SUPERTOMATO is a service-oriented company specializing in workplace design. With a client-centric approach, we deliver forward-looking, sustainable, and highly effective workspace solutions.
By constantly exploring how people work, SUPERTOMATO aims to design office environments that embody corporate brand culture. We believe such workspaces not only inspire and enhance productivity but also foster physical and mental well-being.
SUPERTOMATO helps clients optimize their workspace investments, delivering value through strategic design that seamlessly integrates aesthetics and functionality.
Beyond participating in the design of the Xiong'an Citizen Service Center—a national-level project in China—our team has built a diverse portfolio of active projects spanning Hong Kong, the United States, and India.
SUPERTOMATO constantly finds new momentum through self-reflection:
Who is the client? What are their problems or needs?
What can we do for the client?
Who do we plan to collaborate with during the work (both internally and externally)?
What is the client's budget? How should we utilize this budget reasonably?
Social responsibility and the desire to improve society has long been influenced by the built environment. Looking at city centers, architecture has contributed to the improvement of the urban fabric, whether it being through planning and zoning strategies, integration of public spaces, or small interventions. In some cases however, these interventions are in fact used as tools to keep the homeless off the streets, disguised as art or conceptual designs. Several public urban policies have all implicitly prohibited the homeless and other marginalized social groups from city centers, claiming that their presence and “irregular” use of public space could compromise the reputation, security, and desirability of the city.
The origins of brutalism can be traced to the UK in the 1950s during the post-war period. However, there is no clear record of its initial boundaries or theoretical frameworks. Despite this, it is widely agreed that it sought to uphold constructive sincerity as its main value and that it had, in the execution of Le Corbusier's Marseille Housing Unit (1952), a turning point for its global diffusion (Casado, 2019). For authors such as Banham (1966) or Collins (1977), constructive sincerity in Brutalist buildings does not only refer to material or technical criteria, but also to moral, political or ethical ones. These variables, in nations such as Peru, were fundamental and built an aesthetic while trying, through and from architecture, to construct an idea of a country. This essay seeks to be an approximation to these ideas and experiences.
Four years ago, the Pritzker Prize–winner Tadao Ando spectacularly converted a 1920s apartment building in the Lincoln Park neighborhood of Chicago into exhibition spaces for a gallery named—in deference to its street address—Wrightwood 659. The gallery is currently staging a resourceful exhibition on wood-frame construction, the method by which more than 90% of U.S. houses are built.
Rarely has wood-framing been the subject of an architectural show. It’s too mundane a topic—or at least it seemed that way until two associate professors at the University of Illinois Chicago, Paul Andersen and Paul Preissner, conceived the American Framing exhibition for the U.S. Pavilion at the 2021 Venice Architecture Biennale. One year after Venice, the much talked-about exhibition makes its American debut at Wrightwood 659.
While walking through the exhibition of the reconstruction in the gardens and galleries of the Centro Cultural Las Condes in 2022, he explains in detail the innovative and unique construction aspects of this demolished work. The house was originally designed by Fabio Cruz Prieto, architect and founding master of the School of Architecture and Design at the Pontificia Universidad Católica de Valparaíso.
For varied reasons, architects have been driven away from professional practice. Sometimes, however, they continue to design buildings in other media and support. Vinicius Libardoni is an Italian-Brazilian architect and artist who migrated from Autocad to metal engraving, passing through woodcut, and has been building imaginary architectures ever since.
Metropolis Magazine's Kenneth Caldwell visits the Eames Ranch in Petaluma, California to unpack the goals and secrets of the Eames Institute of Infinite Curiosity. He explains that he may not be the best person to write objectively about the recent public launch of the Eames Institute of Infinite Curiosity, a non-profit formed in 2019 to help us explore Charles and Ray Eames’ legacy; particularly their timeless, iterative design process; the chair he sits in every day was designed by the Eameses the year he was born, and their work has been part of his life since he was a young boy looking for the future in architecture magazines at the local public library.
BoConcept‘sChelsea chair is designed by Karim Rashid, an industrial designer well known for his organically shaped products. With its rounded corners and simple format, it seems utterly natural and basic, almost like a non-design. Yet, obviously, a lot of thought and experimentation has gone into the process of creating such an unambiguous object.
Laura Foraster i Lloret is the Secretary General of DIPLOCAT, a public-private consortium aimed at connecting Catalonia with the rest of the world and promoting initiatives that project its image abroad. Its 38 members include key public institutions as well as leading organizations from the business, social, labor, academic, and sports sectors—ranging from Futbol Club Barcelona to the University of Barcelona.
During the Model Barcelona Architectures Festival, which took over the city in May—an event already paving the way for the city's designation as the 2026 World Capital of Architecture—she joined us to discuss how architecture serves as a fundamental tool for presenting and projecting the region abroad. Read Laura Foraster i Lloret's key reflections below.
Built environments are a reflection of the social order and dynamic ideals of society. Neighborhoods and cities are cultural relics shaped by diverse communities, some of whose voices are heard louder than others. In the past few decades, Indian metropolitans have been booming with urbanization. Holding cities back from being Utopian hubs of growth is spatial inequality. The residential segregation that patterns the cities of India can be understood through the caste system. The issue, however, is largely intersectional. Forces rooted in class, religion, and gender also structure the country's social landscape.
“And the Lord God planted a garden in Eden, in the east, where He placed the man He had formed. Out of the ground the Lord God gave growth to every tree that is pleasing to the eye and good for food.”
This is how the Garden of Eden is portrayed in the first book of the bible, Genesis, which describes the origin of the universe and the heavenly place where Adam and Eve were placed. Such a paradise, despite being little characterized in the original words, has been inhabiting the imagination of the faithful and other enthusiasts of the matter for centuries. The scenes of this idyllic place, reinforced by the paintings and sculptures created over time, present a landscape considered ideal, an Edenic nature, expressed many times by the vibrant and contourless color – just like a painting by Monet –, probably emphasizing the representation of the spiritual world, where the image is seen through the contrast of colors, shadows and lights.
An online search away from any computer are eye-level views of many of the world’s cities. This technology is powerful – allowing people to have an in-depth look at the cities they might one day visit, live in, or work in. It’s a useful tool for understanding buildings on a more comprehensive level than photographs. This technology is, of course, Google Street View – which recently turned fifteen years old.
Thirty years ago, a contemporary classic was launched by Dornbracht: TARA. The bathroom series became the brand's best selling offering, as its versatility and timeless modernism allowed for its widespread use. As the German luxury fittings manufacturer celebrates thirty decades of its most popular bathroom series, it's looking ahead and introducing new product variants and finishes to the modern classic.
Set in the heart of one of the world's most arid deserts, the Nasca aqueducts form a hydraulic system that, for nearly two thousand years, has demonstrated advanced geological and hydrological knowledge. This system allows water to be sourced for both human consumption and agriculture, creating fertile oases in the desert. The Nasca Aqueducts represent a unique hydraulic system in the Americas, owing to their distinct design, construction technique, location, and function. They serve as an exceptional testament to the capacity of ancient societies to overcome adverse conditions, offering solutions that could be applied to the climate challenges of our time.
Where are we shaped as democratic subjects? Where do we become aware of the individual and the collective? Where do we forge the character needed for coexistence? These are just some of the questions that the architecture cooperative Coonvite seeks to address through this art installation, titled Ágora. Bringing together expressions and opinions about democracy, the project was curated by Víctor Muñoz and is on display until July 31 at the Arts Center of the EAFIT Library in Medellín, Colombia.
As humanity becomes aware of its impact on the environment, it has also sought ways to reverse some of the harm caused to fauna and flora, especially in cities. Our way of living, consumption and construction has caused severe damage to nature. In fact, according to a study from the Weizmann Institute of Science, we are at a point of inflection where the mass of all man-made materials is equal to the planet's biomass, and it should double by 2040. But not necessarily everything we build should have a negative impact. "The Tidal Stool" project is an example of this - part of a comprehensive revitalization project in Kuk Po Village in Shau Tau Kok in Hong Kong, which brings together two different ecologies, the anthropocentric and natural environment.
Choosing a career as soon as we leave high school can be somewhat challenging and even tormenting. Although it has been said that in the future it will be common to change careers or have various overlapping jobs, the fear of making the "wrong" choice causes many soon-to-be graduates to lose sleep. Having a good overview of what each profession entails is important to understand whether or not it is a good fit, especially in creative areas or newer and more dynamic professions. Architecture, for example, is a career that is well known for covering several areas - from mathematics to art history - but also for requiring many hours of dedication, critical thinking and mastery of computational tools. To give prospective students a taste of the experience of being an architect or an architecture student, Design Immersion Days (DID) is a four-week immersive summer program for future high school graduates to experience the world of design and architecture.
In the current scenario of a climate crisis, thinking about an architectural project without defining ecological guidelines has become practically unacceptable. One of the main emitters of carbon dioxide and other pollutants, the construction sector is increasingly looking for new ways and means that can make works more sustainable and, in some way, mitigate damage to the environment. Thinking about ecological materials can be one of the fundamental steps, but, which materials are these?
The word “Gothic” often envokes a description of mysterious homes, or a modern-day group of people who have an affinity for dark aesthetics, but what the gothic architectural style historically brought to the built environment could not have been more opposite. Gothic designs were actually created to bring more sunlight into spaces, mainly churches, and led to the design and construction of some of the world’s most iconic buildings.
Located in the area between Sachsendamm and Berlin Südkreuz S-Bahn train station in Schöneberg, a new mixed-use complex, EDGE Suedkreuz Berlin, was completed last month by Berlin-based architect Sergei Tchoban and his firm Tchoban Voss Architekten with additional offices in Hamburg and Dresden. The complex comprises two freestanding structures—a larger Carré Building and a smaller Solitaire Building. Together they occupy their own block. The pair is now the largest hybrid-timber complex of buildings in Germany and one of the largest in Europe.
To start the day in a relaxed state of mind, it is good to have a natural sense of inner calm, or, failing that, a peaceful space to retreat to where stress can be left outside. In their first collaboration, Duravit and designer Sebastian Herkner transform the bathroom into a place of true well-being – for the restorative cleansing of body, mind and soul. Here, there really is nothing to remind one of everyday life, as the Zencha bathroom series transports us away, paying homage to the traditional tea ceremonies of Japan.
If we had to return to the beginning, which beginning would it be? The last two years have left a deep mark on all of us, like an incision on our skin. Yet at the same time, each of these marks is so unique and diverse that it would be impossible to say we have all gone through the same experience. At the UNAM Faculty of Architecture, these two years were defined by two key moments in our history: the COVID-19 pandemic itself, which introduced us to new ways of learning and teaching; and a student strike against gender-based violence—organized by female student collectives—which became the longest student strike on record at the school.
World map of 1300. Image via Wikicommons, under domain
Cartography consists of the flat, simplified and conventional geometric representation of the earth's surface, presented in the form of maps, charts or blueprints. Because it is a two-dimensional representation of something that is three-dimensional, all representations undergo some kind of deformation, so that the choice of a method takes into account not only technical aspects, but also political ones.
