The product of Toronto-based Lateral Office and Montreal-based CS Design, in collaboration with EGP Group, Mitchell Akiyama, Maotik and Iregular, “Impulse” is a winter installation in the city of Montreal. Thirty giant seesaws and a series of video-projections on surrounding building facades, all with accompanying music, transform the Place des Festivals into an “illuminated playground.” The project was selected as the winner of an open competition this past summer, for the sixth annual Luminothérapie event. Read more about this interactive installation after the break.
Lateral Office's Arctic Adaptations exhibition, which was recognised with a Special Mention at the 2014 Venice Biennale, will travel make its debut in Canada at the Winnipeg Art Gallery this week before heading to Whitehouse, Vancouver, and Calgary. The exhibition "surveys a century of Arctic architecture, an urbanising present, and a projective near future of adaptive architecture in Nunavut" though interactive models, photography, and topographical maps of the twenty five communities of the area, as well as Inuit carvers’ scale models of some of the most recognised buildings in the territory. In addition, it proposes a future of adaptive and responsive architecture for Canada's northern territories.
In the cities of the Arctic Circle, dramatic change is afoot. The region faces challenges most obviously from environmental change, but economic and cultural challenges also lie ahead, thanks to factors such as the decline of the mining and fishing industries that supported many of the Arctic's settlements, and the rapid modernization among Northern indigenous communities. In an interesting article for Metropolis Magazine, Samuel Medina takes a long look at the architects and urbanists who are making a difference in a context where "Architecture can’t really survive" - from the SALT Festival which celebrates the culture of the Arctic communities, to the plan to move the entire city of Kiruna two miles to the East, the article is a fascinating look at the extreme architecture of this hostile region. Read the article in full here.
UPDATE: Our interview with Lateral Office is now up!
For this year's Venice Biennale, the Canadian Pavilion explored the ways modernity was absorbed in the extreme environment of Nunavut, Canada. As Nunavut is the newest, northernmost, and largest territory (with an area of over 2 million square kilometers) in Canada, Lateral Office hoped to shed on light on what Mason White called "modernity at an edge." Wowing the jury with their research and design, Arctic Adaptaptions: Nunavut at 15 garnered Mason White, Lola Sheppard, Matthew Spremulli, and their team a Special Mention during Saturday's awards ceremony.
The geographic and cultural "edgeness" of Nunavut is examined over different parts of the exhibition in three mediums: a recent past, a current present and a near future. Matthew Spremulli explained that Arctic Adaptions sought to "look beyond standards" to see how the fundamentals of architecture are impacted in an area like Nunavut. Given the specific and acutely unique challenges to building and designing in an environment that, understandably, resists being colonized by southern models, the curators presented a case for adaptation.
The Canada Council for the Arts and the Royal Architectural Institute of Canada (RAIC) has announced "Arctic Adaptations: Nunavut at 15" as winner of a national juried competition to represent Canada at the 2014 Venice Biennale in Architecture. Lateral Office of Toronto will organize and curate an exhibition designed to celebrate the 15th anniversary of Canada's largest but least populated northern territories, known for its pristine arctic wilderness and Inuit lifestyle.
Read more about Canada's contribution to the Biennale after the break.