GREENHOUSE TALK, a comparison of design cultures in the great countries of Eastern Asia and Europe, will be taking place August 28 from 9-11am as part of the 13th International Architecture Exhibition at la Biennale di Venezia. Promoted by the…
Edward Burtynsky is a Canadian photographer whose work is focused on industrial (and post- industrial) landscapes. His pictures were so inspiring that moved Jennifer Baichwal in 2004 to record a documentary based on them. The result is an impressive film full of really powerful images that questions the limits between natural and artificial.
It seems to be a premonitory view of the current development issues, where the scale of industrialisation processes is such large that is capable to generate a whole new environment. A totally new landscape.
Let us know about your ideas of these “manufactured landscapes” and what can we do with these spaces afterwards?
In our final segment of Thinking Past Day 17 – our series examining the larger implications of hosting the Olympic Games – we conclude with ideas for the future host cities that involve dividing the Games across 7 permanent sites, complete with reusable architecture and a focus on sustainability at the urban level.
The effects of urban displacement coupled with post-Games housing concerns for the Athletes’ Village in Olympic Park – which we addressed in Part II - will definitely test the future viability of the Olympic Committee’s planning strategies. It is interesting to note that in relation to the entirety of the Olympic map, the area designated for the Village represents only a minuscule portion of the land that must be reintegrated post-Olympics. So, if we zoom out from the Athletes’ Village, what will become of the vast expanses of land currently supporting the major sporting facilities?
More after the break.
With a seating capacity of 46,000, the Pernambuco Arena will host the games in the group stage and quarter-finals of the World Cup 2014. Designed by Fernandes Arquitetos Associados, the main peculiarity of the project, and what makes it stand out from other projects of cities hosting the FIFA World Cup 2014, is that it is not being built in a consolidated urban area. The design challenge of this project is the creation of a building that is fully integrated into the natural environment and that in a second moment can establish a relationship of unity with the future urban development planned for the region. More images and architects’ description after the break.
Google recently released a new, intriguing type of software, which allows programmers to make a room come alive with interactive spaces. The new software framework, which is called ‘Interactive Spaces’, works by providing a high-level architecture for building activities that…
London’s Royal Opera House (ROH) has launched an invited architectural competition dedicated to transforming the entrances and surrounding public areas of the Covent Garden building into a more “open and tantalizing” space. Seven firms have been invited to participate, including the Olympic Cauldron designer Thomas Heatherwick and New York’s Diller Scofidio + Renfro.
Tony Hall, Chief Executive of the Royal Opera House said: “We are hugely excited about the ideas and inspiration the competition will generate. The Royal Opera House is looking for the team who, if we can raise the funds needed to fulfill our shared ambitions, will create the next evolution of our building. We are keen to investigate the possibilities of opening up the building even more to ensure that we have the very best facilities to welcome our loyal and existing audiences and to reach out to new ones.”
The seven practices shortlisted for the ROH competition are:
UNStudio has unveiled their design for the redevelopment of Singapore’s UIC Building (1973), located in the heart of the city’s Central Business District. The concept integrates lush sky gardens throughout a 53-story residential tower and a 23-story office tower, while distinguishing itself with a unique facade made up of five different textures that represent various programs. The climatically responsive structure is scheduled for completion in 2016.
Continue after the break for the architects’ description.