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  5. Johnston Marklee
  6. 2004
  7. Hill House / Johnston Marklee & Associates

Hill House / Johnston Marklee & Associates

  • 01:00 - 29 October, 2008
Hill House / Johnston Marklee & Associates
Hill House / Johnston Marklee & Associates

Hill House / Johnston Marklee & Associates Hill House / Johnston Marklee & Associates Hill House / Johnston Marklee & Associates Hill House / Johnston Marklee & Associates +34

  • Architects

  • Location

    Pacific Palisades, Los Angeles, CA, United States
  • Architects

    Johnston Marklee & Associates
  • Project Architects

    Mark Lee, Sharon Johnston AIA, Jeff Adams, Mark Rea Baker
  • Project Team

    Diego Arraigada, Brennan Buck, Michelle Cintron, Daveed Kapoor, Anne Rosenberg, Anton Schneider
  • Structural Engineer

    William Koh & Associates
  • Lighting Consultant

    Dan Weinreber
  • Developer

    Lucas Ma (President, Markee LLC)
  • Client

    Chan Luu
  • Contractor

    Hinerfeld-Ward, Inc.
  • Project Year


From the architect. Completed in October 2004, the Hill House was designed under challenging conditions generated by modern problems of building on a hillside. Located in Pacific Palisades, California, while the site for the house offers panoramic views from Rustic and Sullivan Canyons to Santa Monica Bay, the irregularly shaped lot is situated on an uneven, downhill slope. With the canonical Eames House nearby, the 3300 square foot Hill House provocatively continues the Case Study House tradition of experimentation and reinvention of Los Angeles lifestyles.


Increasingly in Los Angeles, local hillside ordinances, building codes, coastal regulations, and design review boards have imposed restrictions on hillside construction, with the goal of preserving the profile of the natural hillside terrain by limiting building heights, location and massing. The Hill House sets a new precedent for hillside building by liberating itself from these restraints - not through evasion - but by strategically transforming these stringent criteria into a sculptural and efficient design solution, that seamlessly engages with the surrounding site.

The massing of the Hill House subsequently results from two economically driven development criteria: To maximize the volume allowed by the zoning requirements; and to minimize contact with the natural terrain. Recalling Hugh Ferriss's vision of a Manhattan skyline literally interpreting the zoning laws as building form, the Hill House adopts the maximum zoning envelope as its form. The initial envelope is shaped from a combination of property setbacks in plan and hillside height restrictions in section, and is further refined three-dimensionally according to structural criteria.


Within the building enclosure, individual programmatic components are assembled to fit into the fixed envelope, much like a contortionist, artfully compressing the mass of their body into unique configurations. By eroding all non-structural walls and partitions, the program flows effortlessly between three levels stacked within the exterior skin. An upper semi-private loft space and a more secluded lower bedroom suite sandwich the central public living and dining area. An open, sculptural, steel and glass stair vertically stitches the three levels together. The smooth polished interior skin is shaped and curved selectively to accentuate the geometry of the house and to accommodate storage and mechanical services.


The aperture strategy results from a desire to both minimize the quantity for privacy and efficiency in terms of environmental performance, and to maximize size for views, ventilation and light. With the relationship of the site and building to the street, the conventional rear of the house in essence becomes its front with spectacular views of the canyon and ocean to the north, east, and south. Large sliding glass doors in the living area retract into concealed pockets, erasing boundaries between interior and exterior. Where windows and doors are recessed into the building volume, the exterior material membrane folds into the house to form deep sills and thresholds respectively. The recessed windows of the private rooms frame specific views to the exterior while limiting views into the house. The placement of skylights in both the flat and sloped roofs further blurs the conventional differentiation between roof and wall. Indirect light sources and unanticipated views from these openings further enhance the three-dimensional quality of the space and form.


To express the continuity of the building skin and minimize the conventional distinctions between roof and wall planes, an elastomeric, cementitious exterior coating material was used requiring no control joints. The embedded lavender color of the coating was sampled from the pigment of eucalyptus bark, prevalent at the site, re-enforcing the house's connection to the site from which its form is derived. The material's iridescent quality results in dramatic color variations with changing light conditions throughout the day. Similar to the monolithic exterior coating, the interior materials are detailed to suggest spatial continuity. Materials in varying shades of white, including polished Carrara marble, smooth Corian countertops, lacquered wood, and enameled steel seamlessly meet throughout occasionally accented by darkly stained walnut flooring and cabinets. A meadow of various native California grasses forms a blanket covering the slope surrounding the house. Highly detailed succulent plants such as aloe and agaves accent the soft grasses and reflect the crisp lines of the house.


The structural assembly is composed of concrete, steel, and timber. The foundation, based upon nine 35-foot deep reinforced concrete piles, is anchored into bedrock and tied together by a network of grade beams. Rising up from this foundation, inclined concrete walls project orthogonally to the grade - instead of vertically - taking on the figure of prevented fall. A braced steel frame with timber infill framing emerges out of the concrete base to form the circulation core and cantilevered overhang at the entry.

Cite: "Hill House / Johnston Marklee & Associates" 29 Oct 2008. ArchDaily. Accessed . <>
Read comments


Echo · November 16, 2014


Mohamed youssif · December 07, 2013


The O.C.E. · September 01, 2010

Ohh shit. This really is a brilliant house. The Hill House designed by Johnston Marklee & Associates. |

Berts · August 25, 2010

@chilind he encontrado los planos para la casa que algún día nos haremos...

??????? · August 23, 2010

????? ?? ????;;;; RT@YeahMin: ???? ? ???? ?? ??? ??? ? ????

Yemin Kim · August 23, 2010
rajeev kumar · July 25, 2010

wow...its AWESOME...lovin it :) :)

denis rocha · December 17, 2009
Madeline Sanders · August 01, 2009

I love unusually shaped properties, and this is phenomenal -- I'd like to bring something on this order to the Midwest -- thanks for the architectural plans

Abdullah · May 30, 2009

My favorite house.

l3ahar · May 21, 2009

Thanks alot for this site...

rachid · December 15, 2008

wow. one major flaw which i dont think i can forgive is that you have to walk through the kitchen to access the toilet.

linda · November 17, 2008

I wondered how the Grailcoat is holding up that covers the exterior of the whole house. The company was disolved over a year ago so I thought they might be having warranty issues since they offered a 20 year warranty. They are still doing business but under a different name and have also changed the polymers.

keith · November 10, 2008

nice,,i like the changing light color in the bedroom,

tamara · November 08, 2008

veeeeeeeeeeeeeeeeeery nice.

cho sung rae · November 06, 2008

Please a plan detail measure
I'm korean architecter student

Rocket Valentino · November 01, 2008

Had lost faith in American architects, but this is really nice!

Looks like it's well built also.

Octavio · October 30, 2008

very original

Alex · October 30, 2008

Very beautiful house.
Thanks for your site.

Nico Saieh · October 30, 2008

3,300 sq ft = 306,5 sqm

Sorry I missed that.

Isabel · October 30, 2008


Musser · October 30, 2008

Beyond bringing to mind the adage, 'there's nothing money can't buy,' I still have to say this is absolutely stunning.


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Hill House / Johnston Marklee & Associates