All
Projects
Products
Events
Competitions
  1. ArchDaily
  2. Stansted Airport

Stansted Airport: The Latest Architecture and News

Why Norman Foster Scoops Daylight into his Buildings

07:00 - 4 February, 2019
Why Norman Foster Scoops Daylight into his Buildings, © Rudi Meisel. Image Reichstag New German Parliament / Foster + Partners
© Rudi Meisel. Image Reichstag New German Parliament / Foster + Partners

While many architects consider windows for brightening interior spaces, Norman Foster is intrigued by natural light from above. The British star architect has long held Louis Kahn and Alvar Aalto in high esteem for how they handled daylight - especially with regard to the roof. In particular large public buildings benefit from this strategy creating enjoyable spaces. Therefore, Foster regards daylight from above as indispensable when he develops megastructures for airports on the ground or tall skyscrapers for work. But daylight from above is much more than an aesthetic dimension, remarks Foster: "Quite apart from the humanistic and poetic qualities of natural light there are also energy implications."

How Narinder Sagoo And Foster + Partners Are Turning Architectural Preconceptions On Their Head (With A Pencil)

14:45 - 22 September, 2017
How Narinder Sagoo And Foster + Partners Are Turning Architectural Preconceptions On Their Head (With A Pencil), © Foster + Partners
© Foster + Partners

This short article, written by the author and critic Jonathan Glancey, coincides with the launch of the inaugural Architecture Drawing Prize – a competition curated by the World Architecture Festival, the Sir John Soane's Museum, and Make. The deadline for the award has been extended to September 25, 2017, and successful entries will be exhibited in both London and Berlin.

For architects, says Narinder Sagoo, Head of Design Communications at Foster + Partners, drawings are about story telling. They are also a highly effective way of raising questions about design projects. Although the history of architecture—certainly since the Italian Renaissance—has been mapped by compelling drawings asserting the primacy, and reflecting the glory, of fully resolved buildings, there is another strain of visualisation that has allowed architects to think through projects free of preconceptions.

© Foster + Partners © Foster + Partners © Foster + Partners © Foster + Partners + 8