Conceived by Mexican architect Ivan Juárez from X-Studio, the Lightweave Palm Observatory consists of a dialogue with the natural landscape context of Bahia de Todos os Santos, Brazil. The project explores a local artisanal textile technique using the coconut palm leaf found in the island as raw material. It then forms an interior space for personal reflection which creates a visual dialogue between the interior and exterior landscape that it delimits. More images and architects’ description after the break.
Todd Saunders…, founder of Saunders Architecture, will be delivering a lecture at Cornell University on the topic of ‘Architecture in Northern Landscapes’ on October 15. Bringing together dynamic building and material experimentation with traditional methods of craft, the Bergen,
The competition winning proposal for the Jiaxing College Library & Media Center, designed by LYCS Architecture, seeks to break antiquated design conventions by intelligently negotiating contemporary architectural design into the traditional Chinese campus. Surrounded by rich woods and luscious water, the 42000m2 library plays with hierarchy – the hierarchy of multiple, increasingly private spaces; the hierarchy of the pace of spatial experience; and the hierarchy of introversion and extroversion. More images and architects’ description after the break.
Venice Biennale 2012: The Banality of Good: New Towns, Architects, Money, Politics / Crimson Architectural Historians
Presenting six cities built between the World War II and the present day, the installation sets their extraordinary diversity against the spatial, demographic, and economic formulas that lay behind their development. Displayed through a mix of bold typography, architectural elements, models, and painted canvases, this installation evokes the mix of complexity and control common to modern cities.
MoMA Exhibit: 9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design
MoMA‘s new installation 9 + 1 Ways of Being Political… will exhibit works from the museum’s collection that offer fresh perspectives on the last 50 years of architecture that is a signature of the evolving conditions of our political
Through this installation, Swiss architect Valerio Olgiati explores the ambiguous and complex “common ground” of inspiration and imagination in architecture. Images, selected by architects from around the world, represent the infinitely varied forms of visual material that are collected in their imaginations and subsequently transformed through the creative process.
During the opening of the 13th Venice Biennale, we had the chance to talk with Sergei Tchoban and Sergey Kuznetsov, partners at SPEECH and curators of i-City, the Russian pavilion, awarded with a Special Mention at the Biennale.
i-City presents us the Strolkovo Innovation Center, a new development that aims to concentrate intellectual capital around five clusters (IT, Biomed, Energy, Space, Nuclear Tech), with projects by David Chipperfield, SANAA, OMA, Herzog & de Meuron, Stefano Boeri, SPEECH, Valode & Pistre architectes and Mohsen Mostafavi among others (more details about the project itself in a future article).
An interesting project, presented in detail with a big amount of information that remains invisible inside the space of the pavilion. A series of QR Codes wrap the inside of the Russia pavilion spaces, and all you can sense at first is light and space. At the entrance you are provided with a tablet, and you walk around the pavilion scanning these codes to obtain the information about Strolkovo.
On the lower level, a dark interior is perforated with peep holes that show images of former Soviet Scientific Towns, a legacy from the past that serves as background of the Strolkovo project.
To honor the memory of those who tragically lost their lives in the terrorist attacks of September 11, 2001, New York-based Davis Brody Bond has been commissioned to design the National September 11 Memorial Museum at the heart of the former World Trade Center site in New York. Serving as a complement to the National September 11 Memorial, the museum will tell the story of 9/11 through multimedia displays, archives, narratives and a collection of monumental artifacts, while commemorating the life of every victim of the 2001 and 1993 terrorists attacks.
Continue after the break to learn more.
Today in Lower Manhattan, thousands of visitors are crossing a landscaped plaza of oak trees towards two black granite, sculptural voids, carved deep into the earth, to commemorate the victims of September 11, 2001. Designed by Michael Arad of Handel Architects, the National September 11 Memorial has transformed the last remnants of the former World Trade Center (WTC) towers into a power civic space for contemplation and healing. Here, the painful memory of 9/11 is preserved and honored, while the necessary bustle of everyday life is able to move forward.
Continue after the break for more images and information.
The Twin Towers had a profound presence in my life. I would greet them every morning, watching the sunlight dance across their facades, and, in the evening, I would search for patterns in the office lights that never seemed to fade. As a child, I would stand at the base of the towers and crane my neck in an effort to see the very top where the towers met the sky, trying not to stumble backward onto the stone of the plaza, mesmerized by their dizzying height and stoic duality.
I was in science class in the 6th grade when the towers were hit.
And, so began the quest of what would fill the emotional and physical gap left in my city. But, my focus today, on this day of remembrance, is the progress that has been made at the site and the promise for its future.