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  5. Zaha Hadid Architects
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  7. Eli & Edythe Broad Art Museum / Zaha Hadid Architects

Eli & Edythe Broad Art Museum / Zaha Hadid Architects

  • 01:00 - 13 November, 2012
Eli & Edythe Broad Art Museum / Zaha Hadid Architects
Eli & Edythe Broad Art Museum / Zaha Hadid Architects, © Paul Warchol
© Paul Warchol

© Paul Warchol © Paul Warchol © Paul Warchol © Paul Warchol +26

  • Architects

  • Location

    Michigan State University, East Lansing, United States
  • Architects in Charge

    Zaha Hadid with Patrik Schumacher
  • Project Director

    Craig Kiner
  • Project Architect

    Alberto Barba
  • Project Team

    Michael Hargens, Edgar Payan Pacheco, Sophia Razzaque, Arturo Revilla, Charles Walker
  • Competition Project Director

    Nils-Peter Fischer
  • Competition Project Architects

    Britta Knobel, Fulvio Wirz
  • Competition Team

    Melike Altinisik, Rojia Forouhar, Mariagrazia Lanza, Daniel Widrig
  • Area

    46,000 sqm
  • Project Year

    2012
  • Photographs

  • Structural Engineering

    Adams Kara Taylor [London, UK]; SDI [Michigan, USA]
  • Environmental / M&E

    Max Fordham [London, UK]; Peter Basso [Michigan, USA]
  • Local Architects

    Integrated Design Solutions [Michigan, USA]
  • Site Area

    65,000 sqm
  • More SpecsLess Specs

From the architect. The Eli and Edythe Broad Art Museum, located at the northern edge of the Michigan State University campus, is influenced by a set of movement paths that traverse and border the site. The vitality of street life on the northern side of Grand River Avenue and the historic heart of the university campus at the south side generate a network of paths and visual connections; some are part of the existing footpath layout, others create shortcuts between the city and the campus side of Grand River Avenue.

© Paul Warchol
© Paul Warchol

The circulation travelling in an east-west- direction on Grand River Avenue, along the main road of East Lansing and also on the main approach street to the campus produce an additional layer of connections that are applied to this highly frequented interface between city and campus.

© Paul Warchol
© Paul Warchol

Generating two dimensional planes from these lines of circulation and visual connections, the formal composition of the museum is achieved by folding these planes in three-dimensional space to define an interior landscape which brings together and negotiates the different pathways on which people move through and around the site. This dialogue of interconnecting geometries describes a series of spaces that offer a variety of adjacencies; allowing many different interpretations when designing exhibitions. Through this complexity, curators can interpret different leads and connections, different perspectives and relationships.

© Paul Warchol
© Paul Warchol

These detailed investigations and research into the landscape, topography and circulation of the site, enable us to ascertain and understand these critical lines of connection. By using these lines to inform the design, the museum is truly embedded within its unique context of Michigan State University, maintaining the strongest relationship with its surroundings.

The Broad Art Museum presents as a sharp, directed body, comprising directional pleats which reflect the topographic and circulatory characteristics of its surrounding landscape. Its outer skin echoes these different directions and orientations – giving the building an ever-changing appearance that arouses curiosity yet never quite reveals its content. This open character underlines the museum’s function as a cultural hub for the community. 

Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "Eli & Edythe Broad Art Museum / Zaha Hadid Architects" 13 Nov 2012. ArchDaily. Accessed . <http://www.archdaily.com/293358/eli-edythe-broad-art-museum-zaha-hadid-architects/>
© Paul Warchol

Eli & Edythe Broad 艺术博物馆 / Zaha Hadid Architects