![Serralves’ Pavilion / fala - Image 1 of 7](https://images.adsttc.com/media/images/59fa/436e/b22e/3822/4600/016a/newsletter/feature_image.jpg?1509573481)
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Architects: fala
- Area: 36 m²
- Year: 2017
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Photographs:Ricardo Loureiro
![Serralves’ Pavilion / fala - Image 3 of 7](https://images.adsttc.com/media/images/59fa/435a/b22e/3845/3300/0273/newsletter/fala_068_RL_04.jpg?1509573460)
Text description provided by the architects. On the occasion of the 32nd São Paulo Biennial, a temporary art gallery was to be installed in a slopped garden at the Serralves’ Foundation. The brief was vague and open to speculation.
![](https://images.adsttc.com/media/images/59fa/432f/b22e/3822/4600/0165/newsletter/fala_068_collages.jpg?1509573418)
A folly, as the word itself suggests, is an extravagant, frivolous or unreal building, thought more for an artistic expression than for functional reasons. The pavilion is, indeed, all of that. Through a polyphonic repertoire, it aims at being both a temple, a temporary construction and a toy, neo-classical and post-modern.
![Serralves’ Pavilion / fala - Beam](https://images.adsttc.com/media/images/59fa/4364/b22e/3822/4600/0169/medium_jpg/fala_068_RL_05.jpg?1509573471)
A rational structure encloses a cubic volume. The understandable metric of the wood elements finds a mismatch in the proportions of the openings and in the apparently arbitrary colours. A plinth erases the relationship with the sloping terrain, claiming for autonomy. Two round black marble elements mark the entrances while a red beam crosses the inner space. Inside, five lounger chairs provide an uncertain sense of domesticity to the otherwise monumental construction.
![Serralves’ Pavilion / fala - Beam, Facade, Column](https://images.adsttc.com/media/images/59fa/4344/b22e/3822/4600/0167/medium_jpg/fala_068_RL_02.jpg?1509573440)
The folly is a playful combination of pragmatic seriousness and frivolous irony. A composition where each element has its own value, complementing and contradicting each other.
![](https://images.adsttc.com/media/images/59fa/4339/b22e/3822/4600/0166/newsletter/fala_068_drawings.jpg?1509573429)
Priscila Fernandes’ film about contemplation and leisure found a dialogue with both the park and the light-heartedness of the architecture. Perhaps, the folly was to architectural languages what Priscila’s film is to leisure: a joyful and reflective pastiche…
![Serralves’ Pavilion / fala - Garden](https://images.adsttc.com/media/images/59fa/434f/b22e/3822/4600/0168/newsletter/fala_068_RL_03.jpg?1509573450)