At the beginning of January 2016 the Municipality of Prato, Italy, is launching an open, anonymous, international two-phase design competition for a new 3-hectare urban park in its historical city center. By the end of February, the international jury will select 10 finalist architects who will be invited to conceive a schematic design for the site. In June 2016 the winner will be awarded and commissioned to design the final project for the new Parco Centrale di Prato.
Six Teams Shortlisted in Competition to Design the New Nanoscience and Nanotechnology Center at Tel Aviv University
The six teams selected to participate in the second phase of design concept development for the New Nanoscience & Nanotechnology Center at Tel Aviv University (TAU) met representatives of the school and KB STRELKA in Tel Aviv, where a series of events were held.
In his latest article for Vulture, art critic Jerry Saltz celebrates the latest crop of public art in New York City, such as Deborah Kass' OY/YO sculpture, sitting near the Manhattan Bridge in Brooklyn, commenting on the success of such pieces even though (or perhaps because) many of them have been curated by art-world insiders rather than publicly accountable arts commissions or community engagement processes. But for Saltz, this new wave of high-quality public art has come at the expense of quality public space. Despite his admiration for the art installations, he expresses skepticism of the privately-funded public spaces that house them, such as the much-celebrated High Line, designed by Diller Scofidio + Renfro (DS+R) and James Corner Field Operations, as well as future projects such as Pier 55 by Heatherwick Studio, and the "Culture Shed" at the Hudson Yards development also by DS+R. His critique even references a phrase from DS+R that belongs on our list of words only architects use. Read Saltz's full discussion of public art and public space here.
It has been over fifty years since Jane Jacobs' book, The Death and Life of Great American Cities, revolutionized discourse on urban planning, and her words still carry a huge influence today. But in the intervening decades New York City has changed in ways Jacobs could never have imagined when she was writing in the 1960s. In a recent article for City Journal, Judith Miller tries to imagine how Jane Jacobs would have responded to some of New York City's recent projects - taking as examples the imminent domain actions and tax breaks that made Brooklyn's Atlantic Yards (now also known as Pacific Park) possible, the cluster of skyscrapers and public venues planned for Hudson Yards on the west side of Manhattan, and the supertall luxury condo towers that are beginning to cast their long shadows over Central Park. Read Miller's article in full here.
The Ninth European Prize for Urban Public Space (2016) has officially issued a call for entries. The biennial honorary award “has been offered since 2000 in order to recognize, encourage, and publicize examples of good practice in the ways in which the public spaces of European cities respond to the many challenges they presently face.”
The Prize seeks interventions that recover or improve the democratic quality of urban spaces that are endangered by “segregation, inequalities, unchecked urban construction, unsustainable squandering, and serious shortfalls in making effective the right to the city.”
The latest issue of DASH (Delft Architectural Studies on Housing), a thematic journal devoted to residential design edited by members of TU Delft's Dwelling Chair, focuses on 'Global Housing: Affordable Dwellings for Growing Cities'. With "massive urbanisation" occurring across emerging economies worldwide, there is "an acute need for affordable housing" – the scale of which goes far beyond conventional building production, "requiring complex, politically- and economically-oriented solutions."
In the coming months, OMI is entirely devoted to OMA, the Office for Metropolitan Architecture. With the reopening of the Kunsthal, the completion of De Rotterdam and Timmerhuis this is a perfect opportunity to profile the work of OMA. OMI publishes a special map, organises excursions, and an accompanying exhibition at OMI’s own location gives insight into the work of the office in Rotterdam and The Hague.
A’ Design Award & Competition is the world’s leading international annual juried competition for design. The A’ Design Accolades are organized in a wide range of creative fields to highlight the very best designers from all countries in all disciplines. Entries to the competition are peer-reviewed and anonymously judged by an influential jury panel of experienced academics, prominent press members and established professionals. A’ Design Award & Competition promises fame, prestige, publicity and international recognition to all A’ Design Award Winners through the A’ Design Prize which is given to celebrate the awarded designs.
Young architects and designers are invited to submit work to the annual Architectural League Prize Competition. Projects of all types, either theoretical or real, and executed in any medium, are welcome. The jury will select work for presentation in lectures, digital media, and an exhibition in June 2016. Winners will receive a cash prize of $2,000. A catalogue of winning work will be published by The Architectural League.
The City of Portland, Maine is seeking proposals from qualified Design Teams for the schematic phase re-design of Congress Square, a 1.3 acre public open space and traffic intersection in the heart of the city’s Arts District in downtown Portland, Maine. The project includes the Congress Square Redesign and the commissioning of works of Public Art, presenting a unique opportunity for collaborative urban design and public art; the redesign concept will be developed in tandem and integrated with the public artwork.
Honda is launching a new supercar in Europe, the Honda NSX, and we would like to create a special Dealer Showroom Display for this special car within our current Car Dealers.
The NSX display area should be not bigger than 35m2, has to include private small luxurious lounge, colour chips & trims display, and has to create a differentiated spaced within the current Honda dealer showrooms (so should consider showroom limitations) and has to emphasize the exclusivity of the NSX car.
See things differently?
Show your idea. Enter the Re-think competition and your work could be showcased on TiP, Balmond Studio’s influential online ideas lab. The winner will also receive a £100 iTunes voucher and enjoy a private call with Cecil Balmond himself, one of the world’s leading thinkers on space form and structure.
What is a Re-think?
Anything with an original idea at its core is a Re-think. To put it simply – a piece of work that challenges the norm. Something that pushes the boundaries, creating an alternate way of thinking.
At the beginning of the 21st century there is a need to address contemporary social needs and desires and an emerging economic potential in order to create a new generation of shopping centers and leisure facilities. Architecture is no longer considered a footnote, but a fundamental means of engaging and extending the experience of the visitor toward new dynamic leisure horizons.
The Museum of Capitalism is an institution dedicated to educating this generation and future generations about the ideology, history, and legacy of capitalism. Representing the collaborative efforts of a multidisciplinary team of curators, artists, designers, and historians, the Museum strives to broaden public understanding of capitalism through multifaceted programs: exhibitions; research and publication; collecting and preserving material evidence, art, and artifacts related to capitalism; commemorations, reenactments, and other events; and a variety of public programming. As part of an initiative to build a more permanent public presence, the planning committee seeks bold proposals that answer the question: What should the Museum of Capitalism look like?
British architect David Chipperfield's (born 18 December 1953) career has spanned decades and continents as an architect, designer and professor. Since 1984, he has been at the helm of David Chipperfield Architects, an award winning firm with over 180 staff at offices in London, Berlin, Milan, and Shanghai. Chipperfield is an honourary fellow of the American Institute of Architects and Germany's Bund Deutscher Architekten, and was appointed a Commander of the Order of the British Empire (DBE) in 2004. In 2012, Chipperfield curated the Venice Biennale of Architecture under the theme Common Ground.
The Italian city of Florence is, according to an article for The Observer, seeking "a better class of tourist." Palazzos are being sold off and converted into hotels and spas, and the ubiquitous 'luxury apartment' development brands are creeping ever closer to some of the city's most treasured architectural monuments. In response, a recent report from UNESCO is urging the municipal government to consider the long-term effects of proposed infrastructural plans on the city, which was inscribed in 1982. "For many vocal and disgruntled Florentines," Stephanie Kirchgaessner writes, "the Palazzo Vecchio is looking less like a stately symbol of civic pride and more like an estate agency."
Explore the creative universe of Lella and Massimo Vignelli, two of the most influential and well-known designers of all times. With interviews from luminaries in the world of design—from architects Richard Meier and Peter Eisenman to graphic designers Milton Glaser, Michael Bierut, and Jessica Helfand—this film takes the viewer into the Vignellis’ world, capturing their intelligence and creativity as well as their humanity, warmth, and humor.
Leaders in Architecture MENA is dedicated to developing, celebrating and connecting architects, interior designers and senior decision makers from leading international architectural practices, contractors, developers, government officials, engineers and solution providers. Gathering the most senior industry professionals from across the world, the summit provides a unique opportunity to learn from and get inspired by leaders, luminaries, and legends from within and outside architecture, set future business plans and appreciate breathtaking and daring architecture.