Ubani — Tbilisi Cityscape Research Center, in collaboration with IUAV University of Venice, is now presenting the exhibition Tbilisi — Risingland, which features the outcomes of a work focused on critical representations of the geological intimacy of Tbilisi through the creation of three-dimensional hand-made models.
The OBEL Foundation has opened applications for the fourth edition of the OBEL Teaching Fellowships, offering a grant of up to €75,000. Prospective fellows from around the world are invited to apply in partnership with a host institution. Selected courses are expected to begin in 2027 (or shortly thereafter) and will centre on the 2026 OBEL Award focus: Systems' Hack. The fellowship supports deeper exploration, development, and dissemination of knowledge on this critical theme within the built environment. "Supporting influential ideas and approaches that can drive architectural discourse is a key focus for the foundation. We are excited to welcome applications from around the world to gain diverse perspectives on the Systems' Hack agenda. Ultimately, we seek fellows who explore how architecture can critically engage with the systems that underpin contemporary society — from infrastructure and energy to food, water, education and information. Just like the Systems' Hack agenda, education can work in a similar way: moving beyond conventional problem-solving and instead intervening in the very systems on which society and nature depend," explains Jesper Eis, Executive Director at OBEL. The 2026 fellowship cycle provides funding that enables universities to introduce new voices into academia and develop impactful courses examining how architects can expose, infiltrate, and reconfigure entrenched structures — not by rejecting them, but by transforming how they function. The theme asks whether architecture can become an active participant within ecological and social systems, operate within planetary boundaries, and help reshape the networks of production, governance, and influence on which it depends. Further information about the Systems' Hack focus can be found here.
Performance during the exhibition Planetary Transitions at Kunsthaus Potsdam (2025), curated by HAAU and GEO, in collaboration with artists Kristina Jaggard, Michael Tsypin, and Ben Hewett. Photo credit: Constanze Flamme.
A GEO and HAAU collaboration, led by the 2025 Planetary Transitions Artists in Residence Sam Spurr, Eduardo Kairuz, and Angela Lee Invited guest: Daniel Barber, Professor of Architecture at the Technical University of Eindhoven
To celebrate the Architectural Heritage Fund's 50th anniversary, we have put together 50 Years of Reimagining Heritage, which tells the story of the difference heritage reuse can make in people's lives and in communities. Across the year, our exhibition will travel to each part of the UK, with openings in Belfast, Glasgow, Cardiff and London. We hope by showcasing these extraordinary stories to inspire more people to get involved in saving local historic buildings to improve places, empower people, and secure a sustainable future for built heritage. For opening dates in each location, see Coming Up below.
The Dallas Architecture Forum, a non-profit organization dedicated to providing public education about architecture, design, public space and the urban environment, continues its 2025-2026 Lecture Series on Thursday, February 19, 2026. The Forum is pleased to present highly-respected architect and educator Hilary Sample of the award-winning firm MOS. This lecture will be held at the Angelika Film Center at Mockingbird Station in Dallas, Texas. Forum members may attend for free. Tickets for non-members will be available at the door - $5 for Students (with student ID), $25 General Admission. Check-in and pre-Lecture Reception will begin at 6:15 pm in the lobby of the Angelika.
What Placemakers Need to Unlearn — Why Regenerative Places Demand a Different Mindset
Regenerative placemaking is an approach to shaping places that prioritises long-term social, cultural and environmental health, not just short-term activation, footfall or commercial performance. It looks at how places can continue to give back to the people and communities who use them over time, rather than extracting value and moving on.
The exhibition will be the first major retrospective held on the architect in Spain and one of the few international shows focusing exclusively on her.
Raymond Johansen was Governing Mayor of Oslo from 2015 to 2023, a period in which the city advanced policies linking climate objectives with urban management and development. During his mandate, Oslo incorporated environmental criteria into mobility planning, public space design, and municipal procurement, influencing how the city plans and builds. In his lecture within the series "Re_Solution" at IE School of Architecture&Design, Johansen will address his role in developing clean construction policies and the introduction of zero-emission construction sites within this broader framework. His experience provides insight into how municipal governance can affect the built environment through regulatory, technical, and administrative decisions.
Richard Fleischner, aerial photograph of “Sod Maze” in winter, Newport, Rhode Island, 1974. Courtesy of the artist.
In 1974, Monumenta’s 54 works by 40 artists made headlines as one of the world’s first large-scale outdoor sculpture exhibitions. Fifty-one years later, FULL CIRCLE returns to this canonical exhibition through the lens of works by Richard Fleischner, one of Monumenta’s last surviving artists, and his contemporaries.
Harold Bissner: The Progression of an Architect Trail
Each month, Friends of Residential Treasures Los Angeles (FORT: LA) curates a new self-guided trail, inviting Angelenos to explore the city’s rich architectural heritage. These immersive experiences highlight significant homes, hidden gems, and the designers who have shaped Los Angeles' built environment.
Crest’s waffled plywood shell creates a sheltered interior that frames views of the Lake Ontario shoreline at Woodbine Beach, inviting visitors to pause in shared reality.
Crest is a student-led, design-build installation produced by F_RMlab at the University of Waterloo School of Architecture for Winter Stations 2026, an international competition transforming Toronto’s lifeguard stations into immersive works of public art. This year’s theme, Mirage, invited participants to address the “boundary of what is seen and what is real in the age of AI”, exploring art as a medium that disengages from the digital world by immersing audiences in shared, tactile experiences.
New School Building in Bhadli Village. Photo credit: Somaya Sampat.
In 2026, the annual Paul Mellon Lecture will be given by architect and urban conservationist Brinda Somaya. Drawing on decades of experience, she will explore the idea that architecture is not just about buildings and aesthetics but also about people, politics and social responsibility.
Arabia Interrotta. Garofalo Fellowship exhibition, presented as part of the symposium of the same name, curated and organized by Zehra Ahmed (Garofalo Fellow, 2024–25). Courtesy of UIC School of Architecture.
The School of Architecture at the University of Illinois Chicago (UIC) is now accepting applications for the “2026–27 Douglas A. Garofalo Fellowship. Named for the architect and educator Doug Garofalo (1958–2011), the nine-month visiting faculty teaching and research fellowship provides emerging designers the opportunity to teach design studio and seminar courses and conduct independent research, culminating in a public lecture at the Graham Foundation for Advanced Studies in the Fine Arts and an exhibition or public conversation at the school.
We, a group of ten hens (in collaboration with Outsider Magazine), are launching an architectural competition. We need a new chicken coop. Our living standard has not changed significantly for centuries: a few planks, some straw, and the simple logic of “keep it covered and closed so the fox can’t get in.” While people debate living, sustainability, structure, materials, light, and microclimate, hens remain stuck in a kind of pre-modern era—which, let’s be honest, does not reflect well on the progress of architecture for animals.