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Mottled and Timeless: Why do Architects and Designers Specify Epoxy Terrazzo?

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Initially conceived as a way to use fragments from marble construction waste, terrazzo is a material widely used around the world, with its modern roots dating back centuries to Venice, Italy. Its aesthetic is unmistakable, characterized by mottled patterns and a wide range of colors poured onto the floor. It is not surprising that this material is widely appreciated by architects in various types of projects due to its unique appearance. A notable example of the use of terrazzo is the Guggenheim Museum in New York, designed by Frank Lloyd Wright. Upon discovering it during one of his trips, Wright recognized that thanks to its aesthetic appeal and versatility, it would endure as the museum's interior finish.

The evolution of construction materials has transformed terrazzo from the traditional mixture used by Wright, which included concrete as a binder, to a version that incorporates an epoxy matrix, enhancing its iconic aesthetic and integrating additional technical capabilities. Today, Terrazzo & Marble empowers contemporary designers to create distinctive patterns and vibrant color palettes that seamlessly align with the context of modern architecture. This is accomplished through four leading principles that guide architects in specifying epoxy terrazzo.

Terrazzo Floors Bring History to Life

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Terrazzo flooring, with its mosaic style of pieces of marble or granite set in polished concrete or epoxy resin, is known for its flexibility and remarkable durability. So it’s no wonder the method has been around for centuries.

With proper care during installation and use, it’s also possible for terrazzo floors to last a number of decades. “There are terrazzo floors that were installed in the early 1900s that are still nice looking jobs,” says James Bateman, terrazzo division manager of Terrazzo & Marble Supply Companies. Indeed, the style is known to some as ‘forever floors,’ a nod to its history and longevity.

Manifestations : The Immediate Future of 3D Printing Buildings and Materials Science

Manifestations : The Immediate Future of 3D Printing Buildings and Materials Science - Image 18 of 4
© Markus Kayser

The future potential to build and realize the concepts of the human mind lie just there, within the potential of the human mind. For years the architectural world has been struggling to keep up with the ability of pen-to-paper and the recent advents in NURB surface computer modeling, algorithmic and parametric architecture. This in-return has led to the  building and technology industry playing catch-up with the recent advances in 3D architectural visualizations. In fact, as computer-aided design invaded these practices in the 1980s, radically transforming their generative foundations and productive capacities, architecture found itself most out-of-step and least alert, immersed in ideological and tautological debates and adrift in a realm of referents severed from material production.