The levels of air pollution reached by major urban centers around the world in recent years reveal the troubled relationship we have maintained—and continue to maintain—with our environment. The gravity of the issue lies in the fact that this not only affects the overall balance of the planet, but according to the World Health Organization, the current state of the atmosphere also causes, through the simple act of breathing, the death of around seven million people each year. Shortly after governments in various countries announced measures to prevent the spread of the coronavirus—lockdowns and isolation—numerous studies began to show an unexpected and promising trend: air pollution levels in many cities began to drop significantly within days of the measures being announced due to reduced traffic and a decline in industrial emissions.
In this exclusive interview with ArchDaily, Ilse Cárdenas, Diego Escamilla, and Juan Luis Rivera—who, along with Regina de Hoyos, make up the firm PALMA—discuss the history of their practice and its evolution over the years, reflecting on how their personal and professional interests shape the way they inhabit and create architecture.
The Bamboo Pavilion, a project designed by Mexican architect Lucila Aguilar as part of Design Week 2020, is inspired by the search for spaces that connect directly with the earth. It consists of a series of bamboo structures that create a new space in the plaza of the 'Espacio CDMX' gallery. The pavilion's shape follows the flow of organic forms, combined with a 100% biodegradable, permeable material made in Mérida from natural rubber.
https://www.archdaily.com/1124090/lucila-aguilar-builds-bamboo-pavilion-for-design-week-mexico-2020ArchDaily Team
The ECOM Rosario (Metropolitan Coordination Agency) is a voluntary association of municipalities and communes, an institutional space for the planning, coordination, and promotion of public policies with regional impact, organized on the basis of a strategic partnership among 26 localities. It is essentially an organ for driving the formulation, development, and execution of projects at a metropolitan scale, established with the goal of supporting balanced and integrated territorial development in the Metropolitan Area of Rosario (AMR), Argentina.
The Mapa Corona nas Periferias, a digital initiative by the Marielle Franco Institute and the Favela em Pauta channel, is now live. The digital map highlights solidarity initiatives combating COVID-19 in socially vulnerable areas such as favelas, communities, quilombos, or rural hinterlands.
Natural disasters, mass migrations, economic crises, or simply the passage of time can leave significant architectural works—and even entire towns—abandoned to decay, losing their habitability either partially or completely. Recognizing that these buildings form part of our recent history, a growing number of photographers, historians, and urban explorers (urbex) are venturing out in search of these modern ruins.
"I am interested in how we transition as people from one phase of life to another, and as cultures from one historical period to another. Transitions are often difficult, maybe even frightening." With this introduction, we can expect the work of artist-architect Jorge Otero-Pailos to offer a different perspective, particularly in how we understand the passage of time in architecture throughout history.
Below, he shares photographs of his series "The Ethics of Dust," which highlights the cleaning of dust and pollution residue from renowned historical buildings and monuments—making the invisible visible.
Intervening in buildings of historic value is one of the most delicate tasks facing architects. Today, preservation is no longer limited to restoring centuries-old buildings; it also encompasses the language of modern architecture.
The National Social Distancing Campaign (Jornada de Sana Distancia) in Mexico began on March 23, 2020. However, a couple of weeks earlier, despite the federal government's recommendation to continue normal activities, people on social media were already choosing to replicate the European model of self-isolation. Some architecture firms immediately decided to close their physical spaces and transition to remote work, while others took a few more weeks. Still, this period of social and physical (spatial) distancing is experienced differently in every household. The months of this pandemic have exposed not only inequality regarding basic needs in dense urban areas, but also the fragility of our social order. Whether at a macro or micro scale, all these experiences are shaped and influenced by the built environment, making architecture both a judge and a party to the equation.
In the past, people lived off their crops, built using materials available in their environment, and traveled great distances in search of the resources necessary for their survival. This led to a deeper understanding of the territory, close observation of nature's behavior, and the comprehension and use of local materials to construct their homes. It is from this close relationship between humans and their environment that the vernacular architecture of San Pedro de Atacama emerged, materially composed of earth, stone, tar, straw, and chañar and algarrobo wood. Today, urban growth driven by a steady rise in tourism, combined with a lack of regulations protecting the town's architectural identity, has led to new construction that threatens the area's built heritage.
As urban sprawl has expanded in large Latin American cities like Bogotá, neighborhoods, spaces, and zones dedicated to specific uses have naturally become increasingly disconnected. Although historic centers are typically hubs of culture and tourism, they cannot keep pace. Driven by growing demand and rising populations, new dedicated cultural zones are beginning to emerge.
Musicologist, journalist, radio broadcaster, and music producer Zuza Homem de Mello is the third guest on Studio Casa, an interview series produced by Casa da Arquitectura - Portuguese Center for Architecture.
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"Ya no estoy aquí" dirigida por Fernando Frías. Image Cortesía de Netflix
Directed by Mexican filmmaker Fernando Frías and winner of the Morelia International Film Festival, “I’m No Longer Here” (“Ya no estoy aquí”) is a film that has been widely discussed across various disciplines. It highlights the specific values and struggles of a territory while transcending borders to showcase the most human and global aspects of our shared world.
From prefabricated modules that sit lightly on the landscape to projects built on-site and integrated into their surroundings, in Uruguayan projects, wood emerges as a highly capable resource for addressing the wide array of requirements associated with residential construction. Whether used as structure, cladding, or furniture, and paired with concrete, stone, brick, or metal, wood offers endless applications. These possibilities enable the materialization of diverse approaches to the projects' exterior language and expression, while also elevating spatial quality and generating distinct interior atmospheres.
The courtyard is an essential architectural element in many cultures. In Brazil, examples can be found both in historic buildings of Portuguese influence and in modern architecture of the last century. While its use is frequently associated with bioclimatic benefits—improving natural ventilation and daylighting in interior spaces—it can represent much more than that. The void it creates, a subtraction from the built volume, can establish unexpected geometric and visual relationships and foster cross-dialogues between different parts of the building.
Even as work arrangements, schedules, and environments become increasingly fluid, dedicated office buildings remain a fixture of zoning plans in most cities.
The winners of the Microscapes - Tactical Micro-Gardens competition have been announced. This international call, organized by the Intendencia Departamental de Río Negro (Uruguay) and the Inter-American Development Bank, invited architects, designers, landscape architects, artisans, citizens, entrepreneurs, and any other interested parties to propose installations to revitalize one of the central spaces of the Fray Bentos industrial complex.
São Paulo-based firm Estúdio Módulo, led by Guilherme Bravin and Marcus Vinicius Damon, was named a finalist in the international competition Hope Dental Center: Rwanda Clinic and Training Institute. Organized by Archstorming in partnership with His Hands On Africa (HHOA), the competition aimed to select the design that will be built to house a dental clinic and training institute in Kigali, the capital of Rwanda.
The winners of the competition for Projects to enhance the archaeological site of the Andalusi suburb of Arrixaca and the San Esteban Garden in Murcia (Spain) have been announced. Organized by the Ministry of Development, the call invited participants to devise proposals to protect the valuable Arrixaca Archaeological Site while creating a new public space for the community.
In the year that the nation's capital turns 60, the Council of Architecture and Urbanism of the Federal District (CAU/DF) is launching the CAU/DF Seal - Architecture of Brasília. The initiative celebrates the modern architecture of the Plano Piloto Urban Ensemble, highlighting the city's non-monumental architecture. The goal is to recognize the historical value of these buildings and their authors—who are often little known by the general public—as well as to promote best practices in building conservation and maintenance that have preserved the architectural language of the Modern Movement.
The Tomie Ohtake Institute and AkzoNobel continue to map contemporary architectural production, highlighting, for the seventh consecutive year, significant projects built within the current Brazilian landscape. The relationship to the urban context, the commitment to the site and sustainability, as well as design and construction inventiveness, are the core criteria guiding the 7th Tomie Ohtake Institute AkzoNobel Architecture Prize.
The architecture firm Hauser (Argentina), alongside architects Mathías Klotz (Chile) and Edgardo Minond (Argentina), has presented its project 'BRUSCO,' a large-scale mixed-use development with a significant urban impact. Located opposite Montevideo's City Hall, the complex will integrate diverse programs, including an open-air retail promenade, a city hotel, public and private parking, residential units, and offices. The project is already under construction and aims to become a transformative landmark that revitalizes the surrounding area, ensuring both day and night activity by coordinating and integrating the schedules of its various functions.
.jpg?1589245986 "Kaspé House / Zeller & Moye. Image © Dane Alonso")
