
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Today, the awards of the French Academy of Architecture were presented at the House of Architecture, Paris 10th. During the ceremony, around forty laureates representing the world of architecture were recognized with various awards. Each year, these awards honor professionals from the fields of architecture, education, and research, the newest generation of architecture graduates, and the vast world of construction. This is an opportunity for the Academy to recognize those who stand out in the architectural field.

"The French Institute for Andean Studies (IFEA) has chosen a winner for the expansion and renovation of its headquarters in Lima. The proposal by ESARQUITECTURA + Román Bauer Arquitectos emerged victorious in the competition... with a project that highlights the inner courtyard of the historic house." The IFEA has selected a winner for the expansion and renovation of its Lima headquarters. The proposal by ESARQUITECTURA + Román Bauer Arquitectos has emerged victorious in the competition.

On May 11 and 12, Rosario will host the second consecutive edition of "Open House," an open-door architecture festival for anyone interested in discovering the city's architecture and urban design.

After eight days of intense work in Santiago, architecture students from 12 universities across Chile developed urban activation prototypes to facilitate mobility and public use in various areas of the Franklin neighborhood. The projects were created for the XXI Chilean Biennial of Architecture and Urbanism.
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For Sofía von Ellrichshausen, architectural representation is deeply tied to how we understand and attribute meaning to our surroundings. Architecture, she believes, is not only a service for others but must also be, in her own words, 'a service for oneself.' This is reflected in many of her artistic works, which explore and seek to understand light, shadow, and color within spaces. At the Chilean firm Pezo von Ellrichshausen—which she co-founded with Mauricio Pezo—disciplinary boundaries blur. For Sofía, art and architecture merge in a practice aimed at understanding the world we inhabit.

The core of Castilian modern architecture, and indeed of the 20th century, emerged from the work of Rafael Aburto [1913-2014] and his contemporaries—this forgotten generation. An interwar generation whose trenches were fought not only on the battlefield, but also within architecture. This cohort of architects had to confront both the ravages of the Spanish Civil War and a sterile traditionalism, surrounded by professionals who had read, known, and seen almost nothing. Tradition—specifically, Spanish tradition—was what sustained everything. Unsurprisingly, the Civil War itself dealt a generational setback to the profession, impacting not only Aburto's peers but also those to come.
The generational divide was defined solely by the experience of having fought in the war. Oíza was eighteen when it broke out; Sota, Cabrero, Coderch, and Aburto were called to battle, mostly fighting on the Nationalist side. Once the war ended, Spain was unrecognizable compared to its pre-war self, and architectural thought was no exception. Returning to the profession in the 1940s, architects faced an outdated, practically useless tradition, alongside a precarious modernism devoid of depth or knowledge. This is why figures like Aburto broke through—these postwar architects who took on the role of pioneers, or at least demonstrated their determination to break free from academic constraints and embrace their own modernism.

The Universidad de Monterrey in Mexico inaugurated its new gateway to the campus: the Estoa building, presenting a new face to the landscape on the western side of the city. The Estoa building is part of UDEM's Infrastructure Master Plan, which aims to create a pedestrian-friendly campus and a green lung for the western part of the city. Located on the west side of the campus, the building features approximately 90,000 square meters of construction, housing student and community spaces, UDEM's public-facing offices, and continuing education facilities.

Founded in 2013 and based in Mexico City, David Pompa is a studio made up of designers, engineers, and makers established in Mexico and Austria. David Pompa grew up in both countries and studied product design in London. Over time, the studio has shown a strong interest in traditional materials and techniques. Since its founding, it has remained committed to Mexican culture, which is reflected in the creation of aesthetic and accessible design objects.
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Whether seeking distraction, escape, or reflection, metro passengers shorten their commutes by checking their phones, reading books, or listening to music. For Chilean photographer and civil engineer Felipe Lavín, this conceals a contradiction. "Commuting en masse is a highly social act, yet at the same time, it is deeply solitary. As Marc Augé notes, in the metro we constantly brush against the lives of others without ever truly encountering them," Lavín says in conversation with ArchDaily.

Have you ever been curious to see inside someone else's home? With this tagline, Open House Buenos Aires has announced the details of its seventh edition, an invitation and a unique opportunity to rediscover both the architecture of Buenos Aires and its stories and residents. Like every year, this festival offers free admission to numerous architecturally significant buildings that are normally closed to the public. Over the weekend of November 9 and 10, more than 140 buildings will open their doors, making the festival one of the year's most important cultural events.

When talking about Argentine architecture, does a native style exist? The question is complex, as Argentina's DNA contains a mixture of contributions from various origins, ranging from Indigenous peoples to immigrants from diverse global regions. The country is as rich as it is diverse.

Many were surprised that this edition of BBConstrumat in Barcelona lacked carpeting across its 34,000-square-meter exhibition space, or that the schedule of events was only available via the event's app. As climate change—or rather, the climate emergency—becomes irreversible and adaptation demands more drastic measures, the construction sector is also feeling the pressure to reinvent itself.
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The University Museum of Contemporary Art (MUAC) of the National Autonomous University of Mexico presents the work of renowned international artist and activist Ai Weiwei (Beijing, 1957). In the exhibition Ai Weiwei. Resetting Memories, Ai Weiwei explores the traumas of experiences in both China and Mexico, in a narrative that calls for the construction of social memory.

Data is a controversial topic in the twenty-first century. Policy-making regarding data collection and use lags behind, while its value continues to rise—turning any initiative in the sector into big business.

During the Ordinary General Assembly of Members on Thursday, April 25, the Association of Architecture Offices of Chile (AOA) held the award ceremony for the AOA Medals, alongside the formal presentation of the current AOA board of directors and the 40th edition of Revista AOA.

As part of an initiative to restore and revitalize cultural spaces in the city of Oaxaca, Mexico, the Ministry of Cultures and Arts (SECULTA) has announced the winners of the competition for the Conceptual Design of the Álvaro Carrillo Cultural Center: architects Mauricio Rocha + Gabriela Carrillo, Alberto Kalach, and Tatiana Bilbao. The project will feature green areas and integrate with the city's urban context, meeting all legal requirements.
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On the occasion of the recent XXI Chilean Biennial of Architecture and Urbanism, the curatorial team consisting of Beatriz Coeffé, Juan Pablo Urrutia, Vesna Obilinovic, Tomás Villalón, and Joaquín González spoke with Chilean architect Enrique Walker. An academic and former director of the Master of Science in Advanced Architectural Design program at Columbia GSAPP from 2008 to 2018, Walker has explored throughout his career an interest in the everyday in architecture.

Studying architecture in the mid-2000s meant high exposure to major Spanish architecture firms, which were experiencing a highly productive period of project development, particularly cultural and public works.
That was how I discovered and studied the work of Emilio Tuñón, who was then a partner at the firm Mansilla + Tuñón Arquitectos. Projects like the León Auditorium, the Cantabria Museum, and the MUSAC taught many of us how to engage with the surroundings, study facades, and use color.
In 2012, he founded Tuñón Arquitectos, a firm dedicated to confronting design and construction practice with theory and teaching, which emerged as a natural evolution of Mansilla + Tuñón Arquitectos. They approach architecture from a humanistic perspective: "it is the construction of an architecture made with people, by people, and for people."

The Maestranza de San Bernardo, an abandoned railway complex declared a historical monument that was once one of the largest railway hubs in South America, located south of Santiago, Chile, is making progress on its restoration and conversion into a boulevard. Designed by the firm Uno Proyectos, led by architect Gonzalo Martínez de Urquidi, the project aims to revitalize the area by introducing a program of economic and civic exchange spaces.

After receiving 94 proposals from 29 different countries, the Hyde Park Music Pavilion (HPMP) international ideas competition, organized by arquideas, has announced the winning projects. Hyde Park is one of the largest parks in London, England, and one of the city's nine Royal Parks, three of which form a chain from the entrance of Kensington Palace, through Kensington Gardens and Hyde Park, to Buckingham Palace.

To showcase the valuable output of Spanish universities, we launched an open call in September, inviting our readers to submit their thesis projects. Following a comprehensive evaluation of nearly 50 proposals, we selected 6 projects that not only offer innovative responses and deep research into complex, contemporary issues but also challenge and question the future of architecture.

Fifty years after its last participation, Cuba returns to the Milan Triennial for the XXII International Exhibition, titled "Broken Nature: Design Takes on Human Survival."
Addressing the relationship between humanity and nature, the Cuban Pavilion showcases unconventional examples of organic architecture: the National Art Schools of Havana, born of Fidel Castro and Che Guevara's desire to offer art education to all developing nations.

The University of Navarra presents three Master's programs for 2019: the Master's Degree in Architectural Theory and Design (MtDA), the Master's Degree in Environmental Design and Building Management (MDGAE), and the Master's Degree in Architecture (MUA). These in-person programs will be taught at the university's Pamplona, Madrid, and Bilbao campuses starting in September of this year. Explore more details below.

The first thing one notices about the houses and other projects of Fran Silvestre and his studio is their distinct atmosphere of elegance and luxury—extravagantly understated—which is as recognizable in its own right as the work of, say, John Lautner or John Pawson. While this first impression might seem somewhat superficial, it is actually indicative of an elusive quality in their work, something we might call an essential “geist” or “gestalt” deeply rooted in their architecture, and one that is far more complex and interesting than a mere matter of “style” or “brand.”