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Architects: Marmol Radziner
- Area: 4554 ft²
- Year: 2007


This project is one piece of the Los Angeles Police Department’s (LAPD) new headquarters facility, originally awarded through a competition to a team that included the LA office of DMJM/Design (now part of AECOM), Denver-based Roth+Sheppard, Studio 0.10, and John Friedman Alice Kimm Architects (JFAK).
Architect: John Friedman Alice Kimm Architects Location: Los Angeles, California, USA Project Area: 300,000 sqf Project Year: 2009 Photographs: Fotoworks





In 2010, Los Angeles Unified School District (LAUSD) held a design competition for a flexible solution to replace portable buildings across the district, and HMC Architects accepted the challenge. The district asked them to ignore their standards and put an emphasis on an ideas-based approach. They wanted creative, progressive responses to their problem, not dressed-up modular buildings. They challenged the traditional box shape of the classroom by looking at how the room is used and how it is currently under utilized. Although their design solution, which they named Flex, did not win the competition, their end product is a portable classroom solution that can be used at any school, with hope that their design can inspire other school districts to think differently when it comes to portable classrooms. More images and architects’ description after the break.


Pacific Design Center is pleased to present MonoVisioN, a selection of photographs from design and architectural photographer Scott Frances. The exhibition, on view from March 22nd to April 29th, is located among the Design Loves Art Galleries on the Second Floor of the Blue Building at the Pacific Design Center in Blue Space 231.

This 26,800 sqf home, designed by Shubin+Donaldson Architects, not only merges with its remarkable environment, but virtually disappears. Except for a few deft lines and angles – such as the ordered rows of the surrounding vineyard – there is very little perceivable ‘built’ presence. The entrance is marked by a single low wall, delicately cut into the land while sheltering a stairway that immediately begins the descent into the home.
Project description, images, and drawings after the break. Architect: Shubin+Donaldson Architects Location: Los Angeles, California, USA Partners in Charge: Russell Shubin and Robin Donaldson Project Designer: Bradford Kelley Project Area: 26,800 sqf Project Year: In development Renderings: Mike Amaya

“Material beyond Materials: A Composite Tectonics Conference on Advanced Materials and Digital Manufacturing” combines progressive presentations in the fields of architecture, the arts, engineering and materials research. The conference participants will present and discuss their most innovative ideas, projects and positions concerning materials, technology and the impact on the architecture and construction disciplines and professions.


Between February 14th and April 14th the Architecture and Design Museum of Los Angeles will be exhibiting work from several designers that challenge the ubiquitous approach to environmentally conscious architecture and the normative application of technology to achieve sustainability. SOUPERgreen is a collection of five architectural propositions that explore technology as a means to promote the engagement between architecture and environment.
More on this exhibition and the proposals after the break.



A+D, The Architecture and Design Museum of Los Angeles, presents Souper Green, an exhibition of new architectural work that offers a compelling alternative to the conventional idea of “being green” starting February 12th from 6pm-9pm to April 14th.
Highlighting the fact that technology is a key factor in the environmental crisis—to some a main cause, to others the best answer—this work questions the corresponding ways “green technology” is normally cast as a form of penance, and asked to “solve the problem” (as in “please-make-it-go-away-I-don’t-want-to-hear-about-it”). Instead, these five projects promote an attitude that looks at technology as a uniquely human means of expression, through which the “natural”—in its broadest sense—can be engaged and made more visible. More event description after the break.

