Articles

The Spanish-Mexican architect Félix Candela is one of the world's most renowned twentieth-century architects, celebrated for a career that explored reinforced concrete through experiments resulting in his famous cascarones (thin-shell structures)—structural and design elements that support many of his works, such as the Cosmic Rays Pavilion at UNAM in Mexico City (1951); the Palmira Chapel in Cuernavaca (1958); the Los Manantiales Restaurant in Xochimilco (1958); and the Palacio de los Deportes for the 1968 Olympic Games in Mexico City.

An ideal address implies convenience, meeting basic needs for goods and services within a short walk. Breakfast at the base of the building, a quick run to the pharmacy, pulling a cart overflowing with fruit, heading down on Saturday for a haircut, walking the dog in the corner plaza. The health of a city depends on the presence of people walking in public spaces, fostering a sense of community, safety, civility, and the capacity to meet basic consumption needs. And the street-level storefront along this walk is a vital catalyst.

What relationships between the social field of memory and the construction of the city can be identified during the Brazilian civil-military dictatorship? We begin with the premise that the formation of the city involves a series of disputes and concessions among the diverse entities that make up society. Since, as we know, each social agent possesses a distinct standpoint, their oppressions or privileges are carried over into the realm of memory, which in turn is transcribed into the construction of the urban environment. That is to say, the opinions and desires of certain communities, because they possess more resources, often determine how places will be built and the narratives woven about them.

Tie-in sales are one of the major consumer rights issues and are typically banned in most market economies. They occur when a seller conditions the sale of one product or service on the purchase of another. In Brazil, the Consumer Defense Code, under Article 39, Subsection I, expressly condemns this practice. Meanwhile, Law 12,529/2011, which structures the Brazilian competition defense system, establishes in Article 36, Subsection XVIII, that tie-in sales constitute an infraction against the economic order.

During the International Festival of Urban Interventions (FIIU), the finalists and winners of the 'Public Spaces for Early Childhood' competition were announced. Organized by Ocupa Tu Calle and Lima Cómo Vamos as part of the Pact for Public Spaces, the initiative was held in strategic alliance with the Bernard van Leer Foundation and Urban95. The competition aimed to design two public spaces in the districts of Barranco and Miraflores in Lima, Peru, utilizing an early childhood-centered approach.

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Driven by Gen Z's preference for access over ownership, the secondhand market is beginning to see significant growth worldwide.

This includes the secondhand furniture market, which, in addition to giving a second life to items destined for landfills, helps reduce industrial CO2 emissions—manufacturing and shipping a single piece of furniture emits about 90kg of CO2, equivalent to a one-hour flight on a Boeing 747.

The Laboratorio Arte Alameda (LAA)—a venue of the National Institute of Fine Arts and Literature (Inbal) Museum Network—in collaboration with Fundación Telefónica presents Joanie Lemercier: Landscapes of Light, the French artist's first solo exhibition in Mexico. The exhibition offers "a journey through different landscapes that transport the viewer from the contemplation of refined abstract lines and the fascination of majestic computer-generated virtual mountains, to the troubling reality of an overexploited nature."

From reducing local temperatures to improving air quality, the benefits of urban forestry in city centers are numerous. Combining social, environmental, and even economic advantages, urban planting—especially along sidewalks—is fundamental to citizens' quality of life. However, it must be carefully planned and designed, balancing urban demands with biological needs. 

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The eruv divides the public from the private, the secular from the sacred, and labor from the shabbat. This essay aims to understand how Jewish cultural traditions have adapted over the centuries and coexist today with the dynamics of the metropolis, leaving identity markers on the urban space. Ultimately, we seek to examine the tension between community, identity, and belonging, which construct alternative readings, understandings, and modes of sharing in the city's public spaces. 

Matilde Ucelay Maórtua was born in 1912 in Madrid into a bourgeois, professional, and enlightened family, as the eldest of four sisters. Her father's family, Enrique Ucelay, of Basque origin, had held a prominent economic, political, and professional position in 19th-century Madrid, closely tied to political liberalism. Meanwhile, her mother, Pura Maórtua, also of Basque descent, came from a wealthy family as well. Though she lacked formal academic training, she possessed an insatiable desire to learn and was fortunate to travel extensively, visiting museums and architectural works.

"Harmonious Contradiction" is the third and final summer exhibition at Sotheby's East Hampton Gallery New York and the first collaboration between MASA and Sotheby’s. Running from August 24 to September 18, this group exhibition features brass and polished bronze floor works by eight contemporary artists from Mexico City-based Masa Gallery, in conversation with a curated selection of contemporary and post-war works from Sotheby's.

What if policymakers, when deciding how to allocate public investments, looked beyond massive concrete structures and also turned their attention to forests?

Viewing the conservation, restoration, and management of native vegetation—in other words, nature-based solutions—as viable investment alternatives to improve urban infrastructure is an innovative approach that can yield major benefits for society. A prime example lies in the water treatment and supply sector: forests can play such a crucial role that they can be considered a form of natural infrastructure.

In Brazilian cities, we see new residential buildings being constructed with cantilevered balconies—that is, extending beyond the building's perimeter and encroaching upon the minimum required setbacks (referred to as afastamentos in Rio de Janeiro). However, what we have seen in recent years is a growing trend of enclosing these balconies with glass panels, consequently expanding the adjacent rooms. But what is the reason behind this enclosure? If there is a need to enlarge these spaces, why aren't they designed this way to begin with?

The end of the rubber monopoly, the economic crisis of the 1920s, demographic growth driven by the migration of river dwellers and northeasterners to Manaus, and a scarcity of resources all contributed to a housing crisis in the city.

Amid this adversity, in 1920, João Aprígio, a native of Paraíba with a wife and children to support, faced immense hardships. His meager earnings were barely enough to feed his family. Lacking a home of his own, Aprígio gathered two açacu logs from an igapó (flooded forest) and towed them behind his canoe to the Educandos waterfront, which he deemed the most suitable location to build his dwelling. For twenty days and nights he worked, eventually erecting what would become the first floating house in Manaus.

In sloped topographies, factors such as rainfall and excess water promote surface runoff, triggering a series of impacts that lead to the loss of soil, water, nutrients, and seeds, consequently reducing agricultural productivity (Posthumus, 2005). In Andean mountain environments, this is compounded by water scarcity and variability, alongside the challenges of water retention (Canziani, 2007). To address these challenges, territorial transformations and modifications known as terraces and andenes emerged, representing some of the oldest infrastructural practices for soil and hydrological conservation and management. Their physical presence, productive use, and cultural relevance remain vital in many parts of the world today.

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Concrete, metal, or wood—all building materials degrade over time when exposed to water and moisture. Moreover, every building element is exposed to weathering to varying degrees, from the foundation to the roof. Consequently, protective layers must be incorporated to prevent water from contacting raw materials—a process known as waterproofing—ensuring the structure's maintenance and longevity.

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BIM methodology is currently booming and on the lips of every industry professional, making it essential for any sector expert to keep in mind. In this article, we review the five most relevant factors to help you assess your compatibility with BIM, according to Editeca.

As part of a new collaboration between the Mexico City-based firms, Esrawe Studio and Francisco Pardo present "Biodynamic Community," a new project in Los Altos de Jalisco, Mexico. The development will be built on an 820,000-square-meter site and will have a total built area of 29,700 square meters.