, the one that shines like the sun. In recent years, our city has been forcibly invaded by this color: yellow staircases, yellow bridges, yellow walls, yellow railings... perhaps too much. And even if certain works were not yellow themselves, the intentions behind them carried a distinct whiff of that hue.

Architect Antonio Miranda, writing for the ARKRIT Collective, invites us to reflect in this article on romantic subjectivism in criticism, presenting a simple example in defense of the objective criticism of the object, which speaks to us much more honestly and sincerely than the author of the work themselves. He puts this assertion to the test by comparing two famous buildings in Madrid's Plaza de España: the Edificio España and the Torre de Madrid.

The Infonavit Cuauhtémoc Neighborhood Library is the latest project by Proyecto Reacciona A.C. located in Monterrey, Nuevo León, Mexico. Led by architect Antonio Garza Ferrigno in collaboration with muralist Juan Alcocer Zúñiga, the project spans 135 m² (1,453 sq ft) and was completed on a budget of 120,000 Mexican pesos. Read on to learn more about the project:

Whenever I cross the imaginary line on the Monumental Axis connecting the National Congress to the Itamaraty Palace, catching a glimpse of the Three Powers Plaza from the top of the ramp leading into it, I am overcome by a genuine emotion that never fades with repetition. This privileged view of the plaza as a whole, flanked by its three main buildings and framed by the perspective of the Itamaraty Palace on the right, is an image comparable only to the great iconic urban spaces of the world.
The Three Powers Plaza is a contemporary construction that evokes classical urban planning tradition, whether that of the "people's Versailles," as Lucio Costa envisioned, or the ancient Greek agora. Yet, there are also references to the "plazas mayores" or "plazas de armas" of Iberian and Spanish-American cities, as well as the plazas of the Brazilian colonial period. This mix of influences could have resulted in a postmodern pastiche of styles were it not for Lucio Costa's genius in translating it into the clear, elegant synthesis of a modernist design, complemented by Niemeyer's architecture, which has already been so widely discussed and praised.

The open course Arquitetura Paulistana, organized by Marco Artigas, took students to visit the Congonhas Airport Pedestrian Bridge project, designed by Estúdio Artigas in partnership with the firm H2C Arquitetura. Begun in 2014, the project took four years to complete and featured the participation of Nitsche Arquitetos, who were responsible for the project's visual communication.



Today in Brazil, there are several groups spearheading initiatives aimed at improving our living environment. Unfortunately, many face difficulties in getting their ideas off the ground, primarily due to a lack of financial resources, as shown by data gathered by the Como Anda Project.
The Fenômenos Foundation sees this demand as an opportunity: through the Fenômenos Challenge, the organization supported the implementation of three ideas with great transformative potential in the city of São Paulo. The challenge's premise was to select initiatives promoting physical activity and sustainability in vulnerable areas, offering solutions to local issues. The selected groups were: Cidade Ativa, Canto da Arte Jaguaré, and the Dente de Leão Collective. The selection process considered criteria such as impact, feasibility, and how the program could help boost the projects.

My mind is undoubtedly diffuse and scattered, gathering and comparing disparate elements, architectures from distant eras, reading and enjoying them with equal passion. There is no doubt that an early reading of this article's protagonist has shaped my thoughts and those of many of us. Having just passed away (on Tuesday, September 18), Robert Venturi, at the age of 93, remains an essential reference for us.
And why is that? Robert Venturi wrote a book titled Complexity and Contradiction in Architecture, which acted as a catalyst for the entire discipline. It seems that in this book, Venturi set out to explain a quote by Charles Rennie Mackintosh: “There is hope in honest error; none in the icy perfection of mere stylisticism.”

Originally titled "Colombian Bamboo: A Strategic Ally for the Sustainability of Tropical Ecosystems," architect Luca Bullaro reflects on the work of architect Simón Vélez and designer Marcelo Villegas with bamboo—often called vegetable steel—through new assembly methods, new connections, and various structural support systems.
Simón Vélez, a Colombian architect recognized for his contribution to sustainable architecture, has earned an international reputation backed by outstanding works across the globe. With over forty years of experience in bamboo construction, he is a tireless traveler, inaugurating projects and exhibitions, and leading workshops and lectures.
Today, he seems to have entered a new phase of his professional life. At one point, Vélez remarked: "I want to focus on social housing, but on my own terms. I want to show that high-quality, affordable housing can be built using a hybrid technique of concrete, steel, and laminated bamboo. We have already opened a factory in Manizales to create the first prototypes."

Humberto Eliash, architect, academic at the Universidad de Chile, and former vice dean of the university's Faculty of Architecture and Urbanism, is the new President of the Colegio de Arquitectos de Chile. This was ratified following the first meeting of the national board on January 12, after the online voting held among members throughout Chile last December.
Although the position of national President is determined by an internal agreement of the board of directors, historically the candidate with the highest majority takes office. Eliash—with 21.5% of the valid votes cast—was widely expected to secure the position, as ArchDaily en Español reported a few weeks ago.

Known as the most German city in Brazil, Pomerode (SC) is home to the largest collection of half-timbered buildings outside of Europe. The preservation of this rich architectural heritage is the focus of the Immigration Cultural Heritage Requalification Project in Pomerode. Developed through a partnership between the National Institute of Historic and Artistic Heritage (Iphan), the Municipal Government of Pomerode, and the Regional University of Blumenau (FURB), the project aims to assess the conservation status of the city's protected properties to identify restoration needs for these cultural assets.

There is no denying it: Revit is a sensation. And if you haven't fallen in love with it yet, get ready: you will.
I don't understand why some people are still so resistant to this software. No, I am not an Autodesk employee, and I am not paid to speak well of their programs—in fact, they don't even need me to. I am saying this as an architect, designer, project manager, virtual construction modeler, and BIM manager.

Identity, memory, and ways of living are the main themes explored by Chilean architect Nicolás Norero in his new personal podcast, where he converses with prominent architects from across the Americas, such as Chilean Mathias Klotz, American Rick Joy, and Mexican Frida Escobedo.
"My goal is to talk with people I admire and respect. Memory, identity, and ways of living are intangible concepts, but in my view, they are fundamental to our discipline," Norero told ArchDaily. "Through a biographical lens, we understand how architects develop their own language and a unique way of doing things," he adds.

In this fourth and final installment of his New York chronicles, Kosme de Barañano from the ARKRIT Collective poses a two-part question: on one hand, a new architectural “type” has emerged in an extraordinarily limited “ecological” niche—the super-slender skyscraper designed for luxury residences around Central Park—and, on the other, the construction of “installations” where some architects experiment in a new field where architecture shares territory with sculpture.

For the 59th meeting of the free course Arquitetura Paulistana, taught by architect Marco Artigas, students visited the headquarters of the production company Paranoid, designed by the firm Sub Estúdio in a warehouse in the industrial neighborhood of Vila Leopoldina, São Paulo.
The property was divided into two parts: an enclosed section with a mezzanine and a staircase connecting the two levels, and a completely open, double-height space with the feel of an outdoor area, albeit covered under the same warehouse structure. A white wall separated these two spaces.

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On Friday, January 26, the Better City International Forum took place in Mexico City. The event convened key figures from the Mexico City (CDMX) government, academia, the business sector, and civil society to outline a vision for turning this great metropolis into an exemplary city by strengthening the roles of each sector.

The Helium Pavilion —GA estudio— not only demonstrates a design and construction exploration of temporary installations, but also highlights the compelling capabilities of inflatable architecture: lightweight, easy to assemble, flexible, economical, and nomadic.

Once again, the EUROPAN competition for urban and architectural ideas—which aims to deepen knowledge and research in the fields of habitat and urban planning—has highlighted the high caliber of Spanish architecture and its young architects. Through their hard work and dedication, these professionals deliver outstanding proposals with high levels of creativity, providing coherent and effective solutions to the contemporary challenges facing our cities.
Indeed, the jury for this latest edition of EUROPAN 14 awarded five first prizes, seven second prizes, and ten special mentions to projects by young architects under 40 submitted for the Spanish sites in this cycle: Alcoy, Barcelona, La Bazana, Madrid, Playa de Palma, and Torrelavega. A total of 165 teams submitted proposals in Spain.

The Metropolitan Housing Observatory of Barcelona, established to provide both the public and public administrations with the information and tools necessary to evaluate and design housing policies, has released the first results of its work conducted during 2017.
The report reveals concerning results, shedding light on the complex and problematic reality faced by many residents who find it difficult or simply impossible to afford the high rents currently being reached in Barcelona and virtually all other Spanish cities.

The Spanish Historical Heritage Council has approved the nomination of the Paseo del Prado and the Retiro for potential inclusion on the World Heritage List. This nomination will be officially submitted to UNESCO by Spain before February 1, 2019, and will be reviewed and evaluated by the World Heritage Committee in 2020.
The property proposed for inscription is located in the heart of Madrid and can be classified as a designed cultural landscape that has evolved over the centuries. Its origins lie in the explicit desire to provide the city with a place to enjoy nature without leaving the city—a vision later expanded to include a core Enlightenment goal: disseminating the Arts and Sciences for the education and instruction of the public, without class distinction.

RSAA / Büro Ziyu Zhuang has unveiled the design for the "Linpan Guesthouse" in Chengdu. Located in Chongzhou, a county-level city under the administration of Chengdu, the project sits in a region with a rich history and deep cultural heritage that has inspired the poetry of literary figures like Lu You, Du Fu, and Wang Bo, preserving the ancient style, charm, and character of western Sichuan. The "Linpan Guesthouse" scheme integrates western Sichuan's historical residential spatial typology with local climatic conditions, cultural characteristics, and the living habits and lifestyles of the local population. It aims to overlap and reorganize the *linpan* (traditional forest settlement) archetype with the multi-point perspective of traditional Chinese painting on a spatial level. This approach seeks to enrich the spatial dynamics and narrative possibilities of both the interior and exterior architectural experience. The project is currently under construction.
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Thirty-three years ago, the Association of Architects of the State of Jalisco (Colegio de Arquitectos del Estado de Jalisco A.C.) established the Jalisco Architecture Prize to recognize the work of established architects and to encourage and motivate architectural professionals in the State of Jalisco. The award also promotes the state's long-standing tradition of excellence and innovation, which has produced numerous outstanding professionals, including the one who lends his name to the lifetime achievement award: Luis Barragán. This year, the award ceremony took place at the Teatro Degollado, where the jury announced the final verdict and named the following winners:

Far from over, discussions on race and gender in architecture are only beginning to gain momentum. One of their outcomes is the emergence of projects and initiatives that seek to map and identify Black architects who, despite their numbers and prolific activity, are rarely cited—or published.
Still rare and absolutely necessary, these initiatives represent an important step toward fairer, more egalitarian recognition in the field of architecture. Below, we present four investigative projects that aim to identify and shed light on these professionals and their work.