Moscow: The Latest Architecture and News

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The Strelka Institute for Media, Architecture and Design opened its doors three years ago. 110 students, 30 teachers and over 200 international experts took part in developing a radically new intellectual and physical space in Moscow. This collective effort resulted in a unique research, educational and public center, looking at the complex problems of a Russian city. Strelka Institute studied urban environment and the nature of its transformation, as well as changed the world around us.

Within three years of its existence, Strelka’s educational programme developed several broad themes. In their projects students researched “Public Space”, “Design”, “Preservation”, “Thinning”, “Urban Culture”, “Hinterland”, “Megacity”, “Information”, “Education”. Student projects and research, while remaining inherently student work, made a significant impact on the evolution of public discussion in Moscow, helped introduce the notion of public space into the Russian context and focus public attention on the theme of urban development.

In 2013-14 Strelka will select the theme of its research & design studios differently. We are radically shifting perspective and in the framework of intensive three month research studios are focusing on very concrete, real and seemingly familiar matters.

Applications for this program are open until July 26th. Read more about the program:

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In the 20th century, it was going to be the site of the world's tallest skyscraper, but it became the world's largest hotel. In 2006, the hotel was replaced with a fence, the largest advertising space in all of Europe, enclosing acres of undeveloped, highly valuable land. In 2014, it will become Moscow's first - and most important - park in over 50 years.

Zaryadye Park, located on 13 acres of land just a minute's walk from the Kremlin and the Red Square, will become a gateway to Moscow, one that will "project a new image of Moscow and Russia to the world." Because of the Park's significance, the city of Moscow (with aid from the Strelka Institute for Media Architecture and Design) has decided to host an international competition for its re-design.

The 6 finalists shortlisted for this significant project, after the break...

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In Russia, hundreds upon hundreds of buildings are endangered. The work of making sure they don't become extinct? That's in the hands of a tireless few.

One of these crusaders is Natalia Melikova, the author of The Constructivist Project, an on-line web site that seeks to preserve the memory - and hopefully inspire the protection of - Russia's avant-garde architecture. Although it began as her thesis project, it's steadily become one of her life passions. In Melikova's words, "By sharing photographs (my own and others), articles, events, exhibitions, and other resources on the topic of the avant-garde, The Constructivist Project unites common interest and appreciation of Russian art and history and makes it accessible to an international English-speaking audience. This is a way to initiate discussion not only of the perilous situation of Russian avant-garde architecture but also of cultural preservation and urban development in general."

See 10 of Melikova's images, snapshots into a part of Russian history quickly being forgotten, with her descriptions, after the break.

Videos

Russia has madly, passionately (and not a little blindly) fallen in love. And, as with any love affair worth its salt, this one will have its fair share of consequences when the honeymoon ends. 

The object of Russia’s affection? The good, old-fashioned automobile.

It started fast and has only gotten faster. In 2005, Russia’s auto industry grew 14%; in 2006, 36%; and, in 2007, a whopping 67% - an exponential growth that attracted foreign investors, particularly after 2009, when the country welcomed companies like GM & Ford with open arms. Today, the ninth largest economy in the world is the seventh-largest car market, positioned to surpass Germany as the largest in Europe by 2014.

Nowhere is this love affair more evident, more woven into the city itself, than in Moscow. The city has a reputation (perhaps rivaled only by Beijing’s) for traffic, pollution, and downright hostility to pedestrians. And, ironically, because of its epic congestion, the city continues to expand its highways and parking spaces.

We’ve heard that story before, and we know how it ends - for that matter, so does Moscow. But passion, by nature, is blind - and stopping a love affair in its tracks is far from easy.

Officially launched this month by Strelka Institute for Media Architecture and Design, the International Competition for Zaryadye Park in Moscow, Russia is challenging participants to develop an Architecture and Landscaping Design Concept that will form the basis for the creation of a contemporary Park with a high quality infrastructure that will be open for the public all year round. Zaryadye is a unique historic district in downtown Moscow, and after the demolition of Hotel Russia, the site has remained abandoned for over 6 years. In late January, 2012, Prime Minister and President-Elect Vladimir Putin proposed to turn this 130 000 sq. m area into a multi-functional public park. The deadline for submissions is May 22. For more information, please visit here.

The construction of the city is something that goes beyond architects and planners. It involves the government, the citizens and the private sector. For the ArchDaily Interview series we have interviewed many architects with very different backgrounds, and we have started to include people outside the field that have played an important role either for our profession or the city.

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With the aim to be a meaningful building beyond its iconic form, the new Museum & Educational Center (MEC), designed by 3XN, is about connecting with people, while opening up the world of science, technology, innovation and Russia’s extraordinary achievements in these domains. Through both an internal and external architectural expression of flexibility, this proposal, which was a finalist in the international competition, recognizes that architecture shapes behavior. More images and architects' description after the break.

Designed by Leeser Architecture their design concept for the Polytechnic Education Center takes its cues from the rich history of modern Russian architecture of the early part of the twentieth century. Located in the Lenin Hills section of Moscow, which play an important role in the history of Moscow as a place of radical experimentation, the new institute symbolizes this incredible energy and conflation of future inventions with past achievement as a new symbol of global importance. More images and architects’ description after the break.

Organized by the Polytechnic Museum Development Foundation, the team of MASSIMILIANO FUKSAS Architetto (Italy) and SPEECH (Russia) was recently announced the winner of Architectural Concepts Competition for the Museum and Educational Center of the Polytechnic Museum and Lomonosov Moscow State University. The challenge was to create a museum and educational center for demonstrating most recent scientific and technological discoveries using state-of-the-art multimedia technologies for accommodating multiple displays and exhibitions as well as for conducting scientific educational programs. More images and information on the winning team and finalists after the break.

Between March 15^th and March 27^th 2013 the Central House of Architects will host the Nordic Wood festival of wooden architecture in Moscow where the most interesting examples of wooden architecture in Scandinavia, the Baltic states and Russia will be on display. The festival is being produced by the nationwide ARCHIWOOD project. The main event of the festival is the photographic exhibition. Works by recent winners and runners-up of prizes for wooden architecture from Norway, Finland, Denmark, Estonia, Latvia and Russia will be on show, along with other works by architects building in wood from these countries. More images and information on the event after the break.

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The Melnikov House, the unusual, cylindrical classic of Constructivism which was Konstantin Melnikov’s residence and studio, is on the brink of collapse.

The Independent reports that nearby construction (which visibly moves the ground the building sits on) has weakened the 83-year-old foundations dangerously. Konstantin Melnikov’s grand-daughter (and current resident of the house), Ekaterina Karinskaya, further told The Independent that, due to broken heating pipes, the wooden house spent more than 50 days without heating in what were often sub-zero temperatures.

Although there have been interests expressed to turn the house into a museum, a tense legal debate between Ms. Karinskaya and a developer has put any plans on stand-still. Meanwhile, time is running out for the architectural icon.

More on the Melnikov House debate, after the break...

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