Founder & Editor in Chief of this wonderful platform called ArchDaily :) Graduate Architect. Jury, speaker, curator, and anything that is required to spread our mission across the world. You can follow me on Instagram @dbasulto.
Fernando Herrera shared with us some very interesting photos of the California Academy of Science (previously posted with the official photos). First, a series of pictures from the opening day on which you can see the building with people on it, and get a better idea on the scale and how it works. He even caught Renzo Piano admiring his own work!
Also, he sent us a series of pictures of the green roof during construction, on which you can see more details such as the irrigation system and the skylights.
Enjoy the gallery! I also recommend checking out Fernando´s Flickr page, he has photographed an interesting selection of contemporary buildings in the US and Europe.
Sketchup is, by far, the easiest tool for modeling. Google acquired this software in order to crowd-source the 3D modeling of the earth, since anyone can use it to model their house, school or favourite building. But being simple and fast doesn’t mean it lacks on features.
Mark Magazine is by far one of my favourite architecture magazines. Their motto “Another architecture” tells us what we´ll find inside: fresh architecture – the main reason we love this magazine so much.
This bimonthly magazine is structured in 5 sections: Noticeboard (a collage of new projects), Cross Section (short articles on new buildings and architectural subjects), Viewpoint (interviews with architects on the rise), Long Section (in depth articles on buildings) and Service Area (new building materials).
On the August/September issue (October one on the mail, more about that soon) we find an amazing house by spanish studio Ensamble, shown on a collage with embossed textures, something that has become a signature on Mark Magazine covers.
In my opinion Bjarke Ingels, founder of BIG, is one of the best architects when it comes to give shape to the interests of an “unspoken” client on public buildings,either representing the values of a country or a culture. All with exceptional syntax and presentation skills.
And BIG‘s latest project (in collaboration with Arup and 2+1), the Danish Pavilion for the Shanghai 2010 Expo, does it again, by taking the best of living in Copenhagen and placing it on China for visitors to experience.
Basically, the pavilion is a big loop on which visitors ride around on one of the 1,500 bikes available at the entrance, a chance to experience the Danish urban way. At the center of the pavilion there’s a big pool with fresh water from Copenhagen’s harbor, on which visitors can even swim.
Yesterday, I was visiting the Skyscraper Museum in New York, and I saw an incredible aerial photo that shows the evolution of downtown Manhattan during the last century, from the water reclamation to the black towers to the new skyline without the twin towers. Undoubtedly, this city changes its shape very often.
And as of now, new residential buildings are bringing new forms to this skyline. First, we have OMA on the 23rd street with its structural facade and cantilevered volume, and now the 56 Leonard Street building by Herzog & de Meuron, which entered the construction phase.
This 57-story residential in the Tribeca area will house 145 residences, each one with its own unique floor plan and private outdoor space. This typology makes the building look like a stack of houses, away from the traditional skyscraper form. I wonder how the concrete structure works on this building, which was done by consultant firm WSP Cantor Seinuk (who also worked on the Freedom Tower).
This is funny: While browsing architecture offices websites in look for new works to publish in ArchDaily for our beloved readers, I found this project. I bookmarked it to contact the architects the next day, and when I woke up I had an email from Kristin Jarmund Architects offering us this project for publishing.
Well, enough of this, lets go to the project description.
This morning, while walking down Union Square i noticed the new tall and slim tower at One Madison Park, currently under construction. The developer of this tower, Slazer Enterprises, is also working on an adjacent project with OMA, which resulted on their first residential tower in New York, which was unveiled yesterday.
Located at at 23 East 22nd St, the 335 ft (107 m) tall mid-rise tower -which you can see on the second plane behind One Madison Park at the rendering- features an innovative design when it comes to towers, an evolution of the OMA studies on new high rise designs. The building cantilevers 30 feet over its neighbor, a form that “provides a number of unexpected moments that appear at each step – balconies at the upper part of the building and floor windows at the lower part — providing a variety of unit types and features throughout the building”, in words of Rem Koolhaas.
This project is led by Rem and Shohei Shigematsu, a partner at OMA currently in charge of OMA NY. When we visited their office back in March to interview Shohei (an interview i recommend you to watch), we saw a lot of experimentation around new forms for towers, such at the Jersey City project and the Bicentennial Tower. I bet OMA will surprise us in the future with more innovative tall building designs.
The 11th Venice Biennaleis just around the corner, starting on Sept 14th with a preview on Sept 11th-13th. I´m eager to see the pavillions and installations on the Biennale, specially because the title for this version is “Out There: Architecture Beyond Building” on which Aaron Betsky, the curator, says ” “will point the way towards an architecture liberated from buildings to engage the central issues of our society; instead of the tombs of architecture, which is to say buildings, it will present site specific installations, visions and experiments that help us figure out, make sense of and feel at home in our modern world”.
One of this installations is “AirXY: From Inmaterial to Rematerial” by M-A-D, an interdisciplinary design firm with primary expertise in branding and visual communications. From their authors: he airXY screen is folded to seem as if it had burst out of the wall behind. as visitors approach they notice what appears to be a giant checkerboard with a vertical line scanning from left to right. suggesting the surface of an interface, a desktop and a machine simultaneously, on further observation, the visitors see that the composition is, in fact, charting the passing of time along an XY axis divided into 24×60 units. in addition to the vertical line and rectangular XY units, tiny green abstract icons are floating across the screen, looking like runes, contemporary urban signs or the graphic language of circuit diagrams”.
Of the things i really love about maintaining this blog is that it gathers architects from all around the world. In this case, the people from ZLG Design in Malaysia sent us their project for the BOH Visitor Center through our contact form – same as many other offices we will publish in the next days. Everyone is invited!
This great building -my personal favorite in the last month- is located in Malaysia, overlooking an amazing landscape. I think that its tectonic work really frames the natural surrounding.
Architect: ZLG Design Team: Huat Lim, Susanne Zeidler, Jimmy Wong, Mary Verhaeghe, Hong Chieh Location: Sungai Palas, Cameron Highland, Boh Visitor Centre, Malaysia Locale description: Tea plantations and factory Site area: 12,168.32 sqm Built area: 1,233.8 sqm Building start: November 2005 BUilding completion: July 2006 Budget: USD$498,652.29
We´ve seen tons of pictures of both the exterior and the inner court of Herzog & de Meuron’s bird nest in Beijing during the Olympics. But what we haven’t seen is the intermediate space inside the nest fibers, a space which looked amazing on the early renderings.
But thanks to Edgar Gonzalez, we can see the colorful inners of the Bird’s Nest through Manuel Ocaña‘s Flickr.
¿Remember GreenPix, the 2,200 sqm LED media wall powered by solar panels we featured some months ago? Alexandra Lerman published a documentary about the GreenPix on which Simon Giostra, founder of Simone Giostra & Partners. Giostra explains the challenge to design and build this gigantic media wall, with the help of engineering experts ARUP.
Some love this building, and some hate it. I´m impressed.
The Burj Dubai (set to be the tallest tower in the world, while the tallest structure as of now), is almost finished. Located in Dubai, it´s the centerpise of a mixed-use development that will include 30,000 homes, 9 hotels, 3 ha of parks, 19 residential towers, a man and a 12ha artificial lake.
I decided to Google about the Burj Dubai a little, and i found an interesting interview at Wired with SOM´s structural engineer Bill Baker, telling the story behind the design, the structure and construction. The foundations were overengineered just in case the client wanted to rise the height of the building during construction… which he did!. Now the final height won´t be disclosed until the construction is finished.
While in New York a few months ago, we interviewed several architects with a set of standard and specific questions, gathering different opinions on current state of practice in contemporary society.
A few weeks ago we received the latest issue of Volume Magazine, a joint effort between Archis, AMO and the C-LAB. Continuing with their tradition of thematic issues with suggestive names, number 16 is called Engineering Society.
It relates somehow to Volume #14 (Unsolicited Architecture), on which the editorial analyzes the lost of relevance of modern architects because of their failure to adapt to a market driven society, urging them (us) to answer current society questions from the field of architecture.
On this issue, Arjen Oosterman starts with -yet another- incredible editorial, Planning Paradise, that analyzes how architects tried to impose their utopias in the past, without a direct relation with the end user of these projects. But now, we can certainly tell that society can´t no longer be made, and it´s actually being driven and shaped by the users as a consequence of democracy, and free market economy and politics. And this opens a new opportunity for architects, to be the ones that present new futures to this users, an opportunity lost long time ago in “our consumer society of commodity logic“.
