This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

At the FIESP Cultural Center in São Paulo, Nicolás Valencia sits down with Brazilian artist Giselle Beiguelman to discuss artificial intelligence, data centers, and coup plotters, drawing from her book Políticas da Imagem, her exhibition Venenosas, Nocivas e Suspeitas, and her research project Domingo no Golpe.

On Saturday morning (27), Ruy Ohtake, son of the Japanese-Brazilian artist Tomie Ohtake, passed away. The São Paulo architect, responsible for several architectural landmarks in the city of São Paulo, had bone marrow cancer, but the official cause of death has not yet been released.

Oficina Brennand, one of Recife's landmarks, was established in 1971 on the ruins of a ceramic factory as a project by artist Francisco Brennand. The monumental 15-square-kilometer complex "became an inspiring source and repository of the Pernambuco artist's history" and is now entering a new institutional phase. It will feature a new master plan proposing interventions in the institute's deactivated spaces, designed by the São Paulo-based firm METRO Arquitetos Associados.

With a canal network spanning over 100 kilometers, Amsterdam has just unveiled a fully electric, autonomous boat. Designed to operate as a water taxi, the vessel can transport up to five people at a time.

Named Roboat, the vehicle can operate uninterrupted for 10 hours without a pilot on board. Charging is done wirelessly, via proximity and without human intervention. Other integrated technologies include sensors and 360-degree cameras powered by artificial intelligence.

Since the onset of the Covid-19 pandemic, cycling has become an even more popular, resilient, and reliable alternative for daily travel, and temporary (or pop-up) bike lanes are increasingly common in major cities around the world. Between March and July 2020, 394 cities, states, and countries reallocated street space so people could walk and bike with greater ease, efficiency, and safety.

A type of garden roof tile has been developed by a Dutch company. This “two-in-one” product promises to transform any conventional roof into a green oasis, bringing several benefits to residents. 

Unlike traditional green roofs, where plants must be installed on top of the structure, these tiles come with the vegetation already “built-in.” Each unit is covered with a mix of sedum and substrate. Best of all, they require very little maintenance. 

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As summer approaches, so does the desire to enhance our homes' outdoor spaces. Whether for sunbathing, enjoying the breeze, or gathering with friends, areas like patios, backyards, and balconies can be highly versatile depending on how they are occupied. With this in mind, we have compiled some essential tips to help you make the most of these spaces. 

With the aim of getting to know the architects, projects, and stories behind landmark Portuguese architecture, Sara Nunes, from the architectural film production company Building Pictures, launched the podcast No País dos Arquitectos, where she speaks with key figures in contemporary Portuguese architecture.

In this week's episode, Sara speaks with architects Pedro Domingos and Pedro Matos Gameiro about the design of the Grândola Municipal Library and Archives in southern Portugal. Revisit previous interviews from the podcast No País dos Arquitectos and read the transcript of the interview with Domingos and Gameiro below.

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The Education and Training Commission (CEF) of CAU/RJ is conducting the survey Impacts of Remote Learning on the Training of Architects and Urban Planners. The goal is to analyze the impact of the COVID-19 pandemic on undergraduate education and professional training during the pandemic and its future ramifications, considering the implementation of remote classes and restrictions on curricular and extracurricular activities in architecture and urban planning schools across the state of Rio de Janeiro.

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Before we are drivers or cyclists, we are all pedestrians. Designing safer ways to navigate on foot, while also offering opportunities for leisure and contemplation for passersby, means conceiving a fairer city that offers a better quality of life—one that respects all its citizens and prioritizes their well-being. Accordingly, we have gathered here several parks, crossings, and pedestrian bridges designed exclusively for non-motorized use.

The incredible architectural drawings of Marion Mahony, the first registered female architect in Illinois (United States), were featured in many of Frank Lloyd Wright's projects—though he never credited her for them. Sophia Hayden, the first woman to graduate with an architecture degree from MIT, won the competition to design the Woman's Building, earning at least three times less than her male colleagues. Mayumi Watanabe was part of the first group of professors at UnB. Carmen Portinho, who was instrumental in introducing the concept of social housing to Brazil, fought for women's suffrage. Ruth Glass coined the term "gentrification." Rosa Kliass has more than 300 built projects. Zaha Hadid was the first woman to receive the Pritzker Prize (2004) and the RIBA Royal Gold Medal (2016).

Founded in 2004 by then-architecture students Carlos Maia, Débora Vieira Mendes, and Igor Macedo, Tetro Arquitetura boasts a portfolio that spans projects across much of Brazil, yet maintains a remarkably cohesive approach. In the view of some architectural critics, the formal and conceptual identity defining the firm's work is driven in part by the influence of the Brazilian modernist tradition. But is this actually the case? This and other questions are explored in this casual conversation with the unconventional trio from Minas Gerais.

With the goal of getting to know the architects, projects, and stories behind landmark Portuguese architecture, Sara Nunes, from the architectural film production company Building Pictures, launched the podcast No País dos Arquitectos, where she speaks with leading names in contemporary Portuguese architecture.

In this week's episode, Sara speaks with architects Susana Rosmaninho and Pedro Azevedo, from the studio Rosmaninho + Azevedo, about their project for the Tua Valley Interpretive Center, located in Carrazeda de Ansiães. Catch up on other interviews from the podcast No País dos Arquitectos and read the transcript of the interview below.

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The 4th Tomie Ohtake Institute Leroy Merlin Design Award, dedicated to university students and recent graduates, has announced the three winning projects of this edition. The goal of this fourth cycle, themed around the verb acolher (to welcome/to shelter), is to highlight proposals that explore the relationship between design and other fields, such as communication, architecture, biology, engineering, fashion, technology, economics, physics, education, mathematics, and chemistry. The winners will receive scholarships for design courses abroad. 

The 6th {CURA} Award has announced the results of its competition for students and young architects. In this edition, participants were invited to propose temporary interventions in works by Lina Bo Bardi. The proposal could be sited in any city in Brazil, provided it was an intervention in a work by the architect.

The exercise of observing a space, taking into account its historical, social, and sensory complexities, is an act that should be part of the daily life of those who practice architecture. This act qualifies actions that engage with that spatiality. Consequently, using architecture as a tool to understand the dynamics of the environments we frequent becomes essential.

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Arquicast invited architect Matheus Seco, a Rio de Janeiro native from Bloco Arquitetos, to discuss Brasília, their home for several years. The topic is particularly compelling: not only is the city's history intrinsically linked to the image of a nation, but it also offers a vast archive of exceptionally high-quality photographs, maps, floor plans, and other iconographic records.

Another year draws to a close, and with it comes another list reviewing the most memorable moments of the last twelve months. This time, we analyze the photos that garnered the highest engagement (likes, comments, shares, and saves) on ArchDaily Brasil's Instagram.

In Brazil, urban problems associated with urban growth and poverty, driven particularly by the informality of land occupation and the precariousness of infrastructure and urban services, have proved to be an insurmountable challenge for public authorities.

Despite past efforts, low-income housing access has largely been achieved through self-built housing and the relaxed enforcement of land subdivision, use, and occupation regulations.

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Play, as a human activity, is a multidimensional practice: it stems from biology, is socially transmitted, and is situated within the architectural realm. Within this interrelation, while play introduces dynamics and narratives that invite us to explore alternative ways of inhabiting the world, architectural projects provide the physical and sensory support needed to unlock these possibilities, with play structures serving as the medium connecting the two. Consequently, a defining relationship emerges between play, the built environment, and its evolution over time.

Contrast can be widely used in architecture as a tool to highlight what we want to showcase. Do we want to emphasize an entrance? Make the project stand out from its surroundings? Turn our architecture into a landmark in the urban—or rural—landscape? Do we need to create symbolism? Ensure legibility? How do we achieve this? How do we "shine a light" on something?

Whatever we want to highlight is amplified through comparison—by means of an exaggerated, antagonistic contrast. Intentionally, we can intensify the use of darkness to emphasize a single light source, framing a staircase in a dramatic and theatrical way. Or we can introduce solid, opaque walls to make a light, transparent entrance stand out.

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The Urban Initiatives Map, created by OSPA Place in partnership with the Responsive Cities Institute, is a free, collaborative mapping platform showcasing urban transformation projects driven by innovation, technology, and citizen participation. The initiative aims to identify, highlight, and give visibility to transformative urban experiences; inspire other cities with open innovation models; strengthen collaborative networks among public, private, academic, and civil society stakeholders; and share solutions that have a real impact on the population.

A bamboo structure rises as a space of convergence between technique, ancestry, and collective practice. OCO is the first work by Cambará Instituto, an organization that grew out of the Arquitetas Negras Project. Conceived during an artistic residency at Cerbambu, in Ravena (Minas Gerais), with support from re:arc institute, the project brought together ten black women architects who, over seven days of immersion in July this year, worked alongside master builder Lúcio Ventania to explore the constructive and symbolic potential of bamboo. The process culminated in the presentation of the work at the 14th International Architecture Biennial of São Paulo.

The experience sought to reconnect architectural practice with knowledges rooted in the body and the earth. The process encompassed every stage of production—from selecting and cutting the bamboo to curing and assembling it—resulting in a structure six meters high and five meters in diameter. Its design draws inspiration from the xossas of Benin and features straw from the African country at its top. The installation was also “clothed” with 220,000 beads, known as Our Lady’s Tears, handcrafted by forty elderly women in situations of social vulnerability who live in the same region where the residency took place—strengthening both community and economic bonds.

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Chinese architect Sui Yanfei has won the 4th Kazuhiro Kojima Award in 2025, becoming the first recipient from outside Japan since the award's inception. The jury presented this honor to Sui in recognition of his deep insight into Chinese social realities alongside his continuous exploration of new, future-oriented possibilities for architecture. His work focuses on extending Eastern thought within a post-human context and excels at reinterpreting historically accumulated social structures. Grounding his practice in social, economic, and institutional realities, he transforms architecture within complex networks of relationships into a medium that connects people, objects, and time. The diverse practice of his studio is both deeply rooted in reality and brings a new poetry to contemporary life.

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