An initiative in the Rocinha community in Rio de Janeiro will provide professional training for residents in the solar energy market and install two photovoltaic plants in the community (at Acadêmicos da Rocinha and Igreja Batista), directly benefiting the NGOs Rocinha Recicla and Pedrinho Social through local energy generation.
"Light and movement allow us to achieve anything that is recognized as beautiful." This quote by Álvaro Siza Vieira, the universally acclaimed Portuguese architect, captures his philosophy. His work guides the relationship between built space and its surroundings, creating true works of art that prioritize nature. In furniture design, the approach can be similar. The intervention can indulge in the status of art, redefining meaning and joining new dialogues as if framed in a museum setting.
Driven by this provocation, Dell Anno presents an approach for its 2022 campaign that further strengthens its DNA of connecting architecture, art, and fashion. Titled Singular Dell Anno, the campaign draws a parallel with the sublime work of the Portuguese architect, paying tribute to his legacy of simplicity and architectural sophistication, which earned him global recognition and made him a major architectural influence today.
During the International Festival of Urban Interventions (FIIU), the finalists and winners of the 'Public Spaces for Early Childhood' competition were announced. Organized by Ocupa Tu Calle and Lima Cómo Vamos as part of the Pact for Public Spaces, the initiative was held in strategic alliance with the Bernard van Leer Foundation and Urban95. The competition aimed to design two public spaces in the districts of Barranco and Miraflores in Lima, Peru, utilizing an early childhood-centered approach.
Tie-in sales are one of the major consumer rights issues and are typically banned in most market economies. They occur when a seller conditions the sale of one product or service on the purchase of another. In Brazil, the Consumer Defense Code, under Article 39, Subsection I, expressly condemns this practice. Meanwhile, Law 12,529/2011, which structures the Brazilian competition defense system, establishes in Article 36, Subsection XVIII, that tie-in sales constitute an infraction against the economic order.
What relationships between the social field of memory and the construction of the city can be identified during the Brazilian civil-military dictatorship? We begin with the premise that the formation of the city involves a series of disputes and concessions among the diverse entities that make up society. Since, as we know, each social agent possesses a distinct standpoint, their oppressions or privileges are carried over into the realm of memory, which in turn is transcribed into the construction of the urban environment. That is to say, the opinions and desires of certain communities, because they possess more resources, often determine how places will be built and the narratives woven about them.
In 2016, in the commune of Limache in Chile's Valparaíso region, tunnels connecting to various parts of the city—including the CCU brewery—were discovered beneath a hatch in the gardens of the landmark Eastman Mansion. Prompted by uncertainty over why they were built, an investigation was launched, with the findings behind the project's origins finally revealed in 2021.
Organized by the Central Society of Architects (SCA) and sponsored by the Argentine Federation of Architectural Entities (FADEA), the Government of the Autonomous City of Buenos Aires (GCBA) commissioned a preliminary design for a “Memorial Space for Covid-19 Victims” to be located in the southeastern area of the City of Buenos Aires, specifically in Florentino Ameghino Park in the Parque Patricios neighborhood.
The Laboratorio Arte Alameda (LAA)—a venue of the National Institute of Fine Arts and Literature (Inbal) Museum Network—in collaboration with Fundación Telefónica presents Joanie Lemercier: Landscapes of Light, the French artist's first solo exhibition in Mexico. The exhibition offers "a journey through different landscapes that transport the viewer from the contemplation of refined abstract lines and the fascination of majestic computer-generated virtual mountains, to the troubling reality of an overexploited nature."
From reducing local temperatures to improving air quality, the benefits of urban forestry in city centers are numerous. Combining social, environmental, and even economic advantages, urban planting—especially along sidewalks—is fundamental to citizens' quality of life. However, it must be carefully planned and designed, balancing urban demands with biological needs.
In an effort to improve air quality and the health of Rio's residents, the Rio de Janeiro City Hall is launching the Low Emission District. Measures to reduce greenhouse gas emissions will be implemented across an area of just over two square kilometers in the city center.
The district's implementation will be carried out in phases through 2030. The first phase, which is currently underway, consists of revitalizing 35,000 square meters of public space in the city center and monitoring air quality and GHG emissions. It is expected to be completed in 2024.
Driven by Gen Z's preference for access over ownership, the secondhand market is beginning to see significant growth worldwide.
This includes the secondhand furniture market, which, in addition to giving a second life to items destined for landfills, helps reduce industrial CO2 emissions—manufacturing and shipping a single piece of furniture emits about 90kg of CO2, equivalent to a one-hour flight on a Boeing 747.
Residencias Remotas is an initiative created by the Architecture program of the Campus Creativo in conjunction with the Community Engagement department of the Universidad Andrés Bello. This interdisciplinary, transdisciplinary, and multidisciplinary project aims to open up a space for reflection on contemporary and pressing issues.
The eruv divides the public from the private, the secular from the sacred, and labor from the shabbat. This essay aims to understand how Jewish cultural traditions have adapted over the centuries and coexist today with the dynamics of the metropolis, leaving identity markers on the urban space. Ultimately, we seek to examine the tension between community, identity, and belonging, which construct alternative readings, understandings, and modes of sharing in the city's public spaces.
In Brazilian cities, we see new residential buildings being constructed with cantilevered balconies—that is, extending beyond the building's perimeter and encroaching upon the minimum required setbacks (referred to as afastamentos in Rio de Janeiro). However, what we have seen in recent years is a growing trend of enclosing these balconies with glass panels, consequently expanding the adjacent rooms. But what is the reason behind this enclosure? If there is a need to enlarge these spaces, why aren't they designed this way to begin with?
Real or imagined, houses and cities are always present in cinema. In this episode, the Betoneira Podcast hosts art director and set designer Vera Hamburger to discuss how professionals like her appropriate urban space to create illusions, capture the public imagination, and bring the magic of cinema to life.
The end of the rubber monopoly, the economic crisis of the 1920s, demographic growth driven by the migration of river dwellers and northeasterners to Manaus, and a scarcity of resources all contributed to a housing crisis in the city.
Amid this adversity, in 1920, João Aprígio, a native of Paraíba with a wife and children to support, faced immense hardships. His meager earnings were barely enough to feed his family. Lacking a home of his own, Aprígio gathered two açacu logs from an igapó (flooded forest) and towed them behind his canoe to the Educandos waterfront, which he deemed the most suitable location to build his dwelling. For twenty days and nights he worked, eventually erecting what would become the first floating house in Manaus.
Matilde Ucelay Maórtua was born in 1912 in Madrid into a bourgeois, professional, and enlightened family, as the eldest of four sisters. Her father's family, Enrique Ucelay, of Basque origin, had held a prominent economic, political, and professional position in 19th-century Madrid, closely tied to political liberalism. Meanwhile, her mother, Pura Maórtua, also of Basque descent, came from a wealthy family as well. Though she lacked formal academic training, she possessed an insatiable desire to learn and was fortunate to travel extensively, visiting museums and architectural works.
The Rifa Housing Competition is an annual call that invites successive generations of architecture students from the Universidad de la República to propose new ways of living. The goal is to build a home based on their own design strategies, optimizing resources and construction times. Reflecting on living, architecture, and the pedagogy of the discipline, the competition offers the opportunity to experience a design process that extends far beyond the classroom.
"Harmonious Contradiction" is the third and final summer exhibition at Sotheby's East Hampton Gallery New York and the first collaboration between MASA and Sotheby’s. Running from August 24 to September 18, this group exhibition features brass and polished bronze floor works by eight contemporary artists from Mexico City-based Masa Gallery, in conversation with a curated selection of contemporary and post-war works from Sotheby's.
On Wednesday, August 17, the Senate Infrastructure Services Committee approved a bill establishing a regulatory framework for offshore energy generation—including wind, solar, or tidal—in Brazil's open seas, lagoons, and other bodies of water. The Bill (PL) 576/2021 regulates authorizations for harnessing offshore energy potential. Authored by Senator Jean Paul Prates (PT-RN), the bill was approved in a final vote by the committee and will now proceed to the Chamber of Deputies for review.
Since 2009, World Photography Day has been celebrated every August 19, commemorating the presentation of the daguerreotype to the French Academy of Sciences. The daguerreotype was the first photographic process, a milestone invention for human history and, of course, for our own discipline. Discussing architecture through photography is, in the words of Beatriz Colomina, one of its primary means of dissemination.
In the northern area of Greater Buenos Aires, Nordelta has been developing a new urban project across its 1,700 hectares for around 30 years. Initially conceived for low-density residential use, it now also includes medium- and high-density housing, educational, recreational, and service facilities, as well as production and supply hubs, among others. Area Beta is located in the southern part of Nordelta, designed to complement this mixed-use and service urban sector.
Those interested in purchasing low- or zero-emission transportation options can now access a new line of credit. This month, Banco do Brasil (BB) launched the BB Crédito Mobilidade line, which will finance items such as bicycles, kick scooters, electric or manual scooters, and motorcycles under 125cc, with repayment terms of up to five years.
What if policymakers, when deciding how to allocate public investments, looked beyond massive concrete structures and also turned their attention to forests?
Viewing the conservation, restoration, and management of native vegetation—in other words, nature-based solutions—as viable investment alternatives to improve urban infrastructure is an innovative approach that can yield major benefits for society. A prime example lies in the water treatment and supply sector: forests can play such a crucial role that they can be considered a form of natural infrastructure.
