October 12 | Sponsored Content
How to Visualize Concepts in SketchUp with AI How to visualize architectural concepts in SketchUp using D5 Lite for faster design exploration.
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https://www.archdaily.com/1181504/the-house-of-green-court-andblack-design-studio Pratik Mour
https://www.archdaily.com/1181518/luohu-library-and-youth-activity-center-shenzhen-huahui-design-plus-idea Pilar Caballero
https://www.archdaily.com/1181503/blue-bottle-coffee-harajuku-cafe-teki-design Pratik Mour
https://www.archdaily.com/1181253/mami-dan-temple-of-toligbe-cultural-center-maison-bignon-sossou Pratik Mour
https://www.archdaily.com/1181627/mimado-restaurant-garcia-de-alba-plus-ponce-arquitectos Valentina Díaz
https://www.archdaily.com/1181328/cenca-pizza-bar-in-arq-plus-design Susanna Moreira
https://www.archdaily.com/1148723/a-play-of-color-in-an-apartment-interior-within-poznans-lazarz-district-lbwa Cristina Popescu
July 26, 2026
Audio available
High Line - Section 3 | Diller Scofidio + Renfro. Image © Iwan Baan
Images of the benches at New York City's High Line Park spread around the world when the project opened in 2009. Emerging diagonally from the same material and modular pattern as the paving, they transition seamlessly from concrete to wood, evoking the railway tracks that once occupied the site. To withstand decades of exposure to the elements, the project required a wood species of exceptional durability, and ipe, harvested from the Brazilian Amazon, was selected. Its slow growth produces a dense, low-porosity hardwood that is naturally resistant to wear, moisture, and biological decay. The choice, however, sparked controversy at the time amid concerns over the certification of the timber's forest management. This broader view changes how we think about materials. Their origin still matters, but so does what happens after the building's life comes to an end.
https://www.archdaily.com/1148942/a-wooden-bench-and-the-geography-of-materials Eduardo Souza
https://www.archdaily.com/1181461/macchiato-pocket-park-out-architecture Cristina Popescu
https://www.archdaily.com/1181339/the-nanshan-affiliated-school-of-beijing-normal-university-z-and-z-studio 韩爽 - HAN Shuang
https://www.archdaily.com/1181279/ochre-residence-thought-parallels Pratik Mour
https://www.archdaily.com/1181479/wildcoast-residence-studio-kennon Pratik Mour
https://www.archdaily.com/1181636/o-house-yes-architects Valentina Díaz
© Leila Viegas
Area
Area of this architecture project
Area:
700 m²
Year
Completion year of this architecture project
Year:
2025
https://www.archdaily.com/1181641/casa-baruk-restaurant-memola-estudio Nana Dokua
https://www.archdaily.com/1181310/sanduteca-sandwich-library-estudio-cajalima Nana Dokua
https://www.archdaily.com/1148795/full-renovation-lvl-abaton Cristina Popescu
https://www.archdaily.com/1148724/reggia-di-rivalta-openfabric-plus-caarpa-plus-fm-ingegneria Nina Vuga
July 25, 2026
Audio available
CORO Project - Phase 1 / Integrated Field. Image © Ketsiree Wongwan
This article is part of our new Opinion section, a format for argument-driven essays on critical questions shaping our field.
Agritourism is commonly understood as a hybrid model, with equal parts of overlap between the agriculture and hospitality industries. Under this framing, agritourism is valued as a variation on an existing theme, a supplementary activity layered onto rural production . This framing no longer holds in the 21st century as the scale and independence of agritourism's growth have transformed it into a distinct economic sector, one with architectural consequences that neither the agriculture nor the hospitality industries are equipped to address in isolation.
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https://www.archdaily.com/1171797/neither-farm-nor-hotel-why-agritourism-needs-its-own-architectural-typology Olivia Poston
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