Interiors is an Online Publication about the space between Architecture and Film, published by Mehruss Jon Ahi and Armen Karaoghlanian. Interiors runs an exclusive column for ArchDaily that analyzes and diagrams films in terms of space.
Kanye West followed up his demented masterpiece Yeezus with an art project—an album never officially released, never officially completed, and one that is continuously being revised and restructured. It’s a continuous work in progress, a painting that’s never finished, which has evolved before our eyes (known by many titles including So Help Me God, Swish, Waves, until finally settling on the anachronistic The Life of Pablo).
It’s no wonder then that The Saint Pablo Tour, which kicked off in Indianapolis on August 25th, 2016 and is tentatively scheduled to end in Brooklyn on December 31st, 2016, feels unlike anything Kanye West has done before, while staying true to his creative vision. If 2013’s Yeezus Tour was an operatic experience that was more about the performance aspect, 2016’s Saint Pablo Tour is an active experience that is more about creating a Disneyesque attraction.
