The School of Architecture at Mississippi State University is hosting an exhibit of the work of renowned African American Architect Philip Freelon as part of a celebration of Black History Month. The exhibition is located in the Charlotte and Richard McNeel Architecture Gallery in the Giles Hall School of Architecture on the campus of Mississippi State University. This partnership with the Mississippi State University African American Studies Program will also host an opening reception on Wednesday, February 5, 2020 at 12:00 pm in Giles Hall, located at 899 Collegeview Street, Mississippi State, MS 39762. The reception and exhibit are free and open to the public.
A photo essay by Belgian architectural photographer Kris Provoost capturing the boldest and most iconic structures of the architectural revolution in China.
Europe’s oldest known wooden house is the Bethlehem House, a solid timber construction erected in 1287 in the Swiss canton of Schwyz. With a design that is both functional and flexible design, the building is still in use today.
In the three years since our editorial collective launched The Site Magazine we have collaborated with designers and design institutions around the world to probe social, economic, cultural, and political questions through the lens of architectural knowledge. The discipline of architecture is simultaneously broad and incisive: the practice of architecture demands a constant reinvention of its role, a redefinition of design’s limits. Our forthcoming series “Does Architecture _______?” confronts the obstacles and opportunities afforded by architecture’s evolving agency while continuing to delineate relevant contexts for spatial design. “Does Architecture _______?” is conceived as a series of five thematic issues, each one curated to discursively champion or constructively critique the latent tensions and potential of the built environment that we know, or can imagine.
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Prize details: https://thedrawingprize.worldarchitecturefestival.com// Image Courtesy of Make Architects
The winning and commended entries of the third Architecture Drawing Prize, held in partnership with Make Architects and the World Architecture Festival, are now on exhibit at Sir John Soane’s Museum.
The Nile is a north-flowing river in Africa and is among the world’s longest waterways, famed for its ancient history and the archaeological sites along its shores. The fertile Lower Nile gave rise to early Egyptian civilisation and is still home to the Great Pyramids and Sphinx of Giza near Cairo. Sightseeing boats, from luxury liners to traditional felucca sailboats, also cruise between the cities of Luxor and Aswan. Some of the important bridges that cross the Nile are:
Museum presents the works of two giants of 20th-century architecture, Le Corbusier and Alvar Aalto, as seen through the lens of Jari Jetsonen. Jetsonen is a recognised Finnish photographer, who has been photographing Alvar Aalto’s architecture for over 20 years. As a dedicated photographer of architecture he became fascinated by the points of contact and similarities in the forms and ideas in both the buildings and thinking of the two seemingly oppositional architects. What becomes important here is the point of view of the artist and the way he sees buildings. Referring to Johann Wolfgang von Goethe’s idea that architecture is like frozen music, Jetsonen explains: “I have tried to interpret this frozen music by approaching buildings in different ways. Sometimes the architecture peeks in the middle of nature as if it was a wild animal in the jungle or I would take a picture of the deer descending to the edge of the pond. Occasionally, architecture can be described as orderly or monumentally or approached heroically from below.”
The gender chasm in architecture persists. Students see it in their mentors, practitioners experience it in the office, and media representation of the profession follows in kind. While schools of architecture are more and more demographically gender-balanced in their student populations, faculty and the practice both remain vastly skewed, indicating that programming in schools may be leading genders into the profession inequitably or “losing” certain populations along the way, or that the bridge between academia and practice is broken. This doesn’t even include the experience of people of non-binary genders in architecture, of which documentation is almost non-existent. Without equal representation of all genders in the profession, it is virtually impossible that the practice of architecture as a whole is serving its clients and communities equitably. It takes a multitude of perspectives to serve diverse communities thoughtfully and effectively, and it is architecture’s charge to do so.
Showcasing an unprecedented array of photographs, paintings, renderings, drawings, and other images culled from dozens of archives and individual collections worldwide, A Century Downtown ensures that no one will ever forget the vast and varied history of this famous part of New York City. Catchphrases like “urban renewal” have a nice ring to them, but none measure up to the tectonic, often brutal metamorphoses that have remade Lower Manhattan over the last century. Downtown’s defining cataclysmic event is undeniably 9/11. Yet we often forget that the original World Trade Center grew out of the wholesale demolition of an entire neighborhood, home to more than 300 electronics businesses employing some 30,000 workers. We forget that the first “worst terrorist attack in American history”—the Wall Street bombing of 1920—claimed 38 lives and triggered a tsunami of anti-immigrant sentiment that swept Warren G. Harding into the White House. We forget that Washington Street was once home to the biggest Arab-American community in the country, known as Little Syria, eventually displaced by the transportation appetite of a burgeoning suburbia. A Century Downtown raises these and other pivotal events—some mere footnotes to the city’s official history—into sharp relief. It’s a remarkable visual journey guided by a fascinating historical narrative that sheds new light on the evolution of Lower Manhattan over the past hundred years.
The annual Council on Tall Buildings and Urban Habitat's (CTBUH) Tall + Urban Innovation Conference explores and celebrates the very best in innovative tall buildings, urban spaces, building technologies, and construction practices from around the world. Incorporating what was previously known as the CTBUH Annual Awards event, this conference sees the owner/developers, design, and engineer teams for 50+ Awarded projects present in front of an international audience and live juries for winning distinctions across several award categories. Hot topics in the building industry will also be explored through presentations in project rooms.
As we embark on a new decade, discussions surrounding the sustainability and longevity of our buildings have reached fever pitch, particularly within the context of the UK’s commitment to a 2050 target of carbon neutrality and a 33% reduction in whole life cost by 2025.
The International Built Environment Week (IBEW) is the first fully-integrated event in the Asia Pacific covering the entire built environment value chain. Organised by the Building and Construction Authority (BCA) and supported by 12 Trade Associations and Chambers, the event will convene under the theme “Innovation: Powering Sustainable and Smarter Cities”.
One activity regarded the strategic vision of the city is that the City of Banja Luka should have a multifunctional space where different purposes would be connected. The function and capacities of that space should satisfy regional needs for this type of activity. The cultural offer is expanding with this content, thus creating optimal conditions for the development of concert, ballet and opera arts, since the existing capacities in the City have long been exceeded in technological and parametric aspects. In addition to the cultural offer, the future complex will also serve as a congress activity that combines the phenomena of the exchange of scientific knowledge and education. The aforementioned contents are accompanied by exhibiting activities, catering, business, administration and other necessary purposes. The concept of multifunctional-hybrid content aims to streamline space utilization without reducing the convenience of use and technology of the intended uses.
In the days of witnessing the nature's responses to climate change and facing the risk of loosing basic life sources we are calling (inviting) all the academicians, designers, and all other interested parties to take a part in sharing their idea about the importance of ecofriendly, responsive and nature responsible design. We are curious to hear your opinions. We proudly announce the 2nd International Symposium of Design for Living with Water!! It is our turn to take a part in responsibility toward water and nature!
The Union of architects of Russia invites you to participate in the Russian competition with international participation «Aluminum in architecture 2020».
The Union of Architects of Russia invites you to participate in the Russian competition with international participation «Aluminum in architecture 2020», which will be held as a part of the 2d international forum «Aluminum in Architecture and Construction» / AlumForum 2020 from May 19-21, 2020 in the Technopark Skolkovo simultaneously with the 3d international forum of architectural glass industry ArchGlass 2020.
The Union of architects of Russia invites you to participate in the 7th Russian competition with international participation «GLASS IN ARCHITECTURE»
The Union of Architects of Russia invites you to participate in the 7th Russian competition with international participation «GLASS IN ARCHITECTURE», which will be held as a part of the 3d international Forum of architectural glass industry «Archlass 2020» from 19 to 21 May 2020 in the Technopark Skolkovo simultaneously with the 2nd international forum AlumForum 2020.