Gardens have always been present in architectural compositions as testaments to the cultural moment, status, and religiosity of different peoples. In recent decades, however, this relationship between architecture and green spaces has grown stronger. This shift culminated in 2020 with a significant surge in the prominence of green environments, closely tied to the COVID-19 pandemic and the social isolation it brought about. In this light, the connection between home and garden has solidified—ranging from small potted plants in downtown apartments to lush landscaping projects in and around residences, representing, at various scales, the pursuit of reconnecting with nature.

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Founded in London by Ms. Jane Zhang, Jane Z Studio established its roots in Shenzhen in 2012. Combining an international perspective with local practice, our multicultural team continuously injects depth and vitality into Eastern aesthetics. We provide world-class urban, architectural, and spatial design solutions, with a portfolio spanning corporate headquarters, commercial districts, private clubs, Zen temples, high-end residences, and exhibition spaces. Through our creative vision, we bridge East and West, weave past and future, and inspire daily life.

Campeche is a state located in southeastern Mexico on the Yucatán Peninsula, bordering the states of Yucatán, Quintana Roo, and Tabasco, and facing the Gulf of Mexico. Additionally, Campeche is one of the three states that define the political border with Guatemala. Covering 57,924 km², it is the third least-populated state in the country. Its capital and most populous city is San Francisco de Campeche.

The FAU Student Ideas Competition was held with the objective of developing the site of Club Atlético Ever Ready, located in the city of Dolores, Buenos Aires province, Argentina. The competition focused on proposals for a Master Plan to consolidate the 8-hectare site as a sports complex. First prize was awarded to Arch. Gabriel De León, Pedro Sansogni, Santiago Sosa, and Renzo Guagnini Drews.

The jury consisted of Nicolás Frontini representing Club Ever Ready, Arch. Carolina Helenas Pintos for the Municipality of Dolores, Arch. Silvana Noelia Paul for the Alumni Association, Solange Hoyos for the Student Body, and Dr. Arch. Juan Carlos Etulain for the Faculty Association.  Explore the project below.

After years of discussion, the fixed connection between the Isla Grande de Chiloé and the Chilean mainland is becoming a reality. Expected to be completed in 2025, the Chacao Bridge will be a 2,750-meter-long suspension structure spanning the Chacao Channel, specifically connecting Punta Coronel to Punta Gallán. Currently, crossing to the island takes approximately 20 minutes by ferry, a service often subject to delays due to weather conditions. The bridge will reduce this transit time to just 3 minutes, regardless of external factors.

The reality of an architectural project begins to take shape when the work is materialized. For this reason, the task of specifying the products to be used becomes highly relevant within the creative process. When starting a project, architects often conduct a study of references to find inspiration for both the conceptualization of the work and its aesthetic, taking advantage of the vast visual content available on digital networks, which allows them to explore various application cases. This research is useful for understanding the final image one wishes to achieve; however, it is necessary to seek guidance from technical support teams to select products that ensure such an end is reached.

With the onset of COVID-19, we have had to adapt to a different way of living, which has been reflected in our work style. Where and how do we work today? Many people have begun working from home, provided their circumstances allow it. While this has been comfortable for many, for others it has meant a radical change, entailing new needs for space and resources. For architects, engineers, builders, and contractors, this challenge has been quite complex, as a large part of their work involves handling large, high-cost devices.

In this article, we present 3 innovative solutions that replace the traditional, bulky plotter, allowing us to print in large formats from our own homes.

When we hear headlines like "the city must have fair density" or "15-minute neighborhoods," time and density are just numbers. However, it is essential to understand that they remain only numbers until they are contextualized within the lived experience of people in their territory. We can no longer postpone the obvious reality that a number, a standard, a benchmark, or a goal is merely a tool to facilitate the necessary conversations regarding the management and governance of our territorial environments.

The bathroom is an essential space for any type of construction. The Royal Spanish Academy defines it as "a room in a building with a sink, shower, bathtub, toilet, and other sanitary fixtures." This definition establishes that it is a functional space with a specific program, which, consequently, can be easily standardized. As these spaces have practically uniform dimensions, the installation of prefabricated bathrooms in various types of buildings is becoming increasingly common. These modular units serve as an excellent alternative when opting for a fast, cost-effective, and efficient construction method.

What can a cod offer to architecture? Or rather, what lessons about the environment and human settlements can we learn from the history of fishing? This unlikely question lies at the heart of the book Arquitetura do Bacalhau, by André Tavares and Diego Inglez de Souza, published by Dafne Editora and recently released in Brazil.

In the following interview, we speak with Tavares about the infrastructures linked to cod fishing and their relationship with territory, labor, and architectural production. Through an original approach—connecting architecture, ecology, fish physiology, and industrial history—, the authors propose a reading of the built environment anchored in the ecosystems that sustain it. Far from being a nostalgic look at the past, the research points to the urgency of rethinking architecture in the context of ongoing environmental transformations, showing how human constructions shape and are shaped by natural marine ecosystems.

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Founded by architect Marina Canhadas in 2018, the practice [entre escalas] emerged from the intersection of professional practice, academic research, and international experience. With a career shaped by competitions, collaborations, and tenures at firms in Brazil and Mexico, Marina has consolidated an approach that values context and building history, particularly in projects dealing with pre-existing structures—one of the firm's primary areas of focus.

[entre escalas]' work stands out for its sensitivity to time and building memory. Renovations of historic townhouses, such as Casa Saracura and Casa Apiacás, reveal a kind of architectural archaeology that seeks to recover original techniques, materials, and even natural flows, reinterpreting these elements to foster new possibilities of use and connection with the surroundings. The act of removing layers—both physical and symbolic—is seen as a way to reveal hidden histories, connecting past and future.

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An architectural award acts as a legitimizing mechanism, indicating which approaches, materials, and strategies are taking center stage in the discipline's discourse. By bringing together projects with diverse programs, scales, and constraints, these initiatives bring emerging priorities and directions in the field to light. Accordingly, the Shaw Contract Design Awards has established itself as a global platform of recognition in interior design and a barometer of the transformations sweeping the discipline, fostering reflection on the role of design in creating more responsible, inclusive, and sustainable environments.

Architecture is shaped as much by the materiality of physical spaces as by how they are perceived, discussed, and recorded. Architectural discourse, along with its mediation and representation, is inseparable from the act of design, as it defines a project's reach and longevity over time.

Driven by this understanding, Vestigare Agency emerged not only as a social media agency tailored to architecture and design, but also as a platform for architectural curation and a bridge between architects and the wider public. Founded and led by Luiza Giurni, the platform has established itself as a new communication vehicle in contemporary architecture. Among its various partnerships, it highlights a collective effort built on collaboration with female architects.

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Travertine is one of those materials that, regardless of the era, building type, or dominant architectural trend, naturally finds its place—whether in a project located in an Italian city or, consistently, throughout various works by Mies van der Rohe. Perhaps its greatest virtue is a tireless, undiluted versatility that allows it to periodically resurge and be rediscovered as a relevant material in architectural production. Today, it continues to be explored in contemporary projects through new formats, combinations, and applications that highlight its visual continuity, texture, and warmth—elements that align seamlessly with the material languages of modern architecture.

Nicolás Valencia talks with Chilean architect Romy Hecht, Dean of College UC and author of El alma del verdor de Santiago⁠, (Orjikh Editores, 2025), where she explores the nature of the landscape in Chile's capital, examining its origins and identifying the key figures responsible for cultivating exotic species and designing planting geometries that, once rooted, shaped Santiago's identity and character.

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In the quest to find innovative solutions to achieve carbon neutrality in construction, identifying, addressing, and managing emissions is of vital importance. Doing so enables a deeper understanding and analysis of each stage of the production process and the life cycle of materials. Optimizing construction processes, minimizing fossil fuel use, adopting renewable energy, and recovering recycled materials are just some of the many strategies available to advance this transformation. Melón has taken the initiative to develop a Product Carbon Footprint calculator to deliver more sustainable products and construction solutions, actively contributing to the fight against climate change.

Nicolás Valencia speaks with Spanish architect Marina Otero Verzier, winner of the 2022 Wheelwright Prize, about her research on the material and extractive cost of the digital cloud, a topic she explores in her book ⁠In the Depths of the Cloud⁠, published in 2024 by Ediciones Asimétricas.

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Architecture will never cease to pursue functionality, as it lies at the core of its essential principles. Alongside this condition are factors such as aesthetics and operability, which also influence how contemporary design is valued. Over time, the concept of functionality has evolved, extending beyond problem-solving and efficiency to connect with the creation of experiences. As a result, the quality of an environment depends as much on its design as on how its elements and systems articulate to generate an overall experience of inhabiting. In this sense, innovation means conceiving fluid and intuitive environments where every component helps make the experience natural and safe—something especially relevant in everyday spaces such as bathrooms.

Over the past few decades, the Architecture, Engineering, Construction, and Operations (AECO) industry has been undergoing an unprecedented digital transformation. Since the days when designs were drawn exclusively on paper—a reality that lasted until the early 1980s—the field has passed significant milestones, first with the adoption of CAD (Computer-Aided Design) and, more recently, BIM (Building Information Modeling). Now, a new transition is underway, promising to be even more profound. Artificial Intelligence (AI), which until recently seemed confined to laboratories or futuristic concepts, is beginning to play a practical and strategic role in how we design, build, and manage our buildings and cities.

Today we live in a post-pandemic world, where human connections and our awareness of the fragility of existence have been subtly redesigned. More than just habits, it was urban and architectural space itself that learned to breathe differently, striving to accommodate an uncertain era. Today, we walk in the serenity of the "almost normal," yet the scars of that time still whisper through the streets, shapes, and silences—delicate survivors of a recent past that insists on remaining.

For millennia, clay has been the foundation of walls, facades, and claddings. There is likely no other human-made material with as extensive a history as the brick. Its enduring presence in architecture is explained not only by its technical attributes but also by its social impact, construction efficiency, and deep-seated cultural role in how cities are built.

In Chile, the brick-making tradition has historically shaped residential development, becoming a material associated with stability, permanence, and security for families. Against this backdrop, Cerámica Santiago celebrates 45 years in business, establishing itself as a leading national benchmark in the development of ceramic building products, driven by a vision that recognizes the social role of housing in the country's urban development. Since its inception, the company has sought to integrate traditional ceramic craftsmanship with modern industrial processes, innovative design, and evolving technical demands.

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Every regulation is born with a clear intention: to establish a starting point. It is a way of setting a minimum baseline, bringing order to what was perhaps previously assumed implicitly or lacked a common framework. However, like everything involving architecture—and especially our way of living—these frameworks also evolve: they expand, adjust, and become more detailed around new sustainable housing models. This is precisely the case with the new thermal regulations in Chile, which do not emerge from scratch but rather as part of an ongoing process that has steadily integrated new energy efficiency criteria within the General Ordinance of Urbanism and Construction (OGUC).

Nicolás Valencia speaks in Lima with Peruvian architects Mariana Jochamowitz and Nicolás Rivera about Revista A of the Pontificia Universidad Católica del Perú and their participation in the 2024 Ibero-American Biennial of Architecture and Urbanism with the workshop "Climax, Fanzine for a Community in Crisis."