Architectural photographer Cristobal Palma shared with us this short clip of the Ultra Light Village installation by Clavel Arquitectos, on view at the Shenzhen Civic Square. This is part of a series of installations for the 2011 Shenzhen & Hong Kong Bi-City Urbanism / Architecture Biennale, open until February 18th, 2012.
More videos by Cristobal Palma at ArchDaily:
Architectural designers Alan Cheung Kwok-lun and Sam Hau Sum-ming from Hong Kong have designed a conceptual passenger terminal building for the International Design Ideas Competition for Liantang/Heung Yuen Wai Boundary Control Point Passenger Terminal Building, in an attempt to link up China and Hong Kong through the reveal of nature. Inspired by the distant nature of the lands along the border, the proposed architecture does not merely fulfill the purpose of border crossing. It should be capable in enhancing the usability for both Hong Kong and Shenzhen citizens, as well as the aesthetic quality of the hidden natural surroundings. More images and architects’ description after the break.
From December 8th to February 12th at the OCT Contemporary Art Terminal, the cities of Shenzhen and Hong Kong are hosting the 7th Biennale of Urbanism and Architecture and this year, Finland will be participating in the biennale for the first time. Participants in the biennale include the Museum of Finnish Architecture, Design Forum Finland and the Newly Drawn project, which represents young Finnish architects.
The event takes a stand on modern phenomena in China, which is urbanising at an ever increasing pace. Running from December 2011 until February 2012, the biennale examines different aspects of urbanisation, including case studies of cities less than 60 years old, an exhibition on the development of urban public transport and current construction projects in Shenzhen. More information on the event after the break.
Construction of Richard Meier’s Shenzhen Clubhouse is nearing completion. Unique geometry fully clad in white metal panels play with overlays of solid and void, unmistakably consistent with the Richard Meier signature style. Being located on an island in the center of OCT Bay, the facility is surrounded by large bodies of water and lush gardens. The Shenzhen Clubhouse is scheduled to be completed early next year.
Continue reading for the architects project description, photographs, renderings and drawings.
Architects: Richard Meier & Partners Architects LLP Location: Shenzhen, China Project Area: 11,000 sqm Completion: 2012 Photographs: Richard Meier & Partners Architects LLP
For the International Conceptual Design Competition of The Two Towers – CDB Tower & Minsheng Financial Tower, Saraiva + Associados focused on a unique and harmonious force, along with a modern and innovative approach to create a building of intense character. The essence found in this project was the result of an international competition in which Saraiva & Associados reached the six finalists: The Two Towers in Shenzhen. More images and architects’ description after the break.
Jaeger and Partners Architects’ design for the Shenzhen Archive Towers recently received a Design Excellence Award in the AIA Chicago 2011 Design Awards program. This competition scheme was acknowledged in the Unbuilt Design Award category. Shenzhen’s Meiling District resides between City Center and new north railway station, forming an urban center with the Archive site at its heart. Creating an authentic urban space, the design unifies four parcels (city blocks) by removing dividing streets. Circulation is re-organized, thereby harnessed, by introducing a perimeter one-way street system. The enlarged spatial boundary establishes an appropriate scale and symbolic relationship with the City Plaza. More images and project description after the break.
The design of the Two Towers, by MA2 in collaboration with CZ Visual Architecture, is a series of manipulated manifolds that construct a dual vertical lattice with angled surfaces. The towers radiate vertically deriving from a multi-sided body, diamond shaped, molded, intended for diversity, complexity, and robustness in form. Elongated diamond bodies functions as a poly-operational structure that addresses flows of energy, circulation, dynamic composites, both aesthetically and material make up. More images and architects’ description after the break.
The Organizing Committee of the Shenzhen & Hong Kong Bi-City Biennale Of Urbanism\Architecture announced the program for the fourth edition of the Biennale, which takes place December 8 to February 18 and is organized by the Chief Curator of the 2011 Biennale Terence Riley.
Selected from an international call for proposals, Mr. Riley is the first non-Chinese curator for the Shenzhen & Hong Kong Bi-City Biennale Of Urbanism\Architecture. Riley is an architect and partner in the architectural firm K/R, and the former director of Miami Art Museum. As the Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art New York, he played a key role in overseeing MoMA’s 2004 expansion project. More information on the event after the break.
The emergence of China on the global economic stage has been discussed at nauseum in myriad publications. But this emergence has had an impact on the world of architecture, providing a testing ground where architects can experiment with new ideas about sustainability and urban growth. These new ideas have been realized in recently completed structures, and more are just beginning construction or have been proposed for the future. More on these new buildings after the break.
The NASDAQ equivalent Shenzhen Stock Exchange by OMA, continues to progress forward nearing completion. The latest photographs of the new building, which poses a strong representation of capitalism in China, highlight the robust exoskeletal grid and the and complexity of construction.
“For millennia, the solid building stands on a solid base; it is an image that has survived modernity. Typically, the base anchors a structure and connects it emphatically to the ground. The essence of the stock market is speculation: it is based on capital, not gravity. In the case of Shenzhen’s almost virtual stock market, the role of symbolism exceeds that of the program – it is a building that has to represent the stock market, more than physically accommodate it. It is not a trading arena with offices, but an office with virtual organs that suggest and illustrate the process of the market.”
- OMA
More construction photographs of the Shenzhen Stock Exchange after the break.
For WORKac’s skyscraper design for the Shenzhen Metro Tower, the architects created a new a new kind of mixed density to promote a sustainable and a diverse stacked city. This vertical city holds places places of intense urban interchange that combine infrastructure, mixed uses, and public space. Located at an intersection with a horizontal crossroads of major boulevards, this vertical interchange between the underground metro, ground-level bus station, shopping podium and the offices and hotel above will essentially be linking the metro with the sky. ”We call this tower the Interchange – a vertical city that twists together natural green space with ecological systems, structural and functional efficiency with dramatic new forms and technology, while linking the underground to the sky,” added the architects.
More about the project after the break.
Continuing our coverage of the Shenzhen Stock Exchange (SSE), OMA recently shared the latest photographs of the building while under construction. The building, located in the downtown area of Shenzhen, China, is expected to reach completion in April 2011. The SSE, a new headquarters for China’s equivalent of the NASDAQ, is 132,000 sqm of offices, registration and clearing house, accessory area, securities information company, SSE office area, trading floor and technical operations. The floating podium design, which is suspended 36 meters over a public plaza, projects 54 meters from the base of the tower. The building broke ground in November of 2007, Rem Koolhaas along with local government and the officials from the SSE were in attendance. Check out our previous coverage here.
Follow the break for the latest photographs of SSE.
There are some buildings that have the power to make one step back and simply enjoy being part of our profession. For us, Steven Holl’s Horizontal Skyscraper does just that. As we’ve been sharing with you, it is a project that gracefully hovers above the Shenzhen landscape, allowing both the ground and the elevated ground plane to be occupied. The project balances the built with the natural as reflecting pools and lush greenery are interspersed with small restaurants and cafes, and as the “sunken cubes” of the main wings of the center – glass volumes offering 360 degree views – strengthen the connection with the landscape.
The building has recently been awarded a 2011 AIA Institute Honor Award for its architectural creativity and contextual thoughtfulness. The jury commented, “This project skips along from mound to mound and manipulates the landscape – it builds it up and shapes it into a powerful form above the land with inventive manipulation. The building is shading the landscape and letting it breath – integrated sustainability. A reinvented building type with the building floating over the landscape – dancing on the landscape.”
More information, with more photographs from Iwan Baan, after the break.
Atelier Hollein shared with us their latest project in Shenzhen, China. It’s a high-rise office building for which they received one of first prizes in the 4in1 Tower Competition in 2009. You can see more images and architect’s description after the break.
Our friend and architecture photographer, Iwan Baan , just published on his website some of his recently shot images of Steven Holl’s Horizontal Skyscraper in Shenzhen, China . The project is a long mixed-use complex which includes office spaces, apartments, a hotel and even a public landscape. Baan’s photos illustrate Holl’s idea that the “building appears as if it were once floating on a higher sea that has now subsided; leaving the structure propped up high on eight legs.”
Complete photoset at Iwan’s website, more images and more about the project after the break.
WORKac‘s design for a 1-kilometer section of Hua Qiang Bei Road in Shenzhen was awarded first prize. The design responds to the area’s growing commercial character which has unfortunately created traffic problems. For the proposal, the road becomes a series of “strategic interventions” where “five iconic lanterns”, (twisting bands of required program) create unique, visible destinations through a process of “urban acupuncture”.
More images and more about the design after the break.
