The government of New South Wales have announced plans for Sydney’s largest program of urban renewal since the 2000 Summer Olympics. The proposal seeks to utilise and regenerate a series of former docklands from the area of Blackwattle Bay, through the Sydney Fish Market, Rozelle Bay and Rozelle Rail Yards, to White Bay Power Station (a protected building).
With conscious material choices, Australian architects Tonkin Zulaikha Greer are known for their ability to integrate buildings into a city’s existing fabric. Michael Holt, editor of the Australian Design Review, caught up with partner Tim Greer, for the following interview, picking his brain on materiality, site, history and more.
Since the practice’s inception in 1988, Tonkin Zulaikha Greer (TZG) has become expert in the reuse of existing built fabric and how best to reintroduce the past into the contemporary. Through projects such as the restoration of Hyde Park Barracks, the National Arboretum Canberra (featured in AR131–Present), Carriageworks, and Paddington Reservoir Gardens, certain design characteristics are notable: volumetric boxes, a shifting in typology, an overarching and encompassing ceiling or roof plane, a restricted material palette, and working-off the existing while simultaneously revealing the existing.
The Australian Institute of Architects has announced the winners of its 2014 South Australia Awards. This year, the star of the show was the South Australian Health and Medical Research Institute (SAHMRI) by Woods Bagot, which won a total of five awards: COLORBOND® Award for Steel Architecture, the Keith Neighbour Award for Commercial Architecture, the Robert Dickson Award for Interior Architecture, Jack McConnell Award for Public Architecture, and the Derrick Kendrick Award for Sustainable Architecture.
The jury commended Woods Bagot‘s project, saying that it “operates as a catalyst on multiple levels – a catalyst for the urban regeneration of the precinct; a catalyst and new exemplar for the city; and a catalyst for the state, evidencing step change in attitudes to both design and research.”
Read on after the break to see all the winners
Australia’s new pavilion for the 2015 Venice Art Biennale will be, in the words of featured artist Fiona Hall, “a minefield of madness, badness, and sadness in equal measure.” Designed by firm Denton Corker Marshall, (who also designed the Stonehenge Visitor Centre), the project will replace the 25 year old temporary pavilion designed by Phillip Cox and will be the first building constructed on the Giardini in two decades.