The IV ENEEEA aims to discuss the teaching of structures in architecture schools, addressing traditional structural systems and innovations, as well as their integration with architectural design courses and other didactic activities outlined in the programs' pedagogical curricula.
This Forum aims to bring together, over four days in Belo Horizonte, various stakeholders involved in housing issues—architects, planners, public officials, members of municipal housing councils, grassroots movements, government representatives, organizations, and other professionals working in the field, as well as researchers and students. In doing so, it aims to provide a space for multidisciplinary discussion, addressing both theoretical and practical issues related to urban living.
Thursday, April 25, 2019 The experience of the contemporary city is interwoven with various forms of digitization, some more perceptible than others—ranging from those generated by apps like Uber, Yelp!, or the Guadalajara municipal tourism office, to the extraction of big data from our movements by telecommunications companies, and the network of public and private video surveillance. These mediations organize the city to function as a productive assembly, primarily for economic value. I propose we examine some forms of digital writing that have operated on the city in recent years—3D mapping and multimedia projections—as well as strategies of resistance to these forms of entertainment and regulation of experience, as explored by various artists and collectives, from Krzysztof Wodiczko and Astrovandalistas to sitio*TAXI.
The concept of Smart Cities has become a recurring theme in visions of the city of the future. But what about the average citizen? If we ask acquaintances or passersby, very few have heard of the topic.
Can the workspace influence people's creativity? What are the strategies for creating a culture of innovation within a company? Will machines replace humans in the office design process? These and other topics will be discussed at WORKTECH 2019 Santiago, the international conference on the future of work, brought to Chile by Contract Workplaces, a regional company dedicated to the design and construction of high-performance workspaces.
A project by TÁCTI.CO Taller de Arquitectura, led by Juan Pablo Astudillo Cordero, which seeks to reinforce, generate, and exchange knowledge and perspectives among professionals, students, and the general public. This transdisciplinary effort will undoubtedly enhance the participants' skills.
Within the framework of the Mathias Goeritz Extraordinary Chair and the centenary of the educational project known in Europe as the Bauhaus, the Taller Nómada (Nomadic Workshop) emerges. It is a space for producing creative experiences that draws on the contributions and strategies of the school's masters, as well as the 40-year teaching legacy of Mathias Goeritz. This talk will outline the starting points for the workshop's creation, providing a historical overview that contextualizes the various influences on contemporary art and architecture education.
This documentary focuses on the practices of young studios from the post-financial crisis generation. These architects were forced to rethink their approach to the profession, leading them to not only carve out a space for their architectural work but also to gain significant visibility. This shift stems from the construction of a distinct identity based on production that highlights local values—both material and human—and is defined by the social, economic, and environmental consciousness they bring to their projects.
The IAB-RJ Continuing Education Program was created to share diverse knowledge and perspectives on the contemporary city. Our goal is to share the experiences of instructors with distinguished careers in various fields, providing opportunities for the continuous professional development of architects, urban planners, landscape architects, designers, engineers, students, and those interested in architecture and urbanism. We focus our efforts on five key areas: city and society; innovation; sustainability; management; and memory, culture, and heritage.
Objective images_Alin Veliz + Nicolás Socías, Workshop V 2018 UTEM
Collective Housing in Chimbarongo: Reflections on a Rural Collective Habitat is an exhibition of academic projects by third-year students from the Architecture program at the Universidad Tecnológica Metropolitana in Chile.
Thursday, October 31, 2019 Ruth Estévez is a curator and writer. She earned her Master’s degree in Art History from the National Autonomous University of Mexico (2001–2003) and is a PhD candidate in Art and Education at UCLM in Spain. She is currently a Senior Curator at the Rose Art Museum in Boston, where she oversees its exhibition and collection program. In 2019, she was appointed co-curator of the 34th São Paulo Biennial in Brazil. Since 2018, she has organized “Idiorritmias,” the performance program at MACBA in Barcelona.
This work is the result of extensive research by Cuauhtémoc Medina on Olinka, a city designed to bring together scientists and artists from around the world to work free from political or social pressures—undoubtedly one of Dr. Atl’s most ambitious, yet least known, projects. The book features reproductions of documents, photographs, and plans, many of which are previously unpublished, illustrating the history of this project.
The Architecture and Urbanism Week (SAU) at UNIFAP is an annual event organized as a university extension initiative. It is primarily student-led, with at least one tenured faculty member serving as the director and primary liaison. This year’s edition, VIII SAU: Create Yourself, City!, aims to present and discuss the Creative Cities Network program by the United Nations Educational, Scientific and Cultural Organization (UNESCO). The program seeks to foster international cooperation among cities that invest in culture and creativity as drivers of sustainable development. The theme will be explored through three tracks focused on the city of Macapá, Amapá: Creative processes in the city; Perception and memory of the city; and Sustainability and self-management practices. For this edition, SAU is accepting submissions of academic work in three distinct categories: scientific articles, graphic works (physical models, photography, video, and sketchbooks), and posters. These will subsequently be published in the event proceedings. Over the course of the four-day event, the organizers aim to bring together students, faculty, researchers, and professionals to discuss the theme through lectures, roundtable discussions, workshops, and networking opportunities.
Cinecubo is a film club hosted by the Institute of Architects of Brazil (IAB) aimed at fostering dialogue between audiovisual and architectural languages and debating perspectives on the city. On the third Tuesday of every month at 7:30 PM, Cinecubo screens films followed by a discussion at the IAB-sp headquarters. Curated and moderated by Nana Maiolini, Travessia Filmes, and guests, the sessions are free and open to the general public.
Castro Abierto is a festival of architecture, landscape, and heritage that invites the public to rediscover the commune by visiting spaces of high architectural, environmental, urban, social, and cultural value free of charge on March 30 and 31. This event will take place for the first time in both urban and rural Castro during the last weekend of March. Seventeen spaces will open their doors to the public, offering guided tours led by architects, community leaders, carpenters, managers, neighbors, and the property owners themselves. This inaugural edition of Castro Abierto aims to create a space for exchange among the various members of the island community to reflect on its cultural landscape and how the processes of territorial transformation affect us all. Accordingly, on March 30 and 31, visitors will be able to explore the following spaces: