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  5. Alejandro Aravena
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  7. Siamese Towers / Alejandro Aravena

Siamese Towers / Alejandro Aravena

  • 00:00 - 25 May, 2008
Siamese Towers / Alejandro Aravena
Siamese Towers / Alejandro Aravena, © Cristobal Palma
© Cristobal Palma

© Cristobal Palma © Cristobal Palma © Cristobal Palma © Cristobal Palma +15

  • Architects

  • Location

    Camino Privado, Macul, Región Metropolitana, Chile
  • Architects

    Alejandro Aravena, Charles Murray, Alfonso Montero, Ricardo Torrejon
  • Collaborator

    Emilio de la Cerda
  • Structure

  • Budget

    US$ 700 x sqm
  • Area

    5000.0 sqm
  • Project Year

  • Photographs

From the architect. We were asked to build a glass tower to host everything that had to do with computers in the university.

© Cristobal Palma
© Cristobal Palma

The university asked us to question the type of architecture required for teaching now that everything depends on digital technology. Should architecture change now that we have computers? Does the notion of room (be it for work or for attend a class) still make sense? Our answer was, of course, Yes and No.

Ground Floor Plan
Ground Floor Plan

Yes because the paradigm for working spaces has been reversed; if until now a good room, was the one that had a good natural light (library, classroom, etc), now that we work on screens, a good space is the one that has achieved a good half-light (to avoid uncomfortable reflections). This fact led us to explore a relatively hermetic volume, with very controlled perforations towards the outside.

© Cristobal Palma
© Cristobal Palma

But on the other hand, we were not that optimistic regarding computers and their influence in education, or the transmission of knowledge; in the end nothing will defeat a good conversation of two persons (be it between a professor and a student, or between students) under a good shadow, drinking a nice cup of coffee or having a casual conversation in a corridor. In a way, formal education is taken care by building codes: light, acoustics, ventilation, etc. but nobody takes care of informal education and there we saw a design opportunity. So, instead of moving forward thinking about the next step in education, we thought we had to move back as much as possible, to more archaic and primitive ways of being.

© Cristobal Palma
© Cristobal Palma
© Cristobal Palma
© Cristobal Palma

Regarding the glass, the problem was that building a glass tower in Santiago, means automatically to take care of the greenhouse effect. We had no money for a curtain-wall, able to solve all the issues in one single skin (double, effective and colored glass). Even if we had the money, the amount of energy that has to be spent afterwards for air conditioning is obscene. Finally we did not like mirror glass for the façade, because it is vulgar. So instead of thinking about a skin capable of doing all the job (protection against dust, rain, smog, weathering and greenhouse effect) which costs around US$ 120 x sqm, we thought that it would be cheaper to do several skins, each of them doing 1 thing at a time. So we designed an outer single glass skin, very bad in energetic terms, but very good against weathering. Then an internal building made out of fiber-cement, bad against weathering but energetic wise. In between them: air. All we had to do, was to avoid the greenhouse effect generated after the sun trespassing the glass, to reach the second building inside. So we allowed the space in between the two buildings to perform as a perimeter chimney, letting the hot air to leave the system ascending by convection to a void in the top. A constant and natural vertical wind, helped by the Venturi effect created by the waists will eliminate the greenhouse effect. The sum of the two buildings, because they were more specific in their performances, was 30% cheaper. We also expect to spend much less energy during its useful life.

© Cristobal Palma
© Cristobal Palma

Finally, there was the problem of trying to have a tower, because we had just 5.000 sqm to achieve it. Didn't matter how much we reduce the surface of each floor, the resulting figure was pretty chubby; it was a high building, but it didn't look like a tower. So the only solution we thought of, was to cut the volume in two from the 7th floor up. For each of the resulting parts we used almost width-less aluminium pieces of slight different colors. So if seen from the front, the building has a unique bi-chepalus volume, but seen as a foreshortened figure, the color difference could show a couple of really vertical figures, that happened to share great part of their bodies, as if they were Siamese criatures.

© Cristobal Palma
© Cristobal Palma
Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "Siamese Towers / Alejandro Aravena" 25 May 2008. ArchDaily. Accessed . <>
Read comments


Anastasia · April 14, 2012

Siamese Towers / Alejandro Aravena | ArchDaily ? ??????? @archdaily

pedro pablo · April 17, 2010

viendo el post del edificio de desarrollo docente (edificio Y) de san joaquín

Richard Grimshaw · November 17, 2009

Not sure. I'm very intersted in your question and will confer with my colleague, who probably has a great deal of knowledge in your subject area.

Matthew Storm · November 17, 2009

I am performing a case study about how this building was built with good intents but resulted in a very poor performing building.

Would anyone like to comment on this being an incorrect statement or a correct statement.

Any replys would be great for discussion.

Silk · June 01, 2009

I wasn't even looking for anything like this and it caught my eye.
Good design, and a very clever use of different materials to achieve specific aims.
pretty cool

Nancy Buttonworth · February 17, 2009

Your article was very attention grabbing and was just what I was searching for. -- Nancy

Eduardo Moreno · July 04, 2008

el manejo del concepto, al combinarlo con el contexto, realiza una gran obra arquitectonica, gran arquitecto contemporaneo, felicidades david por el articulo y las grandes fotografias... gracias

David Basulto · May 26, 2008


If you take a closer look at the section, you´ll notice an opening at the bottom that allows air to flow between the glass skin and the building.

When i visited the towers, the first thing i did was to go down and check this openings. I actually felt the air flowing through them. It works.

Fan · May 26, 2008

fabulous work.
and fabulous website.

thank you so much for posting such great info everyday!
plese dont cease to do so!


xing · May 25, 2008

Very clear structure. I would like to know if the exterior facade as a weathering skin, could be opened or not? If so, how much percentage could this be opened?


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