SFMOMA’s expansion / Snøhetta

Expansion Aerial View Southeast © Snøhetta

SFMOMA reveals the design for the museums new expansion, designed by the Norway-based architecture firm Snøhetta. The expansion transforms the current Mario Botta-designed building into a scale that “meets the museum’s mission.” Increased public circulation, flexible gallery space and intuitive navigation are a few of the projects main goals.

Continue after the break for more information, images and video.

The new expansion responds to the physical and urban terrain of . A series of stairs and platforms lead visitors into the museum, echoing the cities trademark circulation networks of “paths, stairways, and terracing”. The increased network of pedestrian routes intends to enliven the streets, while free ground-level galleries entice people to enter.

SFMOMA Expansion View from Howard Street © Snøhetta

New entrances open the building up to the city on every side. Two main entrances lead into a central public entry that accesses all galleries. The use of glass, outdoor terraces and a new sculpture garden intends to further open the building up to the city and strengthen community engagement.

SFMOMA Expansion Art Court © Snøhetta

“Intuitive navigation” leads museum-goers through the 130,000 square feet of gallery space, double the current amount. A variety of education spaces directly interact with the galleries throughout the building. A large, multifunctional gallery will accommodate education programs, live performances and special events. Flexible design and lighting will allow the museum to showcase any type of exhibit.

SFMOMA Expansion Night Aerial View Southeast © Snøhetta

A glass-enclosed gallery will replace the current Fire House 1 on Howard Street. The museum will relocate the facility and construct a new, state-of-the-art firehouse nearby on Folsom Street as a ten million dollar gift to the city.

Reference: SFMOMA

Cite: Rosenfield, Karissa. "SFMOMA’s expansion / Snøhetta" 01 Dec 2011. ArchDaily. Accessed 28 May 2015. <http://www.archdaily.com/?p=188643>
  • SPUD

    I’m sorry but this design just doesn’t do it for me. The proportions are awkward, it has no form, and its pedestrian level presence is completely absent. The final “hero shot” of Botta’s elegant symmetry is destroyed by its underwhelming, weak, hideously under thought and lopsided white profile.

    Snohetta you could do better.

    • Baldur

      I agree – this does not do it for me.
      The proportions, the scale, the color,
      the genius loci.

      Disaponitment from a favorit office.
      They can definitely do better than this !!!

  • nacho

    “it has no form” sounds good to me

  • David

    Man! It rapes Botta’s beautiful building!

  • Paul

    The current SFMOMA has all the personality of a Sears department store. Little attention has been paid to showing off the magnificent art to its advantage. The DeYoung, a few miles away, is a superb setting.

  • Allan

    The facade mimicks one of my own projects which I haven’t shown to anyone. Nice to see it work :)

  • Jason

    Poetic background for Botta and depth of sensibility

    • ale gaddor

      Poetic background for Botta and depth of sensibility!!!???? are You kidding??? I think that your comment is more poetical than the building itself.
      That’s the worst work from Snohetta. Maybe is a good functional building but aesthetically and proportionally is wrong, an amateur work for such a great architects. wrong, if i was a part of Snohetta i wouldn’t sleep, i would feel embarrased for such an awful work.

  • Tsukiyo

    Get that away from Botta’s work!!

  • Al

    Snohetta’s original design was just lousy. They’ve only succeeded in making it worse. Let’s nuke this eyesore before it gets built.

  • http://www.krisjonsvanberg.com Krisjon Svanberg Architects

    Snohetta has allowed for an invisible building,
    more like a canvas that allows it’s surroundings
    to speak. The Botta building is really trying
    to say too much-it’s more about an iconic building and not a place. Snohetta’s addition
    may balance that out.

    • ale gaddor

      Invisible It is made when you take the language and aesthetic of what surrounds you and then You become part of it. So, do the math, You need glasses. Snohetta building is the oppositte of invisible and the opposite of a canvas.
      Botta’s building “have” to say too much. Snohetta’s building has nothing to say.

      • http://www.krisjonsvanberg.com Krisjon Svanberg Architects

        I suppose a more appropriate term would be
        faceless and not invisible. The exterior elevations although “visible” allow for a
        white vertical base for the adjacent buildings to read and contrast against.

  • D’Maverick

    It looks more like a white flag waving behind Botta’s building, simply saying to everyone “I give up!”.

  • Tsukiyo

    This is terrible, the architects should look at how Tadao Ando’s Modern of Fort Worth respond to Louis Kahn’s Kimbell Museum.