Laboratorio de Arquitectura Dominicana (LAD) has been selected to curate the Dominican Republic’s first pavilion for the 2014 Venice Architecture Biennale. Developed by Dominican dictator Rafael Trujillo and inspired by Mussolini's 1942, the “exhibition will explore modern attitudes and local narratives around the 1955 Fair of Peace and Fraternity of the Free World.”
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Morocco will host its first pavilion at the 2014 Venice Architecture Biennale. Curated by the Foundation FADA’ (Fondation pour l’Art, le Design, et l’Architecture) and directed by architect Tarik Oualalou, the concept for the Moroccan pavilion will be based upon Morocco’s role as an urban and architectural laboratory in the twentieth century. The project, entitled “Fundamental(ism)s,” will be organized in two parts:
Australia’s creative team for the 2014 Venice Architecture Biennale, felix._Giles_Anderson+Goad, has announced 11 unrealized projects that will be showcased as part of the Augmented Australia 1914-2014 exhibition. Ranging from an inner-city cathedral to a treetop activist shelter, the country-wide selection of projects will be brought to life using three-dimensional augmented models, images, voice overs and animations.
The Indonesian Ministry of Tourism and Creative Economy has partnered up with the Indonesian Institute of Architect to appoint architects Avianti Armand and Setiadi Sopandi, along side architectural historian David Hutama, Arsitek Muda Indonesia (AMI) founder Achmad Tardiyana, and writer Robin Hartanto as the curator team in charge for the first ever Indonesian Pavilion at the 2014 Venice Architecture Biennale.
OfficeUS is seeking five fellows to take on the role of Principals during the 2014 Venice Biennale at the US Pavilion. From May 23, 2014 through November 23, 2014, the Principals will speculate on and project new futures of a history of American architectural exports on exhibit at the pavilion. The work of OfficeUS will be published as a book and exhibited at Storefront for Art and Architecture in the spring of 2015.
The U.S. Department of State has selected Storefront for Art and Architecture and PRAXIS Journal to organize the US Pavilion at the 2014 Venice Architectural Biennale, “Fundamentals,” curated by Rem Koolhaas.
FAT Architecture, Crimson Architectural Historians and Owen Hatherley have been selected to curate the British Pavilion at the 2014 Venice Biennale next June. The chosen team will respond to Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” with a project titled “A Clockwork Jerusalem.”
BD Online reports that the British Council has shortlisted two teams who will compete for the honor of curating the British Pavilion at the 2014 Venice Architecture Biennale. With Rem Koolhaas at the helm of this year's Biennale (June 7 - November 23), the selected theme will be: ‘Absorbing Modernity: 1914-2014.’
The Canada Council for the Arts and the Royal Architectural Institute of Canada (RAIC) has announced "Arctic Adaptations: Nunavut at 15" as winner of a national juried competition to represent Canada at the 2014 Venice Biennale in Architecture. Lateral Office of Toronto will organize and curate an exhibition designed to celebrate the 15th anniversary of Canada's largest but least populated northern territories, known for its pristine arctic wilderness and Inuit lifestyle.
The U.S. Department of State recently announced a request for proposals from any U.S. nonprofit organization at the 14th Venice Architecture Biennale, which is set to take place June 7-November 23, 2014. This includes museums, galleries, design centers, schools of architecture and design, and independent curators affiliated with a non-profit organization. The deadline for submissions is April 1, 2013. For more information, please visit here.
At a presentation in Italy this morning, Rem Koolhaas announced that the title of the 2014 Venice Biennale will be "Fundamentals." According to Domus magazine's live-tweeting of the event, Koolhaas wants this Biennale, which he will curate, to use historical research to explore how Modernity and globalization has, since 1914, formed the architecture we practice today. The Biennale will focus on the erasure of national architectural identities and the formation, over the last 200 years, of a global architecture which produces, in Koolhaas' words, "the same stuff, with the same materials, in the same styles. How did this happen?"