Why stay in the city?

For many urban dwellers, the answer is obvious: “It’s hard to find a job in a smaller town. Plus, there’s not even a movie theater, restaurant options are limited, and the schools aren’t that great.”

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The Guadalajara region in Mexico is home to one of the country's most prominent cities, ranking as one of the most populous urban areas alongside Mexico City, Tijuana, the State of Mexico, and Monterrey. However, the exponential growth experienced by cities in the 20th century resulted in an urban sprawl that expanded far beyond traditional geographic boundaries. The capital of the state of Jalisco was no exception, ultimately leading to the definition of the Guadalajara Metropolitan Area, which integrates the key municipalities surrounding the capital.

Still largely overlooked by the international media, Angola's contemporary architectural production faces, much like many of its African neighbors, social and economic realities that do not favor its dissemination. When the typical challenges of architecture are compounded by others stemming from an intense process of neocolonialism, taking good ideas off the drawing board and actually building them becomes a formidable task. Stretching the relationship between the physical and the digital, the Angolan collective Banga turns to virtual space to bring to life projects that blend architecture, sensory experiences, and art.

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Historically, bamboo has been used as a raw material in low-resource traditional construction, serving as a substitute for other woods to build structures, enclosures, and even furniture. Today, owing to its numerous advantages related to durability, strength, versatility, and low environmental impact, it has earned the moniker "vegetable steel" and gained a privileged position within the construction industry. The ongoing search for new materials for sustainable development has generated new construction fusions that bring contemporary materials and techniques into play with traditional elements, merging and enhancing the qualities of local materials in each region.

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The state of Querétaro is located in the north-central region of Mexico, bordered by the states of San Luis Potosí, Guanajuato, Hidalgo, Estado de México, and Michoacán. Covering an area of 11,684 km², it is one of the most expansive regions in the country. Its capital is Santiago de Querétaro, which is also the state's most populous city. Among its most popular Pueblos Mágicos (Magical Towns) are Bernal, Tequisquiapan, Jalpan de Serra, Cadereyta de Montes, San Joaquín, and Amealco de Bonfil. Additionally, the state boasts four UNESCO World Heritage sites and one entry on the Intangible Cultural Heritage list: the Historic Monuments Zone of Santiago de Querétaro, the Franciscan Missions of the Sierra Gorda, the Otomí Chapels, and the living traditions of the Otomí-Chichimeca culture, respectively.

Colombia has an immense territory with some of the greatest biodiversity in the world thanks to its privileged geography, and human presence spans the majority of this territory, regardless of how far it is from urban centers. Below, Sebastian Contreras of Estación Espacial Arquitectos presents the experience and both the human and architectural challenges of building a Maloca with and for the Ticuna community deep in the Colombian Amazon.

At the last Seoul Biennale of Architecture and Urbanism, the interdisciplinary team from Medellín ARQUIURBANO together with the multidisciplinary team from Bucaramanga TABUÚ, presented their proposal Transformation of Collective Spaces: “Public Space, the Skin of Democracy." In this proposal, they showcase the collaborative and co-creative process behind both the Revitalization of Rionegro's Historic Center and the reactivation and recovery of public spaces in Bucaramanga.

In a year marked by physical distancing, social media took on an even greater dimension in the ways we connect and stay informed. Our Instagram has expanded its reach, bringing our audience the best of what we publish on our website: projects, articles, interviews, and news from the architectural world, inspiring new ideas and tools for a better future.

Residential projects can serve as testing grounds for experimenting with form, materials, construction techniques, and spatial configurations. One such feature is the double-height ceiling—spaces where the clear height between floor and ceiling is roughly twice that of a standard ceiling (typically between 2.50 and 2.70 meters). The generous volumes created under these conditions are ideal for maximizing natural light and ventilation, while also establishing more dynamic vertical connections.

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In Latin America, the concept of emergency architecture refers to spaces that serve as temporary shelter in the face of adverse circumstances, such as earthquakes, floods, and migration. Various countries, including Mexico, Chile, Colombia, Ecuador, Uruguay, and Panama, have faced events that required redefining emergency housing according to each nation's specific needs.

Upon graduating from architecture school, we earn a degree that academically certifies that we possess the professional skills to call ourselves architects. This means we can design spaces and, more importantly, build them—raising from bare ground an intervention that will endure over time and, most importantly, creating livable spaces. 

"A hideous project for the future Tourist Information Center, to be located in front of the Palácio dos Despachos, a true 'modernist' terror." These harsh words from social columnist Anna Marina Siqueira in the Belo Horizonte newspaper Diário da Tarde in 1985 referred to the new building constructed on Praça da Liberdade, then the political epicenter of Minas Gerais. It was inaugurated as the Tancredo Neves Tourist Support Center and, for many years, housed the Professor Djalma Guimarães Mineralogy Museum. In April 2017, it reopened after a restoration, becoming the Visitor Information Center of the Circuito Liberdade and the Hub Minas Digital. While its location outside the Rio-São Paulo axis might make these official names unfamiliar to some, its popular moniker makes it instantly recognizable: it is known as the Rainha da Sucata (Queen of Scrap Metal), and has even been called the ugliest building in Brazil.

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Located in the central region of South America, Paraguay features a wide variety of geographical conditions, with diverse landscapes and resources. Generally speaking, the territory is characterized by high humidity and warm temperatures that prevail throughout the year, with hot, rainy summers and mild winters. Under these conditions, cooling interior spaces becomes highly important, and passive ventilation systems are particularly prioritized during the early design stages.

Choosing high-performance BIM software is key to developing efficient projects by automating tasks unrelated to core design, such as documentation, calculations, and other tedious processes. This reduces the time spent on these critical details, minimizing errors that lead to project delays or cost overruns.

Lilly Reich (Berlin, 1885–1957) was a pioneering and highly talented woman who has finally emerged as an autonomous figure in the history of modern architecture. Recent research has shed new light on Reich's contributions during the interwar period in the fields of interior architecture, exhibition design, and furniture design, driven by her use of new materials and technologies.

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Bridges and walkways are horizontal circulation elements that establish physical connections between the interior or exterior spaces of a project, articulating their layout and, in some cases, bridging existing level changes. These suspended structures enhance visual connections between different levels and, through more dynamic pathways, enable the creation of intentional framing sequences.

Videos

Over the last few weeks, the editorial team at ArchDaily Brasil has conducted a series of interviews with various Brazilian architects and firms to understand their respective work and creative processes, as well as their use of specific materials, construction techniques, and the unique aspects of developing key projects within their portfolios. In light of the quarantine resulting from the coronavirus pandemic, we have gathered these recent interviews so you can make the most of your days at home. See them below:

Charlas de Terraza is an initiative hosted at the office of OPUS in Medellín. It features conversations that extend beyond architecture and, adapting to the COVID-19 lockdowns, is currently being held virtually. Alongside these talks, there is another initiative dedicated to sketching called Club de Dibujo (Drawing Club). In this session, both formats merged as the Medellín-based practice, along with Alejandro Enriquez from Bogotá, discussed the sketch and its process.

Videos

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Chuchín is that endearing figure whom you always remember despite the passage of time, whether you are a student, architect, professor, staff member, or fellow worker. Felipe de Jesús Cortés Guevara—or Chuchín, as he is commonly known—seems to go nowhere else; he is always watching over what he considers his second home, the UNAM School of Architecture.

This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.

Before architecture students become authors of space, they are subjected to one. For years, they work inside a building that teaches without announcing itself as a teacher. It organizes their exhaustion, their ambition, their visibility, their solitude, their friendships, their sense of scale, and their relationship to judgment. Long before a student can articulate a position on architecture, the school has already offered one in its implicit built environment.

This is not to suggest that buildings determine architects. The influence is slower and less complete than that. A school building operates more like a hidden curriculum: a spatial discipline that works alongside faculty, syllabi, institutional culture, and student life. It teaches through access and obstruction, program adjacencies, daylight exposures, and scale. It produces habits of attention before it produces explicit beliefs.

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This week on the TERRAZA podcast, Nicolás Valencia speaks with Chilean sociologist and Universidad San Sebastián academic Ricardo Greene, editor of the landmark book "Ciudad Fritanga," published by Editorial Bifurcaciones in 2014.

"Ciudad Fritanga" compiles 34 chronicles of non-metropolitan Chilean cities like Arica, Talca, and Punta Arenas through the lens of poets, artists, and writers such as Lina Meruane, Jorge Baradit, Marcelo Mellado, and María José Navia.

"When people write about cities, they write about London, Berlin, and New York.  That is the urban chronicle. However, non-metropolitan cities are also cities," Greene comments in this interview.

This week on the TERRAZA podcast, Nicolás Valencia speaks with Argentine-Spanish architect Zaida Muxí, author of the book “⁠Mujeres, casas y ciudades⁠” (Women, Houses, and Cities), published by dpr-Barcelona in 2018.

In “⁠Mujeres, casas y ciudades⁠”, Muxí proposes rewriting the history of architecture and urbanism by incorporating the contributions of the many women who have been silenced in mainstream historical accounts.

“If we want to play by market rules, housing will never be a right,” Muxí posits in this interview.

The rise of sustainability and the circular economy is transforming the construction industry, driving a growing demand for new specialized roles. Positions such as sustainability managers or circular economy consultants are becoming increasingly common in contemporary projects.

In 2024, the evolution of porcelain tiles has elevated the tactile experience to a new level, transforming them into true works of art. Produced with mineral texture printing technology, the collections feature striking reliefs in dimensions of 120 x 120 cm, 100 x 200 cm, 120 x 250 cm, 160 x 160 cm, and 160 x 320 cm, designed to awaken all the senses. Behind this advancement is Roca Brasil Cerámica, part of the Mexican LAMOSA Group, leading the Roca Cerâmica and Incepa brands.