During a live-streamed event on an exclusive microsite created for the XXII Pan-American Architecture Biennial of Quito, organizers presented the schedule for this year's online BAQ 2020, along with the participating jurors and speakers.

As the philosopher Byung-Chul Han states: every age has its signature afflictions. These illnesses have represented some of the most significant challenges in human history, bringing drastic changes not only to the healthcare sector but also to economic and political spheres, revealing humanity as a complex network negotiating its daily existence through actions that have reshaped our ways of living and relating to one another.

On World Environment Day, we ask you: Do you know where your household "trash" goes? How do cities deal with the tons of materials discarded daily? Should everything you throw "away" be wasted by being sent to landfills? 

The coronavirus crisis has shown us that certain attitudes, policies, and practices must be abandoned if we want a different future—both socially and environmentally. However, this responsibility is not solely individual. To discuss the future of waste in cities, we must shed light on the thread of recent history: the formulation of the National Solid Waste Policy (PNRS), approved in 2010, and the challenges of its implementation.

The winners of the design competition for the Madrid Metropolitan Forest have been announced. Coordinated by the Vice-Mayor's Office and promoted by the Urban Development Department, the initiative invited architects to develop natural infrastructure to drive green growth and sustainable development in the city. Located in Madrid, Spain, the Forest will span 75 kilometers, contributing to the area's ecological rebalancing, carbon emission reductions, the fight against climate change, and the environmental and landscape restoration of degraded areas.

This article is part of a collaboration with the website coolhuntermx, and was originally published under the title "La Bauhaus Tapatía."

"A sort of Bauhaus" is how Mathias Goeritz, in short, tried to convince Italian architect and theorist Alberto Sartoris to come to Mexico. In 1950, through letters, he invited him to teach at the very project that had drawn Goeritz in and excited him so much: the first School of Architecture of Guadalajara, founded in 1948 by Ignacio Díaz Morales.

Rarely do we encounter an open-air fine arts museum like the Garden of Fine Arts, designed by Tadao Ando in 1994 for the city of Kyoto, Japan. Reproductions at various scales of renowned masterpieces appear among concrete columns, beams, and walls, along with ramps and glass bridges, interacting with cascading waterfalls and the background vegetation from the adjacent Botanical Gardens.

Pancho Gallardo, the Chilean architectural photographer now based in Madrid, has long admired the Japanese architect's work, particularly for, as he explains, "the use of concrete as an element that creates spaces, textures, angles, and shadows which, above all, in spaces like this open-air museum, establish a direct relationship with sunlight, where every corner becomes a dramatic composition of visual angles."

Below, he shares a series of photographs taken on-site, accompanied by more of his thoughts.

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In Mexico, the official Jornada de Sana Distancia (National Social Distancing Campaign) began on March 23, 2020. During this period, various firms, businesses, and universities reached a turning point where it became necessary to discuss the present and future impacts of the COVID-19 pandemic on operations at different levels. A few weeks ago, ArchDaily launched a series of interviews with Mexican firms reflecting on their organizational and operational experiences when transitioning from in-person to remote work. But what about universities? What happens to the new generations experiencing this shift in their schools? How is spatial thinking affected after nearly two months of social distancing? What lies ahead for educational models, and especially for university spaces?

The global pandemic caused by the coronavirus has demanded emergency actions to save lives, which, in turn, require complementary measures to preserve jobs and income, especially for the most vulnerable segment of the population. The field of architecture and urbanism is no exception: the precarity facing a significant portion of professionals is worsening due to social isolation measures, which are absolutely essential to combat the pandemic. Left without financial reserves to guarantee basic survival, many architects are left with no alternatives. Emergency measures currently being discussed in Congress, such as a basic income, are urgent. While they rightly focus on low-income populations, the scale of the crisis demands additional actions.

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“Alternative Utility Platforms” is a project that seeks to generate spaces for social innovation in the integrated management of urban waste. According to Giulia Bianchi and Luis Morillo, the authors of the proposal, the city of Barquisimeto, Venezuela, currently generates approximately 21,147 tons of solid waste per month. Only 61.79% of this waste ends up in landfills, meaning the remaining 33.25% winds up on streets, in informal dumps, rivers, and streams, improperly disposed of. Out of this total, ultimately only 4.97% is processed by recycling companies, and the majority of that volume is sorted and supplied by street waste collectors. For this reason, and through their thesis project developed at the Central University of Venezuela, the authors propose to generate new employment models for the collection and treatment of municipal solid waste through an urban and architectural intervention.

Winner of the 2018 National Ideas Competition promoted by the City of Fortaleza, the project presents the requalification of public spaces dating from the early 20th century. The goal is to make them inviting and establish a contemporary urban heritage park in the city center, with a special emphasis on the social dimension, the memory of Liberdade Park as the "Children's City" (Cidade das Crianças), and its connection with Sagrado Coração de Jesus Square.

The quality of streets and sidewalks is a widely debated topic in Brazil, and the coronavirus pandemic has added another layer of complexity—public health—prompting us to question whether it is actually possible for pedestrians to practice social distancing. This concern led architecture student Conrado Freire to develop a map of sidewalk widths in São Paulo.

Adapted from Meli Harvey's Sidewalk Widths NYC project on New York City sidewalks, Largura do Passeio uses sidewalk data provided by the GeoSampa portal to visually synthesize information about São Paulo's pedestrian pathways that is not typically accessible to the general public. Based on the open-source code released by Harvey—which has also been adapted for cities like Toronto, Washington, Berlin, and Milan—Freire creates a visual mapping of what is often only felt by pedestrians moving through São Paulo's urban space.

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Bamboo is a building material that has been used since antiquity in various structures, demonstrating its superiority over modern materials like plastic and steel due to its myriad benefits—not to mention an incomparable aesthetic appeal that has positioned it as one of today's leading architectural trends.

The Belo Monte Hydroelectric Power Plant, the fourth largest hydroelectric plant in the world and 100% Brazilian-owned, was inaugurated in November 2019 in the Xingu River basin, in northern Pará. The project, operated by the Norte Energia S.A. Consortium, was part of the PAC (Growth Acceleration Program)—a federal government initiative established in 2007 aimed at implementing large infrastructure projects to boost national development, mirroring past initiatives.

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In light of recent statements by the Federal Government and the new programs announced by institutions involved in housing production in Mexico, we believe it is essential to open a dialogue and exchange ideas to better understand the concepts of self-construction, self-production, and the “Social Production and Management of Habitat” [SPMH], as well as the role of architecture in these social processes.

To showcase Uruguay's valuable academic output, we launched an open call inviting readers in the country to submit their final thesis projects.

Out of a total of 65 submissions, the editorial team—comprising Fabian Dejtiar (Managing Editor of ArchDaily en Español); Mónica Arellano (Editor, ArchDaily México); Santiago Baraya (Editor, ArchDaily Colombia); and Belén Maiztegui (Editor, ArchDaily Argentina)—selected six. The highlighted projects are those that addressed specific challenges, their chosen form, and their representation through critical, austere, and efficient thinking. We valued proposals that not only delivered the best possible architecture through a simple design suited to its context, program, and users, but also paid close attention to human scale, mediation, and new ways of approaching architecture in cities.

Explore the selected projects below.

As part of our ongoing effort to highlight the outstanding academic work being produced in universities, we launched an open call last January, inviting Mexican architects to share their graduation projects. We sought theses and academic research addressing critical issues in the Mexican context—projects that typically remain on paper but deserve national recognition.

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In mid-August, images of a new urban-architectural proposal for downtown Santiago began circulating in the media and on social networks: the preliminary design led by architect Gonzalo Mardones for the MAC Contemporary Art Museum in Parque Forestal.

Despite the potential benefits it aims to deliver, does it capitalize on the opportunity presented by intervening in this area? Does it meet citizens' expectations? Does it foster discussion about its management? Are there other viable alternatives?

Gonzalo Mardones writes to us regarding this.

The third generation of the Bogotá-based firm Bermudez Arquitectos spoke with ArchDaily during the quarantine, discussing various aspects of their practice, their contributions to academia, and the challenges of working in a studio with a family legacy. Read the transcript of the Instagram Live below.

Since 2008, the National Chamber of the Iron and Steel Industry CANACERO has joined forces with the Latin American Steel Association ALACERO through initiatives such as the ALACERO Steel Design Competition for Architecture Students and the CANACERO National Steel Award for Architecture Students, aiming to encourage the use of steel in construction among architecture students in Latin America.

Countries with a predominantly tropical or equatorial climate, such as Brazil, allow homes to foster a more fluid relationship between the indoors and outdoors, with little to no need, across most of the country, for architectural features that restrict this connection to retain heat. In regions marked by warmer temperatures, integrating indoor and outdoor spaces is particularly beneficial, promoting greater natural ventilation and daylighting within the home, alongside its inherent aesthetic appeal.

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Our jury of experts—meaning you, our readers—have nominated their favorite projects from among nearly 1,000 built works in Latin America and Spain: today, the day has come to meet the finalists of ODA2020!

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In early October, a new space opened in Mexico City under the name Design House at Público Coworking, showcasing a series of interventions that integrate disciplines such as design, architecture, and interior design. Over the past ten years, Design House has presented cutting-edge concepts from more than one hundred participating firms across various venues, collaborating with showrooms on the Design Route (Ruta del Diseño) that provide the pieces and accessories featured in the diverse installations.

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Currently, most global citizens have been directed into lockdown due to COVID-19. After spending more than two months under these circumstances, two broad reflections emerge—regardless of the personal challenges faced by each household. The first is that we might adapt and live in relative harmony within our living spaces; the second is that our living space may not be adequate for our comfort. We will delve into this second point to empathize with vulnerable populations who choose to abandon their lives in one place to migrate toward better opportunities, and to examine how architecture addresses—or fails to address—the migration emergency.

The 13th São Paulo International Architecture Biennial has established reconstruction as the core theme of its 2022 edition. As a preparatory activity for the co-curatorship competition, the IABsp organized three debates to discuss the very essence of art and architecture exhibitions, while also calling on us to reflect on the role of architects, urban planners, and many other professionals in building fairer and more democratic cities.