Today, the IABsp announced the winning team of the co-curatorship competition for the 13th International Architecture Biennale of São Paulo. Titled Travessias, the team comprises nine Brazilian members from various fields: Carolina Piai Vieira, Larissa Francez Zarpelon, Louise Lenate Ferreira da Silva, Luciene Gomes, Pedro Cardoso Smith, Pedro Vinícius Alves, Raíssa Albano de Oliveira, Thiago Sousa Silva, and Viviane de Andrade Sá.
No País dos Arquitectos is a podcast created by Sara Nunes, who is also responsible for the architectural film production company Building Pictures. The podcast aims to profile the professionals, projects, and stories behind leading contemporary Portuguese architecture. With just over 10 million inhabitants, Portugal is a highly fascinating country in this professional field, and its architectural production far outstrips its population or territorial scale.
In its first episode, Sara spoke with architect João Luís Carrilho da Graça about his Lisbon Cruise Terminal, and then welcomed João Mendes Ribeiro for a conversation on heritage, adaptive reuse, and landscape architecture, centered on the rehabilitation of the Coimbra Botanical Garden greenhouse. The third episode featured architect Inês Lobo and focused on the Public Library and Regional Archive of Angra do Heroísmo. Below, you can listen to and read the conversation from the fourth episode, with Carlos Castanheira about the Treetop Walk project.
On Monday, May 3rd, at 5:00 PM, the FAUUSP YouTube channel will host the launch of Anna Bokov’s book, "Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930." The work stands as one of the most significant publications on the often-overlooked Soviet school of art, design, and architecture from 1920s Moscow. The school was the first to implement mass art and technological education, which were considered essential to the dominant modernist paradigm in the Soviet Union. Better known in the West as the sibling of the Bauhaus, Vkhutemas (Higher Art and Technical Studios) possesses a history that diverges somewhat from the German experience, which has been extensively studied by researchers worldwide. In contrast, Vkhutemas has had only one major pioneering book prior to Bokov’s, released by researcher Selim Khan-Magomedov in the 1990s.
The roof of London's Euston Station serves as a virtual application for the integrated Metaplas system, a project developed by students at The Bartlett School of Architecture, UCL. As part of an investigation by Research Cluster 8 (RC8) of the MArch Architectural Design program, students developed a 3D-printed multi-material system using biodegradable and recyclable thermoplastics. By transforming a series of flat panels into complex three-dimensional forms, the students created a geometric pleated structural system capable of passively controlling interior lighting.
Flat slabs, pitched roofs, and straight-line designs are relatively recent developments in human history. Historically, curved roofs predominated in Indigenous architecture. Today, although they are not the most common choice, some firms are exploring how more organically designed roofs can better engage with their context and introduce functional benefits, influencing the project from the construction site to the ultimate comfort of its users.
Groups and collectives working on the fringes of the architectural discipline are, fortunately, increasingly common. However, few strive to expand the boundaries of the profession across as many different fronts as Goma Oficina, from São Paulo, currently composed of Ana David, André Stefanini, André Bonani, Christian Salmeron, João Wallig, Fernando Banzi, Guilherme Tanaka, Lauro Rocha, Maria Cau Levy, Paula Marujo, Victoria Braga, and Vitor Pena.
Understanding architecture as culture in its broadest sense, Goma has been working since 2010 on projects located in a loosely defined territory, characterized by transdisciplinarity and overlaps between different fields. Their most recent work includes exhibitions, books, research, debates, installations, and models spanning the areas of architecture, graphic design, photography, and art.
The relationship between architecture and structure has been widely discussed and is repeatedly revisited by architects with every new project. Much like plumbing and electrical systems, the structural system is one of the essential disciplines that make up a building. Yet, it is one of the most impactful on the architectural outcome, directly shaping the spatial experience and the chosen materiality. Mastering structural design and understanding how to best integrate it into the architectural project grants architects greater autonomy and expands the possibilities of design solutions.
Selecting a structural system and deciding how to incorporate it into the architectural design is a pivotal decision in any project. On one hand, architects can choose to absorb structural elements, camouflaging them within the building envelope to make them imperceptible. On the other, the structural system can be brought to the forefront, turning into a defining feature of the design—whether through its structural logic, its materiality, or by being elevated to a nearly sculptural element.
This article explores a term widely used to describe self-organized collective labor, but which also carries a meaning of anti-hegemonic struggle when used as a synonym for self-managed projects. The practice of mutirões prompts a reflection on the importance of collective work and grassroots struggle, and how architectural practice and civil construction relate to these themes.
On May 8, Casa da Arquitectura opens the exhibition Radar Venice – Portuguese Architects at the Biennale 1975-2021, which offers a critical analysis of the many ways in which democratic Portugal exhibited and exposed itself at the world's most prestigious Architecture Biennale.
Curated by Joaquim Moreno and Alexandra Areia, Radar Venice reveals the objects that were part of each Portuguese participation and discusses the very concept of national and/or official “representation.” The documentation for each edition is complemented by socio-political information, while also highlighting the oral memory associated with the construction of the Portuguese participation.
Topics to be discussed during the event:
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As longtime partners, Portobello and journalist and TV host Pedro Andrade have embarked on a new project together—this time collaborating on the Horizontes line. Inspired by Andrade's five favorite destinations, the line was launched this year as part of the 2021 Unlimited Experience collection. This partnership represents another innovative step for Portobello in engaging professionals from diverse fields in its creative process, which typically invites architects and furniture or surface designers.
In this visual essay, Paulo Tavares intervenes in Habitat, an arts and design magazine edited by architect Lina Bo Bardi in the 1950s. Habitat disseminated not only images of modern art and architecture but also images of Indigenous artifacts. In doing so, it simultaneously presented its audience with the vocabulary of modernism and native forms of cultural expression, aligning itself with the primitivist imaginaries of the avant-garde.
By re-signifying dominant images and imaginaries, Des-Habitat guides us through a visual narrative on the coloniality of modern architecture and its media, opening a horizon for the potential decolonization of its legacies.
With the goal of getting to know the architects, projects, and stories behind landmark Portuguese architecture, Sara Nunes, from the architectural film production company Building Pictures, launched the podcast No País dos Arquitectos, where she talks with leading names in contemporary Portuguese architecture.
In this week's episode, Sara talks with Tiago de Mota Saraiva, from ateliermob, about the rebuilding of seven homes affected by the 2017 Pedrógão Grande wildfire. Catch up on previous interviews from the podcast No País dos Arquitectos and read the transcript of the interview with Saraiva below:
Porto Alegre now has an online guide aimed at preserving the history and memory of its architectural heritage, both historic and contemporary. Conceived by architects and urban planners Rodrigo Poltosi and Vlademir Roman, the Guia Arqpoa brings together texts, photographs, and information on 100 architectural, urban, landscape, historical, and cultural works in the city. The mapping is based on the buildings and public spaces featured in the print publication released in 2017, titled Guia de Arquitetura de Porto Alegre, and allows this initial list to be expanded through the collaboration of new contributors.
Combining units and patterns to offer different ways of composing a space is the primary reason for choosing modular furniture. It adds value to interiors through spatial versatility while establishing a rhythm that can dictate various forms of occupancy and intervention within the same environment.
João Filgueiras Lima was a Rio de Janeiro-born architect trained at the National Faculty of Architecture. His name, however, evokes a body of work and imagery that has long transcended the city's boundaries and iconic landscapes. Lelé, as he became internationally known, carved out a unique path within the profession, establishing a presence across several Brazilian capitals. He left behind an impressive architectural legacy manifested in public and private buildings, technical innovations in production processes, and a consistently humanized approach to the act of construction.
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