Taking place September 30-March 3 at the Arp Museum Bahnhof Rolandseck in Remagen, Germany, the ‘Richard Meier. Building as Art‘ exhibition illustrates Richard Meier’s complex design process using prominent buildings and projects from his entire work history. The main focus will be on his museum buildings, as well as on the residential projects created at the start of his career in the USA. The works on display included in the exhibition explore the concept of an architecturally composed space on the basis of five aspects: site, proportion, light, route and color. The exhibition includes a selection of models, original sketches, renderings and photographs. More information after the break.
Open to all young creative minds from all parts of the world from the ages of 18-33, the Fenn Young Designers Award competition is seeking creative, innovative proposals that explore the interpretation of Organic” using the following mediums: Architecture, Interior design, Product design, Fashion design, Photography, and Painting. How do you interpret “Organic” if you are designing a building, a piece of furniture, a fabric, a dress, a painting or any other form of art? Submissions are due no later than October 17. To register and for more information, please visit here.
With a world plagued by the current economic crisis, David Chipperfield fears that the architects’ role is shrinking and the professions ability to influence the shape of our cities is diminishing.
Since the inauguration of this year’s Venice Biennale, Chipperfield has been amidst of a few heated debates, most notably debunking the harsh criticism of Coop Himmelb(lau)’s Wolf Prix – who claimed the “hollow” event was “no longer about lively discussion and criticism of topics in contemporary architecture” – by affirming Prix “hadn’t even visited Venice”.
Interestingly, Chipperfield has now initiated a debate, using similar rhetoric as Prix, that calls attention to the dwindling role of the architect and the impotence of contemporary architecture. The catch? He blames politicians.
Continue after the break for more.
It’s hard to imagine Le Corbusier – the bespectacled legend of 20th century Modernism, known for his ultra-clean aesthetics – as living in the everyday, messy world that we all inhabit. Which is why the Fondation le Corbusier‘s decision to display rare color photographs of Le Corbusier is such a treat for us all.
The photographs were taken for the magazine Paris Match in 1953 by Willy Rizzo, a fashion photographer better known for his shots of 1950s stars and starlets. The images depict the then 66-year-old Corbusier in various spots about Paris: the Musée National d’Art Moderne, his apartment, in front of a blackboard (sporting a sketch of Unité d’Habitation).
In her Fast Company article, Kelsey Campbell-Dollaghan explains that these images give us a glimpse of the man behind the myth: “Even the way we talk about him now, as Le Corbusier, refers to an idea as much as a person. Captured 12 years before he drowned in the Mediterranean at his beloved summer home, Rizzo’s photographs give us a glimpse of the pre-sainted man–aka Charles-Édouard Jeanneret.”
The photographs will be on display at the exhibit “Le Corbusier by Willy Rizzo” at Le Corbusier’s Maison La Roche, in Paris, until December 15th.
Check out more images of Le Corbusier, after the break…
The American Institute of Architects (AIA) has announced a ten-year commitment to develop design and technology solutions for cities that address challenges faced on public health, sustainability, and resiliency to natural disasters. AIA EVP and Chief Executive Officer Robert Ivy, FAIA, announced the Commitment to Action at the Clinton Global Initiative (CGI) Annual Meeting, where more than 1,000 global leaders are gathering to address the theme, “Designing for Impact.”
“This commitment by the AIA represents an all-out effort to demonstrate the link between building design and the health of building occupants,” said Ivy. “And it will enable us to bring the force of design to bear in the public health arena and debate.”
The Winnipeg Art Gallery has selected six architectural teams to be shortlisted for the design of its new Inuit Art and Learning Center (IALC). The Center will house the WAG’s celebrated collection of contemporary Inuit art, the largest of its kind in the world, and the Studio Art and Learning programs.
Selected from 64 international submissions, the six shortlisted teams are:
AD Architecture School Guide: Center for Architecture Science and Ecology (CASE) at Rennselaer Polytechnic Institute
What makes a good architecture school? Clearly there is no single factor that comprises a good, or even a great, architecture school. Different aspects are important to different people. Students often cite access to well-known faculty members—otherwise known as “starchitects”—as an important feature. Professors and instructors mention their school’s outreach programs, pioneering studios, technologically innovative labs, and exchange programs. All of these are valid and important.
Of course, these factors must be weighed against practical considerations that include tuition, the cost of housing, and other expenses. Why? Because in Western Europe and North America, tuition can be measured in the tens of thousands. What’s more, in the U.S., student loans aren’t forgivable which means your survivors can inherit up to US $90,000 worth of debt. And if the current economy has taught us one thing, it is that it’s cyclic.
So before investing all that money, it’s important to determine how a school will help you succeed. What are the practical and critical skills the school’s curriculum will impart to ensure a) your professional success, and b) your personal success (that means your overall quality of life). Because upon graduation, the goal is to gain skills to support yourself well while doing what you enjoy.
Read our CASE profile after the break