![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Facade](https://images.adsttc.com/media/images/614d/4eac/f91c/8148/e600/010d/newsletter/feature.jpg?1632456351)
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Architects: UAD
- Area: 8504 m²
- Year: 2021
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Photographs:Jonathan Leijonhufvud, Fang Jia, Lanlan Jiang, Chenfan Zhang
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Lead Architects: Huifeng Hu
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Facade](https://images.adsttc.com/media/images/614c/cfae/f91c/81fb/f800/0061/newsletter/图19:黄昏中的徐渭艺术馆©雷坛坛.jpg?1632423833)
Text description provided by the architects. Xu Wei Art Museum and Qingteng Square are a very important part of our practice project in Shaoxing Ancient City, and also a key action in the urban renewal plan of "Seeing Qingteng Again". As the main venue for the "500th Anniversary of Xu Wei's Birth and the Opening Ceremony of Xu Wei's Hometown", they were officially put into use in May 2021.
In fact, the conceptual scheme of the Art Museum has taken shape in the first site survey, which absorbs the essence of Qingteng Bookstore's building and gardening, and puts forward some thoughts on the landmark public cultural buildings in the current renewal of ancient city: we try to establish a kind of new spatial expression, with a view to connecting the surrounding built environment mainly based on the small scale of traditional dwellings, meeting the demands of contemporary art exhibitions for large space, and meanwhile discussing the topic of "modernity in historical context".
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography](https://images.adsttc.com/media/images/614c/cebb/f91c/8148/e600/006c/newsletter/图11:黑白灰色调让徐渭艺术馆巧妙融入周边建成环境之中©雷坛坛.jpg?1632423579)
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Facade](https://images.adsttc.com/media/images/614c/ceda/f91c/8148/e600/006e/newsletter/图12:建筑南北向二层体量,采用接近白色的带山水隐喻肌理的花岗岩实墙面处理©雷坛坛.jpg?1632423612)
Longitudinal five-entry and open gardening. Xu Wei Art Museum is located in the former Shaoxing Machine Tool Plant, north of Qingteng Bookstore, the former residence of Xu Wei, and in the middle of Houguan Lane. First of all, we get inspiration from the large space combination of the old Machine Tool Plant and adopt the construction logic of "longitudinal five-entry, and horizontal three-fold unequal herringbone slope modeling". The two five-entry floors on the east and west sides serve as the main exhibition space; the middle floor spans two floors, opening up the longitudinal five-entry pattern; and the ground floor is a foyer running through the north and south, while the shared hall and small temporary lecture hall are located on the second floor. The shared space on the upper and lower floors also serves as a transfer hub between exhibition halls on both sides.
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Facade](https://images.adsttc.com/media/images/614c/d027/f91c/8148/e600/007c/newsletter/图24:青藤广场建成后的使用情况©雷坛坛.jpg?1632423953)
![Xu Wei Art Museum and Qingteng Square / UAD - Image 25 of 40](https://images.adsttc.com/media/images/614c/cd03/f91c/81fb/f800/0047/newsletter/Drawing1_Design_sketch__by_Hu_Huifeng.jpg?1632423152)
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography](https://images.adsttc.com/media/images/614c/cf2c/f91c/81fb/f800/0057/newsletter/图15:在广场的东西两侧分别“掀起”一大一小两处人字坡地景©雷坛坛.jpg?1632423704)
We set up an internal courtyard in different flat floors on the east and west sides, which reasonably separates the space volume of the exhibition hall and enhances the indoor permeability. And meanwhile, the gardening design of rocks and waterfalls shrouded in greenery also provides visitors with more possibilities for viewing and leisure besides participating in the exhibition.
![Xu Wei Art Museum and Qingteng Square / UAD - Interior Photography, Kitchen](https://images.adsttc.com/media/images/614c/cdc9/f91c/8148/e600/0060/medium_jpg/图7:二层中庭提供休憩、集会、观赏、拍照等多重使用场景©雷坛坛.jpg?1632423327)
![Xu Wei Art Museum and Qingteng Square / UAD - Image 29 of 40](https://images.adsttc.com/media/images/614c/cf98/f91c/81fb/f800/005f/newsletter/Drawing13_Architectural_Intention_of_Xu_Wei’s_Miscellaneous_Volume.jpg?1632423802)
![Xu Wei Art Museum and Qingteng Square / UAD - Interior Photography, Stairs](https://images.adsttc.com/media/images/614c/cd16/f91c/8148/e600/0056/medium_jpg/图20:二层南北向幕墙设计连通古城肌理,让变化中的城市面貌成为新的展陈内容©蒋兰兰.jpg?1632423152)
Black slices and top-ground consistency. Besides spatial treatment means, the contemporary intention expression of Shaoxing's traditional style is also reflected in the fine selection of materials: the black metal texture unfolds from the roof along the herringbone slope house to the end of the second floor on the east and west sides, and the white granite solid walls are selected for above the second floor in the north-south direction; the first floor is concave on four sides for repeated pavement of the unitized texture of transverse herringbone slope, the curtain wall is treated locally according to function and unified modulus, and the gray granite and curtain wall materials are unified. The building presents typical black, white and gray tones in Shaoxing as a whole, with local blank space and positive three-fold herringbone slope contour line, which together create the contemporary landscape intention.
![Xu Wei Art Museum and Qingteng Square / UAD - Interior Photography](https://images.adsttc.com/media/images/614c/cd9d/f91c/8148/e600/005e/newsletter/图6:通透的底层贯穿空间,串联两侧展厅与辅助功能,同时连接南北广场©雷坛坛.jpg?1632423302)
![Xu Wei Art Museum and Qingteng Square / UAD - Interior Photography](https://images.adsttc.com/media/images/614c/cdfe/f91c/8148/e600/0064/newsletter/图8:一层西向主景庭院以观赏为主©雷坛坛.jpg?1632423398)
We especially retain the old walls at the east and north ends of the Machine Tool Plant, and compare the fully transparent glass curtain wall and white stone plate in the Art Museum, so that time can form tension in the space scene.
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Fence, Facade](https://images.adsttc.com/media/images/614c/d00e/f91c/8148/e600/007a/newsletter/图22:参观者排队进入徐渭艺术馆©雷坛坛.jpg?1632423924)
Located on the south side of the venue, Qingteng Square connects the Art Museum on the north side with Qingteng Bookstore on the south side, paving the way for the frontcourt atmosphere, and meanwhile serves as the Visitor Center to carry the crowd distribution function. The Square continues the construction logic of the Art Museum, and "lifts up" two herringbone slopes on the east and west sides respectively: the west side is slightly raised to enclose the Square, while the east side is slightly higher. With the help of local sinking, the volume of the Visitor Center is skillfully hidden under the herringbone slopes.
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Stairs](https://images.adsttc.com/media/images/614c/cf96/f91c/8148/e600/0076/newsletter/图18:起翘的缓坡搭建起城市的戏剧舞台©雷坛坛.jpg?1632423804)
The Square as a whole is paved with dark stone, and the west side creates a flowing water scene with the help of slope. Meanwhile, an original "Xu Wei Statue" stands on the southwest side of the Art Museum and the northeast side of the slope, making it the visual focus of the Square and the prospect of the Art Museum. And the step-like setting at the beginning of the east slope serves as an auditorium to provide an appropriate place for distribution and gathering.
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography](https://images.adsttc.com/media/images/614c/cf5f/f91c/81fb/f800/005b/newsletter/图16:游客中心躲在人字坡地景之下©雷坛坛.jpg?1632423750)
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Stairs](https://images.adsttc.com/media/images/614c/d01e/f91c/81fb/f800/0067/newsletter/图23:青藤广场上的水景观©雷坛坛.jpg?1632423940)
At the same time, with the help of the space creation technique of "viewpoint transformation", the "continuous bedding" is formed in the constantly moving and changing viewpoint shift, and a complete and unified space experience and impression foil are constructed for the visual and psychological integration of architecture and landscape - that is the so-called landscape spirit originated from Jiangnan.
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography](https://images.adsttc.com/media/images/614c/cf7b/f91c/8148/e600/0074/newsletter/图17:徐渭像伫立在艺术馆西南侧©雷坛坛.jpg?1632423775)
Public Art Space in Community. When urban renewal and ancient city protection are increasingly becoming gossip topics after meals, we hope to present our thinking through design: how the contemporary public art space intervenes in the cultural context of the ancient city, integrates into and influences the lives of citizens, and then completes the initial reconstruction and prospect of the "future traditional community", improves the quality of living space in the area and gives it new vitality.
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Facade](https://images.adsttc.com/media/images/614c/cd68/f91c/81fb/f800/004d/medium_jpg/图4:站在大乘弄北端,由青藤书屋方向注视徐渭艺术馆©贾方.jpg?1632423227)
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography](https://images.adsttc.com/media/images/614c/cfd6/f91c/81fb/f800/0063/medium_jpg/图21:徐渭艺术馆正在逐渐融入当地的社区生活之中©雷坛坛.jpg?1632423855)
Mr. Xu Wei, obsessed with calligraphy, has become a master intentionally or unintentionally. What we have done is nothing more than taking writing brush and ink to create a broad landscape that is crazy and acceptable, accessible to ordinary people, imaginary as a place but actually architectural.
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography, Facade](https://images.adsttc.com/media/images/614c/cf16/f91c/81fb/f800/0055/newsletter/图14:老墙与民居的对景中,可以看到下沉的青藤广场(游客中心)©雷坛坛.jpg?1632423675)
![Xu Wei Art Museum and Qingteng Square / UAD - Exterior Photography](https://images.adsttc.com/media/images/614c/cc5f/f91c/8148/e600/0054/newsletter/图5:横向三折的不等边人字坡造型缓和大尺度空间自身的疏离感©章晨帆.jpg?1632422991)