As part of their partnership in art-education and cultural mediation exchanges, the Tomie Ohtake Institute and the Astrup Fearnley Museum in Oslo have launched the digital publication Our Home Is Where We Are. The project is supported by the Royal Norwegian Embassy in Brasília.

Videos

Paulo Mendes da Rocha is interviewed by Paulo Markun in another episode of the series “Conversas na Crise – Depois do Futuro” [Conversations in Crisis – After the Future], organized by the Institute of Advanced Studies (IdEA) at Unicamp in partnership with the UOL news portal. The interview addresses topics such as the impact of the coronavirus pandemic on cities, the public health crisis, and the precariousness of urban housing in Brazil.

One side effect of the global coronavirus pandemic in the field of architecture is a reflection on the future of cities and the built environment. Debate on the topic has perhaps never been so intense, with numerous proposals and visions emerging to address everything from social interaction in public spaces to the details of new uses for private ones. Regarding urban dynamics, programmatic changes may offer a way to ensure that commercial and service districts maintain their vitality.

With more people working remotely, commercial buildings face the potential of becoming partially vacant. Driven by this reflection, architects Matheus Marques, Ricardo Goncalves, Luis Favilla, and Rolando Figueiredo, from the São Paulo-based firm Hiperstudio, developed a proposal to convert single-use commercial buildings into mixed-use complexes, incorporating residential units and public gathering spaces.

Across the world, urban clusters have —to a greater or lesser extent— social and economic differences. Reflected in space, these imbalances of income and access to education, health, sanitation, and infrastructure generate ruptures more or less visible —although drastically felt.

Although a daily reality for some, socio-spatial inequalities can often go unnoticed. Photographer Johnny Miller states, "Discrepancies in how people live are sometimes hard to see from the ground... Oftentimes, communities of extreme wealth and privilege will exist just meters from squalid conditions and shack dwellings." Miller's photo series 'Unequal Scenes' seeks "to portray the most 'Unequal Scenes' in [the world] as objectively as possible."

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Representation of the real world is, without any doubt, in the genesis of cinema, an art originated from photography, by creating a sequence to convey the impression of movement to the viewer. In fact, the earliest known film recording is from 1895, picturing the arrival of a train at Ciolat station in France, a trivial event in the daily life of 19th-century European cities.

However, even though tangible reality plays a big role in cinema, one cannot ignore that the fascination caused by this art comes, to a great extent, from its capacity to create imaginary worlds, to activate mental spaces, and to unleash emotions. In this sense, the real world may often provide insufficient fuel, inspiration, or background for the directors' and screenwriters' storytelling, so the art direction and scenic design teams are required to create other intangible realities that serve as a basis for the narrative.

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The development of digital interfaces, combined with the daily bombardment of advertising images, increases the demand for clarity—a clarity we tend to take for granted. This is what Baudrillard called the "world of hypervisibility." Art, however, can offer a slowing down of perception, pointing us to deeper dimensions of experience where speed becomes delay.

Guilherme Wisnik talks with Michael Wesely, a German art photographer best known for his photos of cities, buildings, and landscapes taken with a special ultra-long exposure technique. From 1986 to 1988, Michael Wesely attended the Bayerische Staatslehranstalt für Photographie in Munich before studying at the Munich Academy of Fine Arts.

Architectural photographer Guilherme Pucci shared with us a series of images of the Ascension of the Lord Church at the Bahia Administrative Center, designed by João Filgueiras Lima, known as Lelé. Completed in 1975, this classic of Brazilian architecture reveals Lelé's design sensitivity, visible in how the building integrates with the site's topography, the quality of the materials used—concrete, glass, wood, and stone—and the tension created by light and shadow within the church.

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Urban precariousness, social vulnerability, racial exclusion, health crisis, environmental catastrophe, genocidal state. Growing dissatisfaction on the streets, falsification of pandemic data, economic recession. What social and political pacts will be possible to reshape democracy in a shattered country? Guilherme Wisnik speaks with Tainá de Paula, architect and urbanist, urban struggle activist, who holds a master's degree in Urbanism from the Federal University of Rio de Janeiro.

Amid the novel coronavirus pandemic, the international “Coronavirus Design Competition,” organized by the platform Go Architect, encourages students and professionals from various fields to think about how to develop products, objects, and equipment that help the population remain physically and mentally healthy in a scenario of so much uncertainty. Brazilian architect Leonardo Dias is competing, alongside more than 100 candidates from around the world, with a proposal for an urban totem that promotes hand sanitization, citizen information, and the humanization of data.

Angelo Bucci, founder and principal of SPBR Arquitetos, is the tenth and final guest of Studio Casa, an interview series produced by Casa da Arquitectura - Portuguese Center for Architecture. For over 25 years, Bucci has divided his time between professional practice and academia. This parallel career has ultimately shaped his approach to design, where professional demands are treated as opportunities to explore new possibilities.

One of the world's most prestigious architecture-focused film festivals, the Arquiteturas Film Festival is launching a retrospective series of its seven previous editions, held between 2013 and 2019, with online screenings of some of the key films from each year. To kick off the series, the Canadian film Misleading Innocence (2014), directed by Francesco Garutti and Shahab Mihandoust, will be available between June 12 and 19 on the festival's website.

In this week's debate hosted by Escola da Cidade, Guilherme Wisnik speaks with Vladimir Safatle, an associate professor in the Department of Philosophy at the University of São Paulo and a visiting professor at the universities of Paris VII, Paris VIII, Toulouse, Louvain, and Stellenbosch. Safatle is one of the coordinators of the Laboratory of Research in Social Theory, Philosophy, and Psychoanalysis (Latesfip/USP).

GIS analyst and Hungarian cartographer Robert Szucs has shared an impressive collection of maps that bring together all the drainage basins of the world in vibrant colors. Titled Grasshopper Geography, the maps showcase the rivers and watercourses of the world, featuring the basins of selected regions, countries and continents.

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Nearly two years after the collapse of the Córrego do Feijão mine dam in Brumadinho, Minas Gerais, the city's residents will receive a monument to honor the victims. The Brumadinho Memorial was designed by the firm GPA&A, founded by architect Gustavo Penna, and will serve to remind all Brazilians of one of the worst environmental tragedies in the country's history.

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Partner and founder of the firm Metro Arquitetos Associados, Martin Corullon is the ninth guest of Studio Casa, an interview series produced by Casa da Arquitectura - Portuguese Center for Architecture. Since 1994, Corullon has frequently collaborated with architect Paulo Mendes da Rocha, with whom he has completed several projects on a wide range of scales.

Between 2008 and 2009, he worked at Foster+Partners in London. He has been a professor at Escola da Cidade since 2014 and was elected a member of CAU/SP for the 2018–2020 term. The interview is conducted by architect and curator Francesco Perrotta-Bosch.

The National Archives Wiki-Contest is an editing competition on the Portuguese Wikipedia that aims to improve articles related to Brasília. It is part of a series of activities throughout 2020 conducted in collaboration by the Wiki Movimento Brasil User Group and the National Archives. The Wiki-Contest aims to encourage the Wikipedia editing community to improve entries related to the National Archives' Inter-wiki WikiProject initiative, which has been active since 2017.

Guilherme Wisnik talks with Bruno Dunley, a visual artist, teacher, and co-creator and member of the project ali: arte livre itinerante, a nomadic art school that bridges centers and peripheries, operating in the district of Cidade Tiradentes on the far east side of São Paulo.

Although some projects conceal it, structure is always a primary concern in architectural design. Defining the structural system is among the first crucial decisions to be made, and it will likely shape a series of other aspects of the building. There are, however, extreme cases where architecture is seen and read simply as structure—projects whose character and image are largely defined by the chosen structural solution.

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