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Bengler

Atelier Bow-Wow, OMA, and Amale Andraos Live From the 2016 Oslo Architecture Triennale

16:00 - 14 September, 2016
The After Belonging Agency: Carlos Minguez Carrasco, Ignacio Galán, Alejandra Navarrese Llopis, Lluís Alexandre Casanovas Blanco and Marina Otero Verzier. Image Courtesy of Oslo Architecture Triennale
The After Belonging Agency: Carlos Minguez Carrasco, Ignacio Galán, Alejandra Navarrese Llopis, Lluís Alexandre Casanovas Blanco and Marina Otero Verzier. Image Courtesy of Oslo Architecture Triennale

“Belonging,” the curatorial quintet of the 2016 Oslo Architecture Triennale, After Belonging, argue, “is no longer something bound to one’s own space of residence, or to the territory of a nation.” For this group of Spanish-born architects, academics and theorists—Lluís Alexandre Casanovas Blanco, Ignacio Galán, Carlos Minguez Carrasco, Alejandra Navarrese Llopis and Marina Otero Verzier—the very notion of our belongings and what it means to belong is becoming increasingly unstable.

After Belonging is the sixth incarnation of the Triennale and the first one in which a single curatorial thread has woven all of the festival’s activities together, including the international conference. The goal of the two primary exhibitions—On Residence and In Residence, including a series of Intervention Strategies—is to develop platforms with the aim of “rehearsing research strategies,” providing new ways for architects to engage with “contemporary changing realities."

OMA & Bengler Present PANDA, An Investigation of the Share Economy at the 2016 Oslo Architecture Triennale

11:15 - 9 September, 2016
OMA & Bengler Present PANDA, An Investigation of the Share Economy at the 2016 Oslo Architecture Triennale, PANDA gear. Image Courtesy of OMA & Bengler
PANDA gear. Image Courtesy of OMA & Bengler

PANDA, an exhibition by OMA & Bengler, opens today at the 2016 Oslo Architecture Triennale – After Belonging.

From the architect. PANDA investigates the accelerating influence of digital sharing platforms, their social and political implications, and pervasive impact on the built environment. In the early 2000s, the democratic spaces of the web were greeted as an alternative to centralized commercial and social structure; in 2007, after the financial landslide, the sharing gospel gave hope to those struggling to make a living.

PANDA installation. Image Courtesy of OMA & Bengler PANDA logo. Image Courtesy of OMA & Bengler PANDA, a counter-organization for-profit platform in Forbes. Image Courtesy of OMA & Bengler Map of discontent zoom. Image Courtesy of OMA & Bengler +14