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Chicago: The City to See in '63

1960’s Chicago: cars zooming down Lake Shore Drive, crowds heading into the Opera House, people observing artworks in the Art Institute, and Chicagoans laying around Grant Park on a sunny day. These are just a few of the scenes captured by amateur filmmaker Margaret Conneely in her film The City to See in ’63. The people, neighborhoods, and architecture of Chicago are all captured in this well-crafted 12-minute, 16mm color film taped in 1962.

Conneely captures some key architectural sites in Chicago, including the construction of Marina City. In addition, there are clips of a few buildings that no longer exist such as the Chicago Sun-Times building, demolished in 2004; White Sox Park, demolished in 1991; and the first McCormick place, wrecked in 1967.

The film also covers different neighborhoods of Chicago including Lincoln Park, Logan Square, Garfield Park, and old Maxwell Street.

As shown in the film, Chicago has always been known for its spectacular array of architecture. To see more current architectural sites in Chicago, view our Architecture City Guide: Chicago.

Final Preservation: What Cinema Has That Architecture Doesn't

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Casa Malaparte, given new life by Jean-Luc Godard’s film Contempt. Image © Flickr User CC Sean Munson. Used under Creative Commons

This article comes courtesy of our friend and cenephile Charlotte Neilson, the author of the fascinating design blog Casting Architecture, which discusses architecture and production design.

The life of a building - a few hundred years, if a building is lucky - is just a blip when compared to the billions of years required to shape the natural landscape. Even briefer is the work of a film maker: a pursuit created for momentary entertainment, which reaches completion in just a couple of hours. Strange then, that film has often stepped in to preserve buildings who have met an early demise.

While Architecture and Film have always had an uncomfortable relationship (be it the movie industry’s portrayal of modern buildings as cold and soulless - and usually associated with less than savory occupants or the stereotyping of Architects themselves as delicate, impractical types), the inclusion of a building in a feature film can often become an important part of a building’s story. And sometimes its last bastion.

More on Architecture preserved on Film, after the break...

The 30 Architecture Docs To Watch In 2013

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With awards season in full swing, Hollywood's sparkly razamtaz occupies our television screens. But what about the unsung, architectural heros of film? What about the films that are less ‘Schindler's List’ and more ‘Schindlers Hauser’, less ‘Wrath Of Kahn’ and more ‘Louis Kahn’. We look past the panoply of stars to bring you 30 of the best Architecture Documentaries which will provoke, intrigue and beguile in 2013.

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From Psychopath Lairs to Superhero Mansions: How Cinema and Modernist Architecture Called A Truce

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Chemosphere, by John Lautner - the architect whose work has been most used (and abused) by Hollywood. Photo © Joshua White/JWPictures.com

This article comes courtesy of ArchDaily friend Charlotte Neilson, the author of the fascinating design blog Casting Architecture, which discusses architecture and production design. Charlotte is not only a dedicated cinephile but also an honours graduate of the University of Newcastle, Australia.

We all know that psychopaths prefer contemporary design. Hollywood has told us so for decades. The classic film connection between minimal interiors and emotional detachment (see: any Bond adversary) or modern buildings and subversive values is well documented - and regrettable. The modernist philosophy of getting to the essence of a building was intended to be liberating and enriching for the lives of occupants. Hardly fair then that these buildings are routinely portrayed with villainous associations. 

What the representation of Modernist architecture in film tells us about our society, after the break...

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ArchDaily Interviews Tomas Koolhaas, Director of 'REM', and features Exclusive New Clip

Cinematographer Tomas Koolhaas, son of notorious Rem Koolhaas, has shared with us his latest clips from the feature length documentary film, REM. Set to debut in 2013, the motion picture breaks away from conventional approach to filming architecture and exposes the raw, human experience of Dutch architect’s most famous projects. As Tomas describes, REM gives the audience “a rare insight into the reality of the hidden internal life of the buildings”.

ArchDaily had the chance to discuss the film with Tomas. Continue after the break for the complete interview and another small preview of the film!

Modern Tide: Midcentury Architecture on Long Island

The relationship between social dynamics and architecture has always been intimate. It is a constant dialogue between social norms and politics, stylistic trends and aesthetic choices, individual preferences and the collective good. The Modernist Period was a time when architecture took on the challenge of many social problems. In all the arts – architecture, design, music and film – the period was highly politicized and the choices often gave way to a utilitarian ideal that was a hybrid of efficiency, simplicity and comfort. Jake Gorst’s new film Modern Tide: Midcentury Architecture on Long Island, supported by Design Onscreen, is a message of preservation that takes us through the history of the modernist housing boom that took place on Long Island, NY in the period between the Great Depression and the 1970s.

On August 14th, Cook+Fox Architects hosted a private film screening at their office on 641 Ave of the Americas, presenting the treasures along the island’s shore that have fallen between the cracks of history. The film looks at works from Albert Frey, Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Philip Johnson, Charles Gwathmey, Barbara and Julian Neski and many others.

Follow us after the break to catch up on the history of the development of these houses on Long Island.

Happy 113th Birthday Alfred Hitchcock, Master Architect of Suspense

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Alfred Hitchcock. Photo via Wikimedia CC User El Matador.

Alred Hitchcock (13 August 1899 – 29 April 1980), who would have turned 113 today, is often known as the “Master of Suspense.” But we here at ArchDaily would like to tweak that moniker slightly, to the Master Architect of Suspense.

Hitchcock, who actually worked as a set designer in the 1920s, not only maintained meticulous control over his film sets as a director (many of which were mounted in studio), but incorporated many architectural themes into the narratives themselves.

More on Hitchcock’s use of Architecture, after the break…

Interiors Journal

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Mehruss Jon Ahi and Armen Karaoghlanian combined their educational backgrounds with Interiors, an online journal that marries architecture and film.

Interiors is an online journal, published on the 15th of each month, in which films are analyzed and diagrammed in terms of space. Interiors focuses on how space is used throughout a particular scene and how the architecture of the film impacts its narratives and characters.

Correction to Wim Wenders and Peter Zumthor Rumor

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Peter Zumthor © Andrew Meredith

It has been confirmed by Studio Wim Wenders and Atelier Peter Zumthor & Partners that the news of Wim Wenders devoting his new 3D documentary film on architecture to Peter Zumthor was in fact a rumor. Although Wenders will be conducting an artistic interview film with Zumthor for the upcoming 2012 Venice Biennale, it has nothing to do with his feature documentary. The Biennale interview film and the 3D documentary on architecture are two separate projects that were mistakenly combined by the source article. We apologize for the confusion.

Films & Architecture: "The Belly of an Architect"

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In ArchDaily we have mentioned films, whether because of its content closely related with Architecture, or because of the space, photography, atmosphere, or any other relevant feature to our practice that could mean a certain value through an Architect’s eyes.

From this week and on, we will propose a film for you to watch – enjoy – and comment if you want to share your thoughts about the movie with us. We have already a starting list which still open for your recommendations.

The first movie to introduce is a classic from the ’80, “The Belly of an Architect” by the British director Peter Greenaway.

More info after the break.

Video: Manhattan Memorious / Reiser + Umemoto

Created by Reiser + Umemoto for the Hong Kong & Shenzhen Bi-City Biennale, “Manhattan Memorious” explores what Manhattan could have been. The film visualizes several unrealized projects from Manhattan, including Buckminster Fuller’s dome over Midtown, Rem Koolhaas’ City of the Captive Globe, RUR’s East River Corridor, Paul Rudolph’s Eastside Redevelopment Corridor, Morphosis’ West Side Yard and others.

Architectural Dialogues / Sasha Waltz

Architectural Dialogues is a film by Sasha Waltz shot in the unconventional setting of three museums and cultural centers: Neues Museum in Berlin designed by David Chipperfield Architects in collaboration with Julian Harrap, MAXXI National Museum of the XXI Century Arts in Rome designed by Zaha Hadid and the Jewish Museum in Berlin designed by Daniel Libeskind.

More on the film with trailers after the break!

Wim Wenders to make 3D Documentary on Architecture

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© European Parliament / Pietro Naj-Oleari

Since Wim Wenders’s new documentary “Pina” hit the theaters this month, the online world hasn’t stopped talking about the German film director’s plan to create a 3D documentary film on architecture. In a recent interview with the Documentary Channel, Wenders revealed his plans stating, “I have actually already started a long-term project, another documentary in 3D. It will take several years, but it’s going to be about architecture. I have always wanted to do a film about architecture, and I have a lot of architect friends. But that is another subject I never really knew how to approach with film. I realized through PINA that architecture is something that could have a real affinity to this medium. We started shooting already, but it’s at the very, very beginning. That’s going to be my next documentary project in 3D, but I would definitely also do a narrative film in the future in 3D as well.”

Continue reading for more information and videos.

Films: Mur Murs + Get Out of the Car at the Barbican

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Mur Murs

Located at the heart of the city of London, the Barbican will be featuring the upcoming screening of Mur Murs (1981) and Get Out of the Car (2010) as part of their Architecture on Film season on November 29th at 7pm. More information on the films after the break.

Architecture & Design Film Festival 2010

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ADFF’s programming will offer a diverse selection of films including feature-length, documentary and shorts that explore how architects and designers think, work and create. The films profile visionary architects and designers, explore urban, social and environmental issues as well as the creative design process and product development.