Glaciar Films has made three video clips featuring interviews with key figures in Chiloé architecture available to our readers. In the first installment, we featured Jonás Retamal and local modes of production on the island. In this second installment, Edward Rojas highlights the importance of architecture that is relevant to its place.

These video clips are part of the Chiloé series, a production by Glaciar Films directed by Diego Breit and David Guzmán, which presents five episodes exploring the island's architectural identity and its key figures. Architects, carpenters, craftspeople, and residents weave together a narrative that addresses the history of construction and how it faces imminent change and the adoption of modern patterns.

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Miguel Braceli presents a project developed for the Escuela de Art Thinking, an initiative that invites reflection on the possibilities that arise when moving educational spaces and their teaching models into the public realm, integrating the social, political, and cultural content that defines them.

After receiving more than 1,500 films for the fourth edition of the "The City is..." competition at the Architecture Film Festival Santiago (Arqfilmfest), taking place from October 25 to 28, the event's organizing team has selected 34 audiovisual productions to compete in various categories: documentary, fiction, experimental, and architectural documentation.

See the feature films and short films participating in the final stage below.

Arquitectos: Maestros del espacio is an engaging audiovisual catalog provided by Encuentro, showcasing the work of renowned Argentine architects: Alejandro Bustillo, Alejandro Virasoro, Alberto Prebisch, Francisco Salamone, Mario Roberto Álvarez, Amancio Williams, Clorindo Testa, and Claudio Caveri.

Presented by actor Rafael Spregelburd, the series explores architectural projects that are part of Argentina's collective memory, reminding us of the importance of acknowledging the material history that defines a country.

Explore the available episodes below.

Our readers believe that architects should urgently leave their desks to get out into the field. Building on this, we have shared a series of 13 videos on construction and masonry that Canal Encuentro has made available to the public to promote the practice of the trade.

This time, we are presenting a new series of 8 videos from the same channel focused on plumbing—an interesting resource for brushing up on your knowledge of pipe installation and maintenance.

Check out each of the chapters below.

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Arquitectas. Maestras del espacio [Architects. Masters of Space] is a recent series from Encuentro. Over the course of two months, the weekly episodes built an engaging audiovisual catalog of the historical work of eight Argentine architects.

The second installment of this architecture series is once again presented by actor Rafael Spregelburd, who reminds us of the importance of highlighting the lesser-known creators behind the country's celebrated architectural projects.

Recently released, 'La obra secreta' (The Secret Work) is an Argentine feature film directed by artist Graciela Taquini that—recalling 'El Hombre de al Lado' (The Man Next Door)—once again addresses one of the country's most renowned architectural projects: the Casa Curutchet, a work in the city of La Plata resulting from the meeting of Pedro Curutchet, Amancio Williams, and Le Corbusier.

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Have you ever tried building a wooden chair or piece of furniture?

Canal Encuentro offers a series of videos to help you learn the basics of woodworking and achieve the best possible results.

Explore the available chapters below.

We present the latest video clip that Glaciar Films has made available to ArchDaily readers. Taken together, these videos highlight the key figures in contemporary architecture in Chiloé through interviews. In the first two episodes, Jonás Retamal discussed local production methods on the island and Edward Rojas highlighted the importance of architecture that is relevant to its place; in this installment, Macarena Almonacid focuses on the history of the renowned wooden churches located in the far south of Chile.

The footage is part of Chiloé, a series by Glaciar Films directed by Diego Breit and David Guzmán. The five-episode series documents the island's architectural identity and its key figures: architects, carpenters, artisans, and inhabitants.

Chiloé is a production by Glaciar Films which, directed by Diego Breit and David Guzmán, offers five episodes presenting the island's architectural identity and its key figures. Architects, carpenters, craftspeople, and residents weave together a narrative that explores the island's construction history and how it faces imminent change and the adoption of modern patterns.

In this instance, Glaciar Films has made three video clips featuring interviews with key figures in Chiloé architecture available to ArchDaily readers. In the first chapter, Jonás Retamal—an architect from the University of Chile who has lived on the island for 15 years—discusses traditional materiality and the adoption of modern patterns in local production methods.

In FOMM, architect Manuel Mosquera captures the construction phase of a residence in Argentina designed by architects Mathias Klotz and Edgardo Minond.

This black-and-white photography book offers a new perspective, rescuing the small stories and practices inherent in the process while capturing its unique atmosphere and details. Simultaneously, it highlights a range of records and observations that invite us to reflect on the procedures, timelines, and considerations of construction.

Below, the author shares a few words.

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Across different climates and building cultures, many contemporary projects are working with local ways of building in new ways. Earth walls, bamboo structures, shaded thresholds, and collective construction processes are being reconsidered not as references, but as tools for the conditions architecture is facing now and will continue to face.

In these projects, vernacular knowledge appears through practical decisions: how to cool a building without machines, how to build with what is nearby, how to make a structure easier to repair, and how to keep construction knowledge within the community that will use it. The conditions making this knowledge necessary are not coming. They are already here.

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This article is the winning entry of the Epistle Writing Prize 2025, an annual competition dedicated to recognizing outstanding writing on design, architecture, and the environment.

It's wet season, but this morning's downpour does little to deter the rhythm along La Carrera Séptima. Cyclists and pedestrians weave past ambulatory vendors with carts of avocados, ginger sweets, and phone cases. Toy cars, lightbulbs, and hand-beaded jewelry glisten with raindrops, arranged neatly on tarps that demarcate vendors' territories. Police officers approach a recycler gathering bottles; a tourist bargains for a jacket; two women find each other in the middle of the road, embracing as their coats grow heavy with rain.

La Séptima, or Bogotá's Seventh Avenue, is the most emblematic road in Bogotá, traversed by more than two million people every day. Along this single road — part marketplace, part protest route, part transportation hub — Bogotá's history unfolds. For nearly a year, I traced its rhythms as a pedestrian, commuter, inhabitant, and researcher. In all these moments and their historical incarnations, one image endured: the road is a living body. It is imagined as Bogotá's backbone, its vital artery, its heart. It bleeds, bears scars, and demands care.

Most of Europe's future housing already exists, yet renovation continues to happen too slowly to address climate, housing, health and resource challenges at the scale required. Re:Living explores how renovation can move from isolated projects to a scalable approach for transforming existing buildings. At the heart of the initiative is a new research project, The Housing We Need for the Future We Want, which examines how better use of the existing building stock can unlock new opportunities for architects, cities and communities.

The third edition of the Sharjah Architecture Triennial (SAT03) will take place from November 14, 2026, to April 14, 2027, under the title Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Curated by anthropologist and curator Vyjayanthi Rao, with Tau Tavengwa serving as Associate Curator, the exhibition will bring together 32 participants working across architecture, anthropology, urbanism, art, design, education, and community-based practices. Opening to the public on November 14, the Triennial will unfold through installations, films, archives, workshops, performances, and public programs distributed across Sharjah, positioning the city itself as a site for dialogue and engagement.

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The project developed by CRA-Carlo Ratti Associati, Park Associati, Politecnica Building for Humans, Openfabric, DOTDOTDOT, Studio Mattioli, and Eckersley O'Callaghan has been selected to design the new Main Hospital and Children's Hospital in Brescia, Italy. The international competition mandate was to redevelop an existing hospital, preserving and extending a radial plan conceived by engineer Angelo Bordoni in the early twentieth century. The existing healthcare complex, Spedali Civili di Brescia, follows a hexagonal masterplan and radial layout that informs the new design for the premises. The geometry is reinterpreted to update the campus for future models of care, drawing a new CareRing around it that connects people, nature, and healthcare through the principles of One Health, the idea that human health, environmental health, and social wellbeing are inseparable.

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Mexico City is a sprawling metropolis of layered temporalities, where architecture operates as a continuous negotiation between deep-seated history and intense urban mutation. Built over the aquatic traces of Tenochtitlan, the city's fabric is an ongoing dialogue between eras: the monumental scale of the Pre-Hispanic Templo Mayor and the Viceroyalty architecture of the Catedral Metropolitana coexist with the modern and contemporary impulses that define its skyline. This dense juxtaposition creates a unique urban canvas where sacred geography, colonial imposition, and 20th-century ambition intersect.

The mid-century marked a definitive era of experimentation, forging a Mexican Modernism that masterfully synthesized international structural rationalism with local identity and materiality. This synthesis is epitomized by the sweeping, plastic integration of art and architecture at the Ciudad Universitaria, the structural poetry of Félix Candela's hyper-parabolic shells, and the raw, monumental brutalism of Teodoro González de León and Abraham Zabludovsky. Parallel to this, the intimate, introspective mastery of Luis Barragán and Juan O'Gorman redefined domestic space, experimenting with light, vernacular color, and tectonic honesty to create spaces of profound spatial stillness.

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An experiential rebellion takes center stage in the fourth episode of the Room For Dreams podcast, hitting directly at the heart of today's screen-deep, image-obsessed design culture. Recorded live at Milan Design Week 2026 in cooperation with INDX|GLOBAL, host Claire Broadka sits down with four Indian architectural voices — Indrajit Kembhavi, Manish Gulati, Sanjay Singh, and Sidhartha Talwar — to explore a critical question: have we sacrificed the soul of architecture for the sake of a picture-perfect Instagram post?

Cities are increasingly designed to mitigate risk, and by doing so, need to collect data on climate, infrastructure, biodiversity, and social fragmentation so that the language of resilience becomes a fixture of planning. Yet the underlying conditions that produce polarization, civic disengagement, and ecological breakdown often remain unquestioned. The tools that dominate urban practice tend to address only one register of human experience, while the emotional and imaginative dimensions of transformation are not treated as reliable solutions.

Philosopher Felix Guattari proposed that sustained ecological transformation depends on simultaneous attention to three distinct ecologies: the ecology of the mind, the ecology of society, and the ecology of the environment. Mainstream environmental politics tends to concentrate on one or two of the three, flattening a complex condition into a defined problem with a clear answer. Ancient rituals remind us that transformation depends on practices that simultaneously engage the body, the community, and the environment.

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Recent events highlighted the many ways architecture responds to changing environmental, social, and cultural conditions. Major earthquakes in Venezuela, Japan, and Northern California renewed attention to the role of planning, infrastructure, and building practices in shaping resilience to natural hazards. As these questions continue to inform the built environment, the opening of the 2026 UIA World Congress of Architects in Barcelona brought together practitioners and researchers to discuss climate, housing, public space, and the future of the profession. Recent project announcements, preservation initiatives, completed works, and new design tools further reflected the range of approaches shaping architectural practice today, from heritage conservation and adaptive reuse to environmental performance and long-term planning.

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The 15th São Paulo International Architecture Biennial (BIAsp), scheduled to take place in September and October 2027, announced architects Gabriela de Matos and Pedro Rossi as the event's chief curators. Following the previous edition on the theme Extremes: Architectures for a Hot World, the duo is expected to bring critical perspectives on architecture, culture, and the city to bear on the theme Architecture, Culture, and Sovereignty. Their role is to direct the conceptual development of the Biennial, assemble a curatorial team, and run a public call for co-curators.

A monument is usually the most conservative building a state will commission. It is expected to stabilize memory, to make history legible, and to give public form to a shared narrative. Eastern Europe's twentieth century produced an entire body of work from the Baltic to the Balkans that resisted precisely those expectations, challenging the conventional relationship between monument, memory, and representation. Commonly grouped under the name spomeniks, these architectural exercises are perhaps the best-known examples of a much broader landscape of memorial architecture that emerged across the region. These were societies emerging from occupation, civil conflict, or revolution, and none of them possessed a single symbolic language capable of accommodating the complexity of their histories. Rather than searching for new heroes or new icons, many architects and artists turned to space itself as the medium through which remembrance could be constructed.

These monuments occupy an unusual position between sculpture and architecture. At one scale, they read as deliberate abstract compositions arranged with the clarity of a drawing by Kandinsky. At another, they seem less resolved, as if testing the limits of a spatial language still in formation. Their forms often appear caught between certainty and experimentation, the same monument readable as a controlled geometric object and as an open-ended search for how collective memory might inhabit space. But these readings coexist and give many of these works their enduring ambiguity.

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Artificial intelligence has evolved from an emerging technology into an everyday tool. Architects and interior designers are integrating it into their workflows, shortening the time between an initial idea and its realization. In the field of visualization, AI has naturally integrated into existing tools and processes, working alongside software such as Revit, AutoCAD, SketchUp, Lumion, Enscape, or Twinmotion.

Against this backdrop, Render AI was launched over three years ago with a clear goal: to integrate into the creative process quickly and intuitively. It is an AI-powered rendering tool designed for architecture, design, and interior design firms, capable of transforming sketches, 3D models, Revit screenshots, drawings, or photographs into client-ready presentation images.

One of the defining qualities of contemporary interiors is flexibility. Offices, education facilities, hotels, and cultural venues need to be adaptable. They require spaces that can expand, divide, open, and close according to different activities, without sacrificing comfort, or accoustics. How a space is subdivided, then, is no longer a secondary decision, but a central component of architectural performance.