A non-profit by the name of The Frank Lloyd Wright® Wisconsin Heritage Tourism Program, Inc. has just bought their fourth Wright home on the same Milwaukee block. They’re hoping to buy all six and turn the block into an interpretive center so visitors can enter and experience the homes – all American System-Built Homes that Wright built between 1915 and 1916 as prototypes for his ideas on standardized home design.
While they wait for the necessary approvals from the City of Milwaukee to get restoring their newest acquisition, they’ll rent out the home and spend their time restoring the duplex at the other end of the block. No word yet on when their vision could become reality.
Story via The Wisconsin Gazette, the Journal Sentinel Online, a
Henning Larsen Architects just won the competition for a new research building for the Center for Solar Energy and Hydrogen Research in Stuttgart. The Center is one of Germany’s leading research institutions and conducts research on renewable energy. Carefully integrated into the surrounding context, the building features various heights that relate to the city and adjacent buildings. The building will create a new, distinctive entrance to Stuttgarter Engineering Park and provide an insight into the ongoing research. More images and architects’ description after the break.
From a park in a forgotten metro station to a human-sized “LEGO” bridge (see our post: The 4 Coolest “High Line” Inspired Projects), the massive success of New York City‘s High Line continues to inspire citizens across the globe to see their city’s…
The College of Architecture and Design (CoAD) at NJIT will be launching its Fall 2012 Lecture Series on October 15 with Neil Meredith’s talk on a recent project by Gehry Technologies, Burj Khalifa Office Ceiling. Featuring Fred Kent*, Alissia Melka-Teichroew,…
20th-Century World Architecture portrays, for the first time, an overview of the finest built architecture from around the world completed between 1900 and 1999. The unprecedented global scope of this collection of over 750 key buildings juxtaposes architectural icons with regional masterpieces.
Specially designed and commissioned graphics at the start of the atlas explore the changing economic and political contexts of architectural production throughout this fascinating century, and highlight the flow of architectural ideas and architects around the globe. The selection of projects brilliantly illustrates the built outcomes of these formal and cultural influences in every corner of the world, with some surprising revelations.
The master plan presented by Vittorio Magnano Lampugnani at the 13th International Architecture Exhibition is for a private company, even though it operates at city scale. Designed for the Swiss pharmaceutical and biotechnology company Novartis, it demanded a balanced response to the needs of industry, commerce, and human interaction, as well as the rationalization of a site that had advanced, unplanned, for a century. The plan also required finding a common ground between the approaches of many architecture practices from around the world: individual buildings are to be designed and constructed by architects such as Peter Märkli, Diener & Diener, SANAA, and David Chipperfield. Lampugnani’s vision is represented here in the form of a large-scale model, allowing visitors to appreciate its scale, complexity, and careful poise.
This past Tuesday, Kengo Kuma of Kengo Kuma and Associates, Tokyo, lectured at the Harvard Graduate School of Design (GSD). His discussion centered around the epochal challenge architecture must respond to following the great disaster of March 11, 2011. The tsunami, which flattened the Tohoku coastline in a matter of seconds, and catastrophic nuclear accident that followed proved our infrastructure to be insufficient in the age of technology. With this realization, Kuma understands that we must learn from what happened and “start again from scratch”.
Norman Foster is undoubtedly one of the most influential architects of our time. Since establishing his award-winning practice in 1967 – originally titled Foster Associates – the Pritzker Prize laureate has grown Foster + Partners into an international powerhouse, with project offices in more than twenty countries.
The Manchester native has become known for contributing well-designed, imaginative solutions to complex design problems, while remaining sensitive to the environment and embracing the highest technological standards. His diverse portfolio ranges from urban masterplans, public infrastructure, airports, civic and cultural buildings, offices and workplaces to private houses and product design.
As stated in the 1999 Pritzker Jury Citation, “Sir Norman Foster’s pursuit of the art and science of architecture has resulted in one building triumph after another, each one in its own way, unique.”
Foster + Partners has received nearly 500 awards and citations for excellence and has won more than 86 national and international competitions. Some of Foster’s greatest achievements include receiving the 21st Pritzker Architecture Prize in 1999, the American Institute of Architects Gold Medal for Architecture (1994), the Royal Gold Medal for Architecture (1983), and the Gold Medal of the French Academy of Architecture (1991). In 1990 he was granted a Knighthood in the Queen’s Birthday Honors, and in 1999 was honored with a Life Peerage, becoming The Lord Foster of Thames Bank.
Check out the latest projects and news from Foster + Partners here on ArchDaily.
Yesterday, October 10, Studio Daniel Libeskind celebrated the “Topping Off” ceremony for Toronto’s “L Tower” with aerial acrobatics dancing across the North face of the structure. The 58-storey skyscraper, located at the intersection of Yonge Street and The Esplanade, is part of the redevelopment of the Sony Centre for the Performing Arts. It was designed to be an architectural transition between the towers of the financial district to the west and the historic residential St. Lawrence neighborhood to the east. A 5000 square-feet public plaza along the redevelopment’s west side will serve as an additional public space for the theater, L Tower residents and the downtown community. Continue reading for more.