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The CANactions youth competition was launched in 2009 by the Dessau Institute of Architecture (DIA / Germany) and CANactions School. The competition has become a professional "path to Europe" for Ukrainian students and young professionals. Since that time more than 1000 projects have been received, among which 118 finalist projects have been selected by members of the international jury. The Youth Competition is a two-stage open one that has no restrictions in the number of participants and is aimed at young Ukrainian architects under the age of 35. This year winner was Mariia Semibratova with an urban proposal for creative co-working and co-living in Podil area, Kyiv.

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The ninth edition of the National Council of Architectural Registration Boards’ (NCARB) annual report has been released, in the midst of new challenges due to the COVID-19 pandemic, highlighting major information about the architecture profession in 2019. Focusing on different parameters, such as licensing, education, experience, and demographics, the study explores the evolution and transformation of the field, encompassing also findings on equity, diversity, and inclusion.

Bratislava’s existing Istropolis culture and congress center will be replaced by a new cultural destination designed by KCAP and Cityförster. Creating a multifunctional cultural and social center, with a state-of-the-art concert and congress venue, the intervention will also transform the surrounding area into a modern open neighborhood comprising green and public areas.

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A team of Drury University faculty have created a crystalline design for the Springdale Veteran Memorial Competition. Sited in Arkansas, the proposal was made by Sara Khorshidifard, Payman Sadeghi and Karen Spence. Using the crystal metaphor and drawing inspiration from its shape, formation, and built tactility, the concept is made to capitalize on the Diamond State’s history and topology.

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The results are in from the 2019-2020 Richard H. Driehaus International Architecture Competition, a contest put on by the Spanish government that invites architects and urbanists from around the world to design projects that promote local, traditional Spanish architecture.

This article was originally published on Common Edge.

Monuments, as Alois Riegl pointed out a century ago, are aids to memory. “In memoriam,” the carvings cry out. Though they are almost always tainted with political ideologies and social values, they can stand on their own as works of art, absorbing meanings over millennia. Many that we continue to treasure were once associated with events and practices antithetical to modern mores and taboos: Greek temples were founded on the altars of animal—and, earlier, human—sacrifice; the pyramids were made by slaves; market crosses may have served as flogging posts. There really are no innocent human artifacts dedicated to remembering human acts, as fact or fiction.

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