Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.
I entered the professional world of architecture in 2016 after finishing my M.Arch at Iowa State University. My undergraduate degree was a Bachelor of Design in Architecture with a minor in Housing Studies from the University of Minnesota. Throughout my academic career my focus has been on the human factor in design and I'm particularly interested in how the built environment affects the people who inhabit it and vice versa. I love to travel and try to make as many pilgrimages as I can to architectural landmarks all over the world!
Multifamily housing in urban environments provides social, economic, and environmental benefits to both individual residents and cities as a whole. Kicked into overdrive after the 2008 financial crisis, demand for multifamily housing has since continued to rise and remains strong today. Generations Y and Z are the youngest urbanized group of adults and these young professionals are fueling much of the demand for compact living in city centers. Though the younger generations are the ones driving the changes, the result is expected to be more secure, convenient living for everyone.
If you've been debating whether to submit your work to the 2021 A’ Design Award Competition, now is the time! This is your last chance to enter your design, because the final call for entries ends February 28th, 2021. The international A' Design Awards give designers an opportunity to showcase their work to a global audience, whether you're a designer, architect, or an innovator from any other design field. Among other design competitions and awards, the A' Design Award stands out for its exceptional scale with over 100 design categories.
If you’ve been procrastinating, now is your last chance to enter your design for an A’ Design Award before the deadline on February 28. The international competition was "born out of the desire to underline the best designs and well-designed products" of designers, architects, and innovators from all design fields. Among other design competitions and awards, the A' Design Award stands out for its exceptional scale with over 100 design categories.
The global COVID-19 pandemic has forced us all to adapt quickly to new ways of living: new ways of working, communicating, buying groceries, and so much more. That adaptability is the key to navigating our changing world. Modular and flexible building systems can help us adapt our physical spaces to the new realities of social distancing or even to the need for rapidly deploying field hospitals.
The A’ Design Award is an international award whose aim is to provide designers, architects, and innovators from all design fields with a competitive platform to showcase their work and products to a global audience. Among the design world's many awards, the A' Design Award stands out for its exceptional scale and breadth, including over 100 award categories and having honored over 12,000 designers with an award over its 11-year lifetime.
Over the past decade, Building Information Modeling (BIM) has been widely adopted and become integrated to varying degrees into every aspect of the design, construction, and maintenance of buildings. But this isn’t where BIM stops, the future of BIM incorporates altered/virtual reality (AR/VR) and has the potential to go as far as automated and intelligent lifecycle management of assets. The concept of creating a “digital twin” to a physical building or system with the aim of making that real-world entity safer, more efficient, and more resilient begins by making our way towards fully-integrated BIM.
Building design today, and throughout the 20th century, has been significantly shaped by fire safety considerations. Architects today are familiar with the wide range of code requirements for a building to be compliant, from materials, to fire extinguisher locations, to fire-rated walls and doors. As buildings have become better-equipped to withstand fire emergencies, however, modern life has simultaneously increased the amount of fire hazards we live with.
Now that we’re all spending much more time inside due to the pandemic, we’ve had a chance to truly understand and appreciate the significant impact that windows can have on a space. Views, sun angles, and orientation of windows are all important considerations when designing a new building - and as pleasant as it is to have a connection to the outdoors, windows can also cause issues like glare and heat gain. Of course no one wants a building with windows only on one side or to have the blinds shut constantly to be able to see their computer screen, so one versatile architectural solution is to shade windows using architectural wire mesh.
A building’s envelope is the first thing you notice - its defining feature, before even setting foot inside. While indisputably important, there’s much more going on than just aesthetics when designing one. There are unseen aspects and qualities that make the interior of the building safe and comfortable, which architects are constantly balancing with the visual appearance of the exterior.
Building envelopes keep out the weather, contribute to thermal and acoustic comfort, affect fire safety, and the choice of one system over another has economic, sustainability, constructability, and longevity implications to consider. In addition, there are multiple aesthetic factors a building envelope needs to address: context, color, texture, visual comfort, and overall design intent to name just a few.
You probably see brick on a daily basis, whether it’s structuring a building, paving the road, or perhaps serving as a fireplace or chimney. But do all these applications use the same type of brick? How are the bricks supporting or being supported? What are these bricks actually made of? Brick’s versatility and ubiquitous nature mean there’s more than one answer to these questions. Even among brick’s most common applications as a building facade and/or structural wall material, there are a variety of types and construction methods employed.
The international A' Design Award competition was "born out of the desire to underline the best designs and well-designed products" of designers, architects, and innovators from all design fields. Entries each year are judged by A' Design Award's jury of hundreds of experts from around the globe including scholars, professionals, and media members. If you are selected as a winner, you'll receive a host of prizes and benefits, in addition to international prestige and recognition. Entries are being accepted now until February 28th, 2021 and a selection of winners will be featured in a post on ArchDaily after they're announced on April 15th, so register your design today for a chance to be included.
Photorealistic renderings today are the standard. They can be done quickly, cheaply, and clients expect them. But are these renderings truly accomplishing what they set out to do? Those on the forefront of new 3D design techniques argue that, as an industry, we’ve gotten stuck on conveying information, when what we should really bring to the table is emotion. Now that the playing field has evened in terms of technological capability and hyper-realism, what’s the next step? By introducing an emotional layer and creating a sense of place, renderings can provide even more value to a project, firm, client, and community.
Cuisine, culture, sightseeing, and engaging with the locals are all reasons people like to travel. The common factor that draws us to explore new places, however, is simply the chance to experience cities and landscapes unlike our own familiar surroundings. For example, when Chinese tourists can again visit Copenhagen, they may admire the waterside capital’s winding bike paths, lush green parks, and the Scandinavian brick traditions on display in Nyhavn. Likewise, a Danish tourist would surely be blown away by the breathtaking scale of Beijing, with it’s 9 million+ bicycles and the display of ancient Chinese culture juxtaposed with modern society.
Architecture sets the scene and provides the framework, but interior design and furniture can have a strong influence on the vibe and mood of a space. As trends in interior design evolve over time, it’s often expressed in the furniture chosen to fill the room. Interior furniture speaks volumes about our priorities and personalities, as well as the atmosphere we want to convey.
BIM and 3D modeling are essential in today’s architecture field. What they aren’t, however, is static or prescriptive. The way BIM is integrated varies not just by firm, but even by individual project. The size of the building, structure of the project team, or even government mandates can dictate how a firm utilizes their BIM capabilities. Belgian firm Osar Architects found that Vectorworks is the best match for the way they run their office. Specifically, Vectorworks Architect is well-matched for the type and extent of modeling they do because it's flexible to fit the needs of each project.
The A’ Design Award was "born out of the desire to underline the best designs and well-designed products." It is an international award whose aim is to provide designers, architects, and innovators from all design fields with a platform to showcase their work and products to a global audience. This year's edition is now open for entries; designers can register their submissions here.
International architectural practice Kohn Pedersen Fox (KPF) is constantly striving to improve efficiencies and enable greater creative exploration through the application of the latest technologies. With nine offices worldwide and projects based anywhere from Europe to the US and China, the company takes a global approach to its design process by fostering collaboration; it’s not uncommon for a single project to involve team members based in London, New York, and Singapore, for example, who come together virtually in what Cobus Bothma, Director of Applied Research, calls their “tenth office”.