Siamese Towers / Alejandro Aravena

Architects: Alejandro Aravena, Charles Murray, Alfonso Montero, Ricardo Torrejon
Location: Campus San Joaquin Universidad Catolica de Chile. , Chile
Collaborator: Emilio de la Cerda
Constructed Area: 5000 sqm
Structure: Concrete
Coating: Glass, Fibrecement y Native woods
Project Year: 2003
Construction Year: 2005
Budget: US$ 700 x sqm
Photographs: Cristobal Palma, Victor Oddo

We were asked to build a glass tower to host everything that had to do with computers in the university.
We saw three problems in this: the computers, the glass and the tower.

The university asked us to question the type of architecture required for teaching now that everything depends on digital technology. Should architecture change now that we have computers? Does the notion of room (be it for work or for attend a class) still make sense? Our answer was, of course, Yes and No.

Yes because the paradigm for working spaces has been reversed; if until now a good room, was the one that had a good natural light (library, classroom, etc), now that we work on screens, a good space is the one that has achieved a good half-light (to avoid uncomfortable reflections). This fact led us to explore a relatively hermetic volume, with very controlled perforations towards the outside.

But on the other hand, we were not that optimistic regarding computers and their influence in education, or the transmission of knowledge; in the end nothing will defeat a good conversation of two persons (be it between a professor and a student, or between students) under a good shadow, drinking a nice cup of coffee or having a casual conversation in a corridor. In a way, formal education is taken care by building codes: light, acoustics, ventilation, etc. but nobody takes care of informal education and there we saw a design opportunity. So, instead of moving forward thinking about the next step in education, we thought we had to move back as much as possible, to more archaic and primitive ways of being.

Regarding the glass, the problem was that building a glass tower in Santiago, means automatically to take care of the greenhouse effect. We had no money for a curtain-wall, able to solve all the issues in one single skin (double, effective and colored glass). Even if we had the money, the amount of energy that has to be spent afterwards for air conditioning is obscene. Finally we did not like mirror glass for the façade, because it is vulgar. So instead of thinking about a skin capable of doing all the job (protection against dust, rain, smog, weathering and greenhouse effect) which costs around US$ 120 x sqm, we thought that it would be cheaper to do several skins, each of them doing 1 thing at a time. So we designed an outer single glass skin, very bad in energetic terms, but very good against weathering. Then an internal building made out of fiber-cement, bad against weathering but energetic wise. In between them: air. All we had to do, was to avoid the greenhouse effect generated after the sun trespassing the glass, to reach the second building inside. So we allowed the space in between the two buildings to perform as a perimeter chimney, letting the hot air to leave the system ascending by convection to a void in the top. A constant and natural vertical wind, helped by the Venturi effect created by the waists will eliminate the greenhouse effect. The sum of the two buildings, because they were more specific in their performances, was 30% cheaper. We also expect to spend much less energy during its useful life.

Finally, there was the problem of trying to have a tower, because we had just 5.000 sqm to achieve it. Didn’t matter how much we reduce the surface of each floor, the resulting figure was pretty chubby; it was a high building, but it didn’t look like a tower. So the only solution we thought of, was to cut the volume in two from the 7th floor up. For each of the resulting parts we used almost width-less aluminium pieces of slight different colors. So if seen from the front, the building has a unique bi-chepalus volume, but seen as a foreshortened figure, the color difference could show a couple of really vertical figures, that happened to share great part of their bodies, as if they were Siamese criatures.

Cite: "Siamese Towers / Alejandro Aravena" 25 May 2008. ArchDaily. Accessed 18 Apr 2014. <http://www.archdaily.com/?p=1277>

8 comments

  1. Thumb up Thumb down 0

    Very clear structure. I would like to know if the exterior facade as a weathering skin, could be opened or not? If so, how much percentage could this be opened?

  2. Thumb up Thumb down 0

    fabulous work.
    and fabulous website.

    thank you so much for posting such great info everyday!
    plese dont cease to do so!

    regards.
    fan.

  3. Thumb up Thumb down 0

    xing,

    If you take a closer look at the section, you´ll notice an opening at the bottom that allows air to flow between the glass skin and the building.

    When i visited the towers, the first thing i did was to go down and check this openings. I actually felt the air flowing through them. It works.

  4. Thumb up Thumb down 0

    el manejo del concepto, al combinarlo con el contexto, realiza una gran obra arquitectonica, gran arquitecto contemporaneo, felicidades david por el articulo y las grandes fotografias… gracias

  5. Thumb up Thumb down 0

    I wasn’t even looking for anything like this and it caught my eye.
    Good design, and a very clever use of different materials to achieve specific aims.
    pretty cool

  6. Thumb up Thumb down 0

    I am performing a case study about how this building was built with good intents but resulted in a very poor performing building.

    Would anyone like to comment on this being an incorrect statement or a correct statement.

    Any replys would be great for discussion.

  7. Thumb up Thumb down 0

    Not sure. I’m very intersted in your question and will confer with my colleague, who probably has a great deal of knowledge in your subject area.

Share your thoughts