Taking the urban high-rise “one step further,” BIG’s Vancouver House (formerly known as the Beach and Howe Tower) is a gesamtkunstwerk - total work of art. Detailed to the smallest scale, the grand scheme makes use of a difficult site trisected by the Granville overpass and burdened by setbacks, transforming it into a “lively village” at the city’s gateway.
Learn how Bjarke Ingels plans to revolutionize urban living by watching the video above.
The Edmonton Arts Council has commissioned Marc Fornes / THEVERYMANY to construct an “architectural folly” in the Canadian city’s Borden Park. The project, known as “Vaulted Willow,” aims to “resolve and delineate structure, skin and ornamentation into a single unified system” by “exploring lightweight, ultra-thin, self-supported shells through the development of custom computational protocols of structural form-finding and descriptive geometry.”
The lost spaces competition is a call for ideas to reframe how underused spaces in Calgary might be used. The aim is to address a particular challenge of public space - what to do with seemingly remnant pieces of public property. The challenge: what opportunities do lost spaces afford?
Amongst the proposals received was one from a Canadian team comprised of architect Naiji Jiao and landscape architect Seven Xiru Chen, whose entry “The Pyramid Park" was awarded first place. Read more about the winning entry after the break.
ABSTRAKT Studio Architecture has won a nation-wide competition to design Canada’s national memorial to the victims of communism in Ottawa. Select from six finalists, ABSTRAKT’s provocative design superimposes 100 million singular pixel-like memory squares, each representing the fingertip of the lives lost, on a folded triangular concrete plane.
“As the most prolific communist murderer Joseph Stalin famously said: 'One death is a tragedy; one million is a statistic’… This 'statistic' takes main stage in our design by realizing its sheer enormity, thus raising awareness that every human life is unique and precious,” stated ABSTRAKT.
Officially opened in 2010, the Woodward’s Redevelopment project designed by Vancouver based Henriquez Partners Architects and situated in the city’s Downtown Eastside (DTES), was a contentious proposal from the time of its inception, and has continued to be so in the almost five years since its completion. Yet as the large-scale mixed-use complex, and its role in the community, nears the first of many milestone anniversaries, it offers us a chance for critical reflection and allows for perceptions and understandings to be gathered and assessed.
What has made Woodward’s an interesting case study, however, is the project’s attempt to act as a model for responsible development with respect to the regeneration of its surrounding urban and community context. Yet there has also been much criticism, with fears over rapid gentrification and claims that it has displaced some of the community’s most at-risk residents. For managing partner Gregory Henriquez, however, it was seen as an opportunity to introduce a place of inclusivity into the neighbourhood and as a chance to “share a portion of the wealth created in real estate development to support the greater good.”