The New Taipei City Museum of Art (NCArt) should propose a new paradigm for celebrating art in Taipei, one that brings lifestyle, art, recreation and education together to celebrate the vibrant cultural identity of the community. The fusion of art with all aspects of one’s daily experience is driven by ideas about the intrinsic relationship between art and life relevant in Taiwan’s popular contemporary culture. The new museum seeks to embody these ideas and provide an iconic venue for the spontaneous unfolding of contemporary life.
Here’s the proposal Zerafa Architecture Studio presented for this project.
PA (Process-based Architecture) Studio shared with us their proposal for New Taipei City Museum of Art, which won an honorable mention. Their design includes a huge cube on an urban plaza. The interior space of this suspended cube is integrated and has not been divided to specified floors as the usual buildings. It consists of several moving galleries where the exterior walls are also good places for displaying the art works. More images and architects’ description after the break.
Architect: Tze-Chun Wei
Location: Changhua, Taiwan
Collaborators: ARJR Architects Associates
Project Area: 166 sqm
Project Year: 2008
Photographs: Courtesy of Tze-Chun Wei
BNKR Arquitectura started this proposal with a simple but relevant question: How to conceive an icon landmark for Taichung? Their research explored a wide range of conceptual references in order to find an artistic expression that was coherent with the Taiwanese culture and society. Their main goal of this multifunctional landmark is to blend with the city, not in aesthetic terms but in the ideas of appropriation and belonging. More images and architects’ description after the break.
The New Taipei City Museum of Art conceptual design proposal by Yi-Hsiang Chao Architects and Infinite Studio was initiated from a basic question: How does a museum allow the public to experience a seamless fusion between life and art? A museum is usually located at a specific place and carries certain cultural tasks. Corresponding to the competition’s objectivities, is it a dilemma or a contradiction to expect a museum to allow lives happen seamlessly with the architecture? More images and architects’ description after the break.
This proposal for the New Taipei City Museum of Art by DCPP Arquitectos is an open and welcoming design that erases the barrier of exclusivity normally surrounding the world of art, patrons, and experts. As such, the architecture is one that embodies this idea of erasure through eliminating the traditional borders between exhibition space and circulation, as well as exterior and interior. Every part of the museum is represented by a space without limits that can hold any type of expression. More images and architects’ description after the break.
The new museum proposed by Lyons has been designed in response to its context – to the park, river, city and the surrounding mountains. The concept connects the building and its spaces with the unique features of the site and its surroundings. Its form, spaces and circulation patterns have also been designed to provide a rich and scenic experience for museum visitors and to offer maximum flexibility in the display and presentation of artworks and multimedia. More images and architects’ description after the break.
An art museum is a building or space for the exhibition of art. The idea behind this proposal by James Law Cybertecture, which was awarded a merit of honorary mention, is to create an architecture that becomes an art piece itself. To create spaces that are unique and flexible. The fluidity and formless spaces is designed to promote movement and interaction. More images and architects’ description after the break.
On May 22nd, 2011, framed by green bamboo vaults, Taiwanese President Ma Ying-jeou stood at a podium inside Forest Pavilion to inaugurate the Masadi Art Festival. Facing a crowd of celebrators, designers, and protesters, President Ma delivered his administration’s vision for a low carbon future.
nARCHITECTS’ Forest Pavilion - completed in May 2011 – serves as a shaded meeting and performance space for visitors to the Da Nong Da Fu Forest and Eco-park in Hualien province, Taiwan. The project was conceived within the context of an art festival curated by Huichen Wu of Artfield, Taipei for Taiwan’s Forestry Bureau with the object of raising public awareness of a new growth forest that is being threatened by development. The pavilion is comprised of eleven vaults built with freshly cut green bamboo, a material first used by nARCHITECTS in the internationally acclaimed 2004 Canopy for MoMA P.S.1. As an extension of techniques developed in 2004’s Canopy for MoMA/P.S.1, the 60’ diameter and 22’ tall pavilion is built with green bamboo. Forest Pavilion was chosen to host the opening and closing ceremonies of the art festival, becoming a focal point for the park.
When the Taiwan Tower competition in Taichung asked participants for an iconic skyscraper, Visiondivision responded with a cluster of over 100 slender towers that challenges the expected experiences within and aesthetics of a 21st century tower. Tower Town, a result of examining the traditional skyscraper and questioning its spatial offerings, creates a dense urban environment with its fragmented massing.
More about the project after the break.
The attempt of architect, Vlado Valkof, with designers Malgorzata Blasik and Anne Valkof, in the New Taipei City Museum of Art competition is to find the essence of art and to materialize our notion of art. To redefine the meaning of the art museum and to alter the way art museum functions. To organize a relationship between ourselves and the world around us. More images and architects’ description after the break.
The principle behind the design by Behnisch Architekten for the new Contemporary Art Museum is for art to be experienced through a multitude of perspectives and perceptions. Art is not an isolated experience. Views change, rooms change and thus perception is altered. In order for art to take on a lifestyle quality it needs to be accessible. Contemporary art should be able to be viewed from the outside in, from across the landscape, from above, from below and through a series of lenses, both visual and cultural. More images and architects’ description after the break.
The proposal for the New Taipei City Museum of Art by OTA+ challenges the traditional definition of a museum and the conventional relationship between building and site. By freeing the ground plane of enclosed semi-public space, the interface between the museum and the site offers a new experience of a museum; one that is open, friendly, and welcoming. More images and architects’ description after the break.
The goal of ISA and NEAR Design for the Kaohsiung Port Station, serving the largest harbor in Taiwan, is to revitalize the Port station area into a Transitional Park (Trans-Park) where daily life and events, past and future, landscape and city, land and water coexists. With the city’s cultural production and tourism in mind, the site will become an icon of Kaohsiung. More images and architects’ description after the break.
The proposal for the New Taipei Museum of Art, by Meter architects, is predicated on exploring and celebrating the interrelationship between commerce and the display of art. This approach involved distributing the museum and commercial programs so as to heighten the drama of the encounter between them. More images and architects’ description after the break.
Inspired by varied and complex geographical environment of Taipei city and in order to fit to playful topography and landscape of the provided site, the design by Pikasch Architecture Studio proposes a land form architecture where the building with its striking form not only blends into the existing landscape and paths, but also works as an attractive centre point and organizes the site with optimal consideration of given parameters. More images and architects’ description after the break.
STUDIO_KICK shared with us their proposal for the New Taipei City Art Museum competition. Their main goal is not to design an iconic form for the museum, but an iconic field activated by the museum, with events and interactions for the people. Rich in culture and natural scenery, Yingge, a western district in New Taipei City is an energetic city full of ongoing events. Therefore, the solution for a Modern Art Museum lies far from the traditional modern museum typology. More images and architects’ description after the break.
OODA shared with us their proposal for the New Taipei City Museum of Art which won the Merit Award in the international competition. The competition intention was to create a pioneering and innovative design concept which will stand as a new-age landmark and a symbolic voice to the world of Taipei City new spirit. OODA’s concept emerges from a big volumetric cube in confrontation with a smaller inner structure cube – hypercube which is an applied mathematical form that relates both. Then the big outer bisects the clamp (as structural elements) and sucks the in between surfaces to a central point creating a hypercube as the core. More images and architects’ description after the break.