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* Original Author: Xie Xiaofan, Vice President of the China National Academy of Painting. Xie collaborated with Arata Isozaki to build the Central Academy of Fine Arts (CAFA) Art Museum and has curated a series of large-scale exhibitions. Xie is the author of "Exhibiting the Art Museum" and "Discerning Forms: Walking Between Art and Construction", led the drafting of the state-issued "National Standards for Art Museum Construction," and previously oversaw the construction of the new National Art Museum of China.
*This article is published with the authorization of Xie Xiaofan.

At 23:30 on March 5, upon receiving the first news of Arata Isozaki winning the prize, I immediately sent the following message to Hu Qian: "It would be incredibly badass if Old Iso immediately declined the Pritzker. Tell him my thoughts right away. The Pritzker is about celebrity and fashion; Old Iso is a literati avant-garde." As the person who turned Isozaki’s ideas and drawings into physical architecture, and as someone who has bickered and fought alongside Hu Qian, this was my immediate, gut-reaction response.

MOVE CINE ARTE is an international film festival dedicated exclusively to the screening of art films and films about art, curated by Andre Fratti Costa (Brazil) and Steve Bisson (Italy).

In alignment with the Venice Architecture Biennale, the 3rd edition of MOVE—dedicated to Architecture and Urbanism and titled MOVE CINE ARCH—helps bridge the gap between festivals in Brazil and abroad, broadening the debate on urban space and key issues related to city life.

Architecture has always been a tool for power: political institutions, economic symbols, and religious monuments. Asymmetric and dominant relationships still persist in the profession's modes of production, whether on the construction site or in the design process. What would it look like to use architecture as an instrument for decentralizing power and fighting for the right to the city through community initiatives? In general, the management model for cities, public spaces, and facilities does not allow for shared, participatory management by the population. What, then, does it mean to conceive of an architectural practice that fosters autonomy?

#SAE2019 #IIISAE #SemanaDoArquitetoEmpreendedor

Seminar: Architectural Design with PPCI Requirements and Constraints.
This seminar is based on questions submitted by AsBEA-RS members, which were previously forwarded to the Fire Department.
We will also address the issues of civil liability and safe, sustainable construction.
We appreciate the opportunity.

Videos

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IED is hosting another edition of Design Degustação on March 16, 2019, from 2:00 PM to 4:00 PM, featuring workshops in Branding, Entertainment Design, Spatial Design, Product Design, Graphic Design, and Fashion Design. Starting at 4:30 PM, there will be a happy hour on the terrace, offering a spectacular view of Guanabara Bay. The participation fee is R$30 per workshop, which includes access to the discussions and the happy hour, as well as a discount on new enrollments made on the day of the event. For more information, visit the link https://iedr.io/degustacao20191

The IED (Istituto Europeo di Design) will host an IED Day on March 23, from 12:00 PM to 9:00 PM, featuring a series of activities open to the public. The event’s attractions include a tour of the secrets of Higienópolis and the IED building; workshops on theremin, dance, floral arrangement, silver jewelry, and mobile photography; a chat with digital influencers in travel and style; music by Jazz na Kombi; an exhibition; and a market featuring objects, books, and clothing. Due to limited capacity, advance registration for the workshops is required at ied.edu.br/iedday

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On World Water Day (March 22) during the 2019 Year of the Pig, SPARK is launching “The Three Little Pigs” research project. The project proactively treats wastewater from pig farming at its source rather than allowing it to discharge into freshwater systems. “The Three Little Pigs” supports the Chinese government’s efforts to address nationwide water pollution caused by livestock farming. The unchecked dumping of livestock waste not only degrades the quality of freshwater supplies but also causes mass fish deaths, triggering eutrophication that compromises the ecological value of China’s scenic lakes. SPARK’s practical, playful, and iconic concept diverts livestock waste from drainage systems, converting it instead into biogas that can generate electricity or serve as fuel for cooking and heating. The slurry remaining in the biogas reactor can then be used as agricultural fertilizer. SPARK’s 360-degree life-cycle proposal underscores the urgency of addressing water pollution in China, highlighting the opportunity to actively repurpose waste as energy.