Get your designing hats on because we’re back with Design X Social 2022!! Design X Social is a global innovation challenge, where we invite the international design community to get together to tackle pressing social issues. This challenge is open and free for all to enter, and registrations are now open!
Archstorming’s new competition takes us to Mozambique, a country marked by a great number of long-lasting challenges. Although there has been a substantive increase in the household income, over two-thirds of the population still live below the poverty line. This Sub-Saharan Africa country is ranked 139th out of 159 countries on the UNDP’s Gender Inequality Index. Women are exposed to threats of diseases, discrimination and violence. Around 94% of girls in Mozambique enroll in primary school, but despite this high number, only 11% of girls continue to study in secondary schools. As girls grow older, they are met by an increasing domestic workload and more responsibilities. Many girls have no choice but to stay at home to do chores or work to help their families. Teen pregnancies prove to be a major reason for girls dropping out of school early. 30 to 40 percent of girls are pregnant before they turn 18 years old. Taking care of a child, working and performing household chores can be overbearing and leave these girls no time for school.
Early Registration: $75 from 01/May/2021 - 30/June/2021 Standard Registration: $90 from 01/July/2021 - 31/August/2021 Late Registration: $100 from 01/September/2021 - End of registration
studio-based intensive design workshops Our eight-week intensive workshops feature unique design briefs and software workflows at the forefront of the spatial design industry. Regardless of your current skill levels, we welcome applicants from aspiring architects, game designers to any beginners to embark on design experiments; to explore conceptual ideas and to develop innovative research methodologies.
KVDF 2022 Writing Competition. Poster credits: KVDF Journalism Team and Graphics Team
The intention of the Kurula Varkey Design Forum has been to curate discussions centered around the thoughts of students and young graduates. It has constantly tried to bring the agency which students hold, to forefront; to provide a platform for students to display their opinions to the profession they’ll be entering soon. Writing becomes a tool to examine one’s own thoughts; at the same time it provides an important platform to express one’s voice to a larger community. Eager to provide a podium for contemplation and expression in the field of architecture, we’re pleased to announce ‘KVDF Writing Competition 2022’, for students of architecture, planning, design, and other associated fields to put down their ideas and opinions through persuasive, inspiring, and influential writing.
ISVS, the International Seminar on Vernacular Settlements, is amongst the longest-running seminar series in the field of Vernacular Architecture and Settlement studies. Started in the year 1999 in Depok, Indonesia the seminar has travelled to different parts of the world such as India, Sri Lanka, North Cyprus, Turkey. In the process, ISVS has created a community of scholars, professionals and academic that have contributed to the seminar in various capacities.
The Reconstructing the Future for People and Planet Conference, hosted by Bauhaus Earth and the Pontifical Academy of Sciences (PAS), begins today at the Casina Pio IV, the PAS headquarters, in the Vatican Gardens.
In 2022, SA lab joined DigitalFUTURES community, sharing knowledge in fields of computational design and digital fabrication. DigitalFUTURES creates a series of free workshops and lectures to bring together the leading architects, thinkers and technologists from across the globe. SA lab partners, Stepan Kukharskiy and Alina Chereyskaya, will hold THE WORMHOLE GALLERY workshop.
CARAVANSERAI SUMMER SCHOOL: Ecological Restoration of Rural Architecture. Poster and informationn
After the pandemic and empowered by the climate crisis, a new wave of natural living style far away from the overpopulated cities raised all around the world and generated a return to the countryside, giving a new hope to the rural areas. Following the participative restoration philosophy of Depo Pergamon Workshops, the Caravanserai Summer School 2022 will promote a new model of ecological restoration for rural architecture based on a circular sustainable principle: Sun, Water, Soil, Straw, Dung, and Wood. These natural materials will be used for reviving the vernacular construction techniques in the restoration and renovation of the mud plaster surfaces and the rammed earth pavements of an old architecture complex to be reuse as a new generation caravanserai, a worldwide forgotten typology during the XXI century. To complete the conservation of the preexisting buildings, the original wooden flooring, ceilings and furniture will also be restored. All the work will be led by experts in vernacular architecture and building techniques.
InnovatiON-Architecture compiles ON-A work philosophy: a constant search for innovative ad hoc solutions for each project, using the most updated technologies and design research at the service of ideas, with criteria based on their professional career, but always going beyond the conventional. The contents of the book have been organized illustrating the four conversations held between Eduardo Gutiérrez and Jordi Fernández (ON-A founders and principals) and Ricardo Devesa (editor). First one is routed on Design as a starting point to attend the control of the geometry (inspired on mineral, arboreal, and organic shapes) and encoding the information (using parametric design, BIM, and coding techniques). That methodology allows them to visualize and interact with the continuum of data and workflows of all stages of development, attending to the entire life cycle of the project. Since ON-A considered themself as a Laboratory rather than as a professional architecture office, the second conversation explored their ways of making innovative architecture throughout bioclimatic and sustainable experiments and tests done in their works and projects. In that chapter they talk about how to incorporate the ‘green’ feature through bioarchitecture —a layer of technological green that appeals to sustainability from materiality, management and maintenance— in order to re-naturalize cities and reconnect people with the natural environment in favour of an ecosystem balance. Technology is the third chapter, a key tool to enhance design and creativity, carrying out complete material, structural and installation modeling that gives them control of any layout whether they use curved glass, precast GRC, wood or another innovative material technique to build their projects. Last but not least, the fourth conversation is about how the ON-A’s projects work as a catalyst for creating positive Emotions: physical-visual, well-being, and comfort that contribute occupants’ health and flexible usability of the designed spaces. As a result of these four conversations, the book shows how to innovate in architecture from different layers with only one concern: helping to reduce the environmental impact of human intervention, improving citizens’ quality of life and seeking the emotional interactions between the inhabitants and their environment.
The cork and timber installation framing a window of the palazzo in Brera . Photo by Boito Sarno Architects
To move to net zero, the future of construction will be based on circular economy principles and the innovative use of biomaterials that are renewable and sequester carbon from the atmosphere. Presented at Milan Design Week’s Fuorisalone, in the heart of the Brera Design District, KÝKLOSDÉNDRON (tree cycle) is a room within a room that offers an unexpected vantage point inside a charming Milanese apartment from the early 1800s. Designed by Boito Sarno Architects, this installation is entirely made of wood and cork showing the potential of rediscovering traditional materials in a modern idiom. The installation has a tactile element, with visitors invited to walk barefoot on a cork ‘pebbles’ walkway. Cleverly engineered with standardised modules that can be easily assembled and disassembled, it does not use metal elements.
An exciting, new exhibition opens this week at Urban art gallery BSMT in London entitled ‘POLYGONS’ featuring the abstract and architectural art of Alan De Cecco (SODA).
As spatial practitioners, we are often presented with uncomfortable relationships, forcing us to choose sides and make decisions. We are constantly challenged to rethink how we embrace the dynamics between architecture, and external forces.