Interviews
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IDOM Presents the Renovation of San Carlos de Apoquindo Stadiu...
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Formal Freedom and Technical Rigor: An Interview with Marcos A...
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Jheny Nieto on the Gramalote Market Square: "A simple system c...
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Redes da Maré: the favela during the pandemic
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Collective Space as an Educational Tool: Interview with Paula ...
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Self-construction and migration: on resilience and local knowl...
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Carme Pinós on Heritage and Modernity: "Respect for the past, ...
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Grupo Centro Tierra: “With simple bioclimatic strategies, dign...
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"We must get to know each other to start the conversation": Al...
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Classic Books: A Conversation About "Learning from Las Vegas"
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"The most important thing is the people, these people who figh...
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Rafael Araujo on Geometry in Nature: "Each Drawing Is a Strict...
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Eco-Efficiency in Product Design: Interview with Sami Meira an...
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Sebastián Serna Hosie: "Good architecture is about how it will...
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Vivo mi Calle (Despacio): The City at a Safe Speed
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Towards an Urbanism of the Commons and Ecofeminism: Interview ...
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Yaiza Terré: "Aprop Ciutat Vella reflects a widespread concern...
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Fernanda Canales: "When we improve a house, we improve the city"
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Architecture as a Symbol of Power: 20 Years Since 9/11
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Rejecting Formulaic Design, LLA’s ‘Urban Commercial Placemakin...
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"There is a relationship between narrative and architecture": ...
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Francisco Mangado on Heritage and Modernity: "In architecture,...
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UMWELT: "From the architectural object to territorial design"
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Architecture and Wine: An Interview with Frederico Valsassina