- Form Of Contract:JCT Standard Building Contract with Quantities
- Contractors:Westridge Construction Limited
- Quantity Surveyor:Synergy Construction & Property Consultants LLP - Denis Ulyet
- Structural Engineer:Price & Myers - Tim Marcot
- Services Consultant:Bailey Gomm Ltd - Ian Bailey
- Lighting Designers:LightPlan - John Roberts, Baris Gursen
- Project Manager:Jackson Coles LLP - Adrian White
- Approved Inspectors Head Projects :Andrew Marsden
- Client:Ditchling Museum
- Build Cost:£1.1m
- Cost Per M2:£1,900/m2
- Director:Adam Richards
- Project Architect:Sam Dawkins
- Country:United Kingdom
Text description provided by the architects. Ditchling Museum of Art + Craft has reopened to widespread acclaim. The museum holds a nationally important collection of works by the artists who made this small village in the Sussex Downs a vital centre for the development of the applied arts in the early 20th century, such as Eric Gill, David Jones and Edward Johnston.
Adam Richards Architects was appointed for the museum’s HLF-funded capital project after winning a limited competition in 2008, and subsequently developed designs at every level from site strategy to the detailed displays of the collection. In addition to new-buildings, the project was to restore, refurbish and tie together a disparate group of buildings (in the heart of a protected village in the South Downs National Park) and use the architecture and design to tell the story of the collection in a new and compelling way, whilst giving the museum state-of-the-art facilities of international quality. The aim was to create buildings and spaces that enter into a critical dialogue with the village and its history, the museum and its collection.
Planning consent was obtained for the careful conservation and repair of a disused listed barn on the village green to create the museum’s new entrance, café and shop; the existing museum buildings in the old village school have been comprehensively refurbished to provide galleries, a reading room, a learning space and offices; and two innovative new buildings have been constructed from black zinc & tile-clad cross-laminated timber to link the above elements together, providing a new gallery and collection store.
The restored 18th century oak structure of the entrance building is re-cast as the museum's 'first exhibit', and on arrival its atmosphere sets the tone for visitors’ encounter with craft, place and the idea of the past in the spaces to come. A ‘pilgrimage’ route through the building reveals the weaving together of old and new. The culmination of the museum is a gallery to house the Stanhope Press, which is placed at the end of a bright, chapel-like space. Workshop groups are able to use the press, animating the museum, and providing an echo of the lives of the artists and craftspeople who made this village unique. New windows in this gallery give a final view from the press to the South Downs, invoking the unity of landscape, craft & ritual that so inspired the artists who came to Ditchling.
The museum is shortlisted for this year’s £100,000 Art Fund Prize for Museum of the Year. It has won national & regional RIBA awards, and been named RIBA South East Building of the Year.
The Sunday Times chose Ditchling Museum as its architectural highlight of 2013.